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An intimate account of Nicole Brown Simpson's marriage, her husband's abuse, and events leading up to her death, as told by her best friend.
On Christmas Day, 1926, twelve-year-old Clotilde “Coco” Irvine received a blank diary as a present. Coco loved to write—and to get into scrapes—and her new diary gave her the opportunity to explain her side of the messes she created: “I’m in deep trouble through no fault of my own,” her entries frequently began. The daughter of a lumber baron, Coco grew up in a twenty-room mansion on fashionable Summit Avenue at the peak of the Jazz Age, a time when music, art, and women’s social status were all in a state of flux and the economy was still flying high. Coco’s diary carefully records her adventures, problems, and romances, written with a lively wit and a droll sense of humor. Whether sneaking out to a dance hall in her mother’s clothes or getting in trouble for telling an off-color joke, Coco and her escapades will captivate and delight preteen readers as well as their mothers and grandmothers. Peg Meier’s introduction describes St. Paul life in the 1920s and provides context for the privileged world that Coco inhabits, while an afterword tells what happens to Coco as an adult—and reveals surprises about some of the other characters in the diary.
The funny, insightful, and inspiring story of a 1960s campus radical turned corporate PR man who finds himself, along with his fellow baby boomers, in a place called “Too Young to Retire and Too Old to Hire” James S. Kunen—author of The Strawberry Statement, an account of the 1968 student uprising at Columbia University—chronicles his adventures on the road to finding meaning in work and life. He traces his evolution from a rebellious youth who sees working as a kind of death, to a laid-off corporate executive who experiences not working as a kind of death, to a reinvented and reinvigorated individual who discovers something important and meaningful to do. The experience of falling victim to America’s recession-ravaged economy (and the people who run it) leads him along a career path far different from anything he had planned. After years of making a living, Kunen finally learns how to make a life. Diary of a Company Man will be a revelation not only to baby boomers but to young people trying to figure out what to do with their lives.
At the turn of the twentieth century, Ellen Rimbauer became the young bride of Seattle industrialist John Rimbauer, and began keeping a remarkable diary. This diary became the secret place where Ellen could confess her fears of the new marriage, her confusion over her emerging sexuality, and the nightmare that her life would become. The diary not only follows the development of a girl into womanhood, it follows the construction of the Rimbauer mansion called Rose Red; an enormous home that would be the site of so many horrific and inexplicable tragedies in the years ahead. The Diary of Ellen Rimbauer: My Life at Rose Red is a rare document, one that gives us an unusual view of daily life among the aristocracy in the early 1900s, a window into one woman's hidden emotional torment, and a record of the mysterious events at Rose Red that scandalized Seattle society at the time - events that can only be fully understood now that the diary has come to light. Edited by Joyce Reardon, Ph.D. as part of her research, the diary is being published as preparations are being made by Dr. Reardon to enter Rose Red and fully investigate its disturbing history.
“For those puzzled by Northern Ireland, Belfast Diary offers a well-written, sympathetic and clear-eyed view” of life during the Troubles (New York Times Book Review) In the late 1960s, the ongoing conflict between the Protestant unionists and Catholic nationalists of Northern Ireland—divided by their stance on the country’s constitutional position as part of the United Kingdom—escalated to new, terrifying heights. Chicago journalist John Conroy was there on the frontlines, living among the people most affected by it. In Belfast Diary, Conroy offers a street-level view of life in a Catholic Ghetto in West Belfast, painting vivid portraits of its citizens and the violence they faced during the Troubles: bomb threats, murder, police brutality, and more. Conroy’s recounting of this tumultuous moment in Northern Irish history has been hailed as the best explanation of the more than twenty-five-year conflict. Now with a new afterword, Belfast Diary conveys an understanding that is an essential prerequisite to peace: the resolution of intractable problems around the world requires understanding ordinary people as well as leaders.
An intimate exploration of inspiration and creativity, from the "parfumeur exclusif" of the house of Hermès. A scent has incantatory powers, capable of transporting you to your past, of kindling fantasies, of creating a vivid mise en scène—literally out of thin air. In the hands of the truly great, perfume creation is a kind of alchemy. Where does inspiration for this visceral art come from? How does one capture the essence of emotions, of desire? Jean-Claude Ellena has a sublime gift. As "parfumeur exclusif" (or "the nose") for Hermès, he elevates fragrance to an art form. A "writer of perfume," his concoctions are as finely composed and evocative as a haiku. He is also a conjurer of sorts: "I create an illusion that is actually stronger than reality . . . you enter the scent and follow the path." The Diary of a Nose is a collection of Ellena’s meditations on the world of scents, and what stirs his creation of some of the world’s most desired fragrances. Inspiration can come from anywhere—a market stall, a landscape, or even the movement of calligraphy. Though each smell has its own distinct character, a gifted perfumer creates olfactory experiences that are intensely personal and unique, that blossom on the body and leave a trace of us lingering after we have left a room. Seductive, delicate, and elegant as any of Ellena’s creations, The Diary of a Nose seeks to capture the most elusive facets of this rarefied and mysterious art.
John Steinbeck wrote The Grapes of Wrath during an astonishing burst of activity between June and October of 1938. Throughout the time he was creating his greatest work, Steinbeck faithfully kept a journal revealing his arduous journey toward its completion. The journal, like the novel it chronicles, tells a tale of dramatic proportions—of dogged determination and inspiration, yet also of paranoia, self-doubt, and obstacles. It records in intimate detail the conception and genesis of The Grapes of Wrath and its huge though controversial success. It is a unique and penetrating portrait of an emblematic American writer creating an essential American masterpiece.
Hurt people hurt people. Say there was a novel in which Holden Caulfield was an alcoholic and Lolita was a photographer’s assistant and, somehow, they met in Bright Lights, Big City. He’s blinded by love. She by ambition. Diary of an Oxygen Thief is an honest, hilarious, and heartrending novel, but above all, a very realistic account of what we do to each other and what we allow to have done to us.
The diary as a genre is found in all literate societies, and these autobiographical accounts are written by persons of all ranks and positions. The Diary offers an exploration of the form in its social, historical, and cultural-literary contexts with its own distinctive features, poetics, and rhetoric. The contributors to this volume examine theories and interpretations relating to writing and studying diaries; the formation of diary canons in the United Kingdom, France, United States, and Brazil; and the ways in which handwritten diaries are transformed through processes of publication and digitization. The authors also explore different diary formats including the travel diary, the private diary, conflict diaries written during periods of crisis, and the diaries of the digital era, such as blogs. The Diary offers a comprehensive overview of the genre, synthesizing decades of interdisciplinary study to enrich our understanding of, research about, and engagement with the diary as literary form and historical documentation.
Mattie Spenser and her new husband Luke start off to the west. As they live their life Mattie keeps a journal of the joys and frustrations of frontier life and marriage.