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"This is Tshenuwani Simon Farisani's harrowing account of the suffering inflicted on a single human being by the brutalities of apartheid. Farisani shows us the terror of torture, the fear of death, and the eventual victory of faith. "Here is a man of God, deeply committed to justice and peace, who has given himself in total solidarity with the struggle of his people to the cause of liberation in South Africa. Here is a Christian who has suffered the agonies of hell for the sake of his Lord, his calling as pastor, and his love for his people. Reading this autobiography is not only a priority but an absolute necessity." THE REV. DR. BEYERS NAUDÉ (1915-2004) Former General Secretary of the South African Council of Churches TSHENUWANI SIMON FARISANI is Branch President of the Commonwealth Parliamentary Association Office and Speaker of the Provincial Legislature of the Parliamentary Office of Limpopo, South Africa. He was the Dean of the Devhula circuit of the Evangelical Lutheran Church in South Africa, Northern Diocese, and imprisoned several times for his outspoken criticism of apartheid.
'An intriguing story of endurance and survival. A reminder of times, and the people who resisted them, that should never be forgotten.' – GILLIAN SLOVO In 1969, while a student at Wits University, John Schlapobersky was arrested for opposing apartheid. Thrown into a world that it is hard to believe ever existed, he was tortured, detained in solitary confinement and eventually deported. Half a century later, John sat down to write about what happened to him at 21. Calling on memory and two diaries he kept at the time – one written on toilet paper and the other in the Bible he was allowed – he describes being interrogated through sleep deprivation day and night and later writing secretly in solitary confinement. He remembers the singing of the condemned prisoners, and revisits the poetry, songs and texts that saw him through his ordeal. He reconstructs, in moving detail, the struggle for survival that finally transformed his life and supplements this with detailed research. He is now a leading psychotherapist and author and works closely with those who have similar histories. When They Came For Me is a vital historical document: a record of its time with lessons for ours.
One woman's harrowing, unforgettable account from the nadir of Jim Crow Mississippi
The Hidden History of South Africa's Book and Reading Cultures shows how the common practice of reading can illuminate the social and political history of a culture. This ground-breaking study reveals resistance strategies in the reading and writing practices of South Africans; strategies that have been hidden until now for political reasons relating to the country's liberation struggles. By looking to records from a slave lodge, women's associations, army education units, universities, courts, libraries, prison departments, and political groups, Archie Dick exposes the key works of fiction and non-fiction, magazines, and newspapers that were read and discussed by political activists and prisoners. Uncovering the book and library schemes that elites used to regulate reading, Dick exposes incidences of intellectual fraud, book theft, censorship, and book burning. Through this innovative methodology, Dick aptly shows how South African readers used reading and books to resist unjust regimes and build community across South Africa's class and racial barriers.
'The Jail Diary of Albie Sachs' is a dramatised adaptation for the RSC, first given at London's Covent Garden Warehouse in June 1978, of the famous South African white barrister's diary account of his imprisonment without trial during the 1960s apartheid era under the infamous 90 day law. As interrogators try to break his spirit, Sachs records his dealings with solitary confinement and loneliness.
Well-known anti-apartheid activist's diary of her incarceration in the Fort in Johannesburg in the seventies. Reproductions of paintings done in prison at the time are included
This reader is the most comprehensive selection of key texts on twentieth and twenty-first century print culture yet compiled. Illuminating the networks and processes that have shaped reading, writing and publishing, the selected extracts also examine the effect of printed and digital texts on society. Featuring a general introduction to contemporary print culture and publishing studies, the volume includes 42 influential and innovative pieces of writing, arranged around themes such as authorship, women and print culture, colonial and postcolonial publishing and globalisation. Offering a concise survey of critical work, this volume is an essential companion for students of literature or publishing with an interest in the history of the book.
Uncovers the story of how the politics of queer sexuality have played out in the struggle for multiracial democracy in South Africa
Wide-ranging and engaging, Selves in Question considers the various ways in which auto/biographical accounts situate and question the self in contemporary southern Africa.The twenty-seven interviews presented here consider both the ontological status and the representation of the self. They remind us that the self is constantly under construction in webs of interlocution and that its status and representation are always in question. The contributors, therefore, look at ways in which auto/biographical practices contribute to placing, understanding, and troubling the self and selves in postcolonies in the current global constellation. They examine topics such as the contexts conducive to production processes; the contents and forms of auto/biographical accounts; and finally, their impact on the producers and the audience. In doing so they map out a multitude of variables--including the specific historical juncture, geo-political locations, social positions, cultures, languages, generations, and genders--in their relations to auto/biographical practices. Those interviewed include the famous and the hardly known, women and men, writers and performers who communicate in a variety of languages: Afrikaans, English, Xhosa, isiZulu, Sesotho, and Yiddish. An extensive introduction offers a general framework on the contestation of self through auto/biography, a historical overview of auto/biographical representation in South Africa up to the present time, an outline of theoretical and thematic issues at stake in southern Africa auto/biography, and extensive primary and secondary biographies. Interviewees: Breyten Breytenbach, Dennis Brutus, Valentine Cascarino, Vanitha Chetty, Wilfred Cibane, Greig Coetzee, J. M. Coetzee, Paul Faber, David Goldblatt, Stephen Gray, Dorian Haarhoff, Rayda Jacobs, Elsa Joubert, K. Limakatso Kendall, Ester Lee, Doris Lessing, Sindiwe Magona, Margaret McCord, N. Chabani Manganyi, Zolani Mkiva, Jonathan Morgan, Es’kia Mphahlele, Rob Nixon, Mpho Nthunya, Robert Scott, Gillian Slovo, Alex J. Thembela, Pieter-Dirk Uys, Johan van Wyk, Wilhelm Verwoerd, David Wolpe, D. L. P.Yali Manisi.