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This book is for all the directors and dramaturges, all the cast members on stage and all the crew members behind the scenes, who will pool their talents to present new productions of Fiddler on the Roof from 2017 to 2039. As you gather in high schools, colleges, and community theatres, as you travel from city to town on road tours, whatever country you live in and whatever language you speak, I hope this book will be a reliable companion. I hope you will find answers in these pages to the many questions I know you will have. I hope my words will help you beckon to the fiddler so that you can bring him with you on your journey. And most important, I hope that through you, new audiences will come to see the many facets of this brilliant Jerome Robbins diamond. And to the rest of you, to budding feminists and learned academics and lovers of Broadway, be you Papas, Mamas, Sons, or Daughters, if you are rabbis or butchers or any profession in between, whether you are a rich man or only the wife of a poor tailor, you are entitled to some happiness... so I hope you like it too.
This book is for all the directors and dramaturges, all the cast members on stage and all the crew members behind the scenes, who will pool their talents to present new productions of Fiddler on the Roof from 2017 to 2039. As you gather in high schools, colleges, and community theatres, as you travel from city to town on road tours, whatever country you live in and whatever language you speak, I hope this book will be a reliable companion. I hope you will find answers in these pages to the many questions I know you will have. I hope my words will help you beckon to the fiddler so that you can bring him with you on your journey. And most important, I hope that through you, new audiences will come to see the many facets of this brilliant Jerome Robbins diamond. And to the rest of you, to budding feminists and learned academics and lovers of Broadway, be you Papas, Mamas, Sons, or Daughters, if you are rabbis or butchers or any profession in between, whether you are a rich man or only the wife of a poor tailor, you are entitled to some happiness... so I hope you like it too. - Jan Lisa Huttner.
Companion CD contains 13 recordings from 1942-1952.
This book offers a fascinating and insightful overview of seven centuries of murder in Europe. It tells the story of the changing face of violence and documents the long-term decline in the incidence of homicide. From medieval vendettas to stylised duels, from the crime passionel of the modern period right up to recent public anxieties about serial killings and underworld assassinations, the book offers a richly illustrated account of murder’s metamorphoses. In this original and compelling contribution, Spierenburg sheds new light on several important themes. He looks, for example, at the transformation of homicide from a private matter, followed by revenge or reconciliation, into a public crime, always subject to state intervention. Combining statistical data with a cultural approach, he demonstrates the crucial role gender played in the spiritualisation of male honour and the subsequent reduction of male-on-male aggression, as well as offering a comparative view of how different social classes practised and reacted to violence. This authoritative study will be of great value to students and scholars of the history of crime and violence, criminology and the sociology of violence. At a time when murder rates are rising and public fears about violent crime are escalating, this book will also interest the general reader intrigued by how our relationship with murder reached this point.
Poet, essayist, and novelist Floyd Skloot continues his exploration of human resilience in 'The Fiddler's Trance', his third full-length collection of poems. Skloot's poems investigate the phenomenon of sudden change in our lives, when all we understood about ourselves and our worlds is called into question and we must find a new way of seeing.
No. 10 accompanied by atlas.
This comprehensive book is a facsimile edition of the original collection published in 1883. It has survived over the years because it is one of the richest and most interesting of the 19th century instrumental collections as well as a resource for students of American vernacular music. Examining the cultural exchange between minstrelshow, ethnic music and even classical music influenced some of the genres of what we now call American music. Ryan's Mammoth Collection contains a significant number of reels, jigs, hornpipes, clogs, walk-arounds, essences, strathspeys, highland flings, and contradances that arestill played by both traditional and professional fiddlers. A special section containing historical notes and comments is included