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Traces the development of Catholic cultures in the South, the Midwest, the West, and the Northeast, and their contribution to larger patterns of Catholicism in the United States Most histories of American Catholicism take a national focus, leading to a homogenization of American Catholicism that misses much of the local complexity that has marked how Catholicism developed differently in different parts of the country. Such histories often treat northeastern Catholicism, such as the Irish Catholicism of Boston, as if it reflects the full history and experience of Catholicism across the United States. The Making of American Catholicism argues that regional and transnational relationships have been central to the development of American Catholicism. The American Catholic experience has diverged significantly among regions; if we do not examine how it has taken shape in local cultures, we miss a lot. Exploring the history of Catholic cultures in New Orleans, Iowa, Wisconsin, Los Angeles, and New York City, the volume assesses the role of region in American Catholic history, carefully exploring the development of American Catholic cultures across the continental United States. Drawing on extensive archival research, The Making of American Catholicism argues that American Catholicism developed as transnational Catholics creatively adapted their devotional and ideological practices in particular American regional contexts. They emphasized notions of republicanism, individualistic capitalism, race, ethnicity, and gender, resulting in a unique form of Catholicism that dominates the United States today. The book offers close attention to race and racism in American Catholicism, including the historical experiences of African American and Latinx Catholics as well as Catholics of European descent.
This new edition of Historical Archaeologies of Capitalism shows where the study of capitalism leads archaeologists, scholars and activists. Essays cover a range of geographic, colonial and racist contexts around the Atlantic basin: Latin America and the Caribbean, North America, the North Atlantic, Europe and Africa. Here historical archaeologists use current capitalist theory to show the results of creating social classes, employing racism and beginning and expanding the global processes of resource exploitation. Scholars in this volume also do not avoid the present condition of people, discussing the lasting effects of capitalism’s methods, resistance to them, their archaeology and their point to us now. Chapters interpret capitalism in the past, the processes that make capitalist expansion possible, and the worldwide sale and reduction of people. Authors discuss how to record and interpret these. This book continues a global historical archaeology, one that is engaged with other disciplines, peoples and suppressed political and economic histories. Authors in this volume describe how new identities are created, reshaped and made to appear natural. Chapters in this second edition also continue to address why historical archaeologists study capitalism and the relevance of this work, expanding on one of the important contributions of historical archaeologies of capitalism: critical archaeology.
"She finds that a significant number of printers independently developed similar responses to the deskilling of their craft and the threat of unemployment. Demonstrating a widespread consistency in themes and expressive forms in the printers' occupational narratives, Holtzberg-Call shows that what once served as the printers' rhetoric of tradition is now their rhetoric of displacement. Initiation rites, long apprenticeships, a complex and peculiar jargon, and a gallery of legendary figures once bound hot-metal printers into a specialized, highly regarded occupational folk community. The hot-metal printers' lore has survived in an exemplary form that functions as a source of reconciliation with the demise of their craft." "Holtzberg-Call analyzes how and why the printers traditionalize and idealize their work experience, drawing parallels between the shift from mechanical to computer typesetting and an equally disconcerting transition in the nineteenth century, when Linotype deposed handset type. She also shares her knowledge of the many aspects of hot-metal printing culture, from the life of the tramp printer to the meanings of various printing terms to the operation of a Linotype machine. One gains a sense of the conditions in the old type shops, where long hours, excessive heat, and poorly ventilated fumes from solvent, ink, and molten lead were the crucible in which camaraderie, pride, and fulfillment were forged.".
This book draws together essays on modern British history, empire, liberalism and conservatism in honour of Trevor O. Lloyd, Emeritus Professor of Modern British history at the University of Toronto for some thirty years beginning in the 1960s. With Lloyd best known for his two histories of the Empire and of domestic Britain, published in the Short Oxford History of the Modern World series, as well as his pioneering psephological study of the 1880 General Election, the essays include analyses of Anglo-Irish relations, Florence Nightingale, Canada, muckrackers, the Primrose League and prisoners of war during World War II.