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Swiss critic Johann Georg Sulzer's Dialogues on the Beauty of Nature (1750) and Reflections on Certain Topics of Natural History (1745) are exemplary specimens of eighteenth-century European theology, philosophy, natural history, and aesthetics. Sulzer's contemporaries-notably Goethe-read him with attention. Eric Miller's elegant translation comes with a vivid, informative, and strongly contextualizing introduction. Sulzer's early works are a curio cabinet of the philosophical and theological arguments that exercised and enticed the intelligentsia of his period. These topics and arguments have by no means forfeited pertinence today.
The essays in this volume provide new readings of Kant’s account of human nature. Despite the relevance of human nature to Kant’s philosophy, little attention has been paid to the fact that the question about human nature originally pertains to pure reason. The chapters in this volume show that Kant’s point is not to state once and for all what the human being actually is, but to unite pure reason’s efforts within a unitary teleological perspective. The question about human nature is the cornerstone of reason’s unity in its different activities and domains. Kant’s question about human nature goes beyond our empirical inquiries to show that the notion of humanity represents the point of convergence and unity of pure reason’s most fundamental interests. Kant on Freedom and Human Nature will appeal to scholars and advanced students working on Kant’s philosophy.
This book is an introduction to the history of the concept and the institution of (fine) art, from its ancient Southern European roots to the establishment of the modern system of the arts in eighteenth century Central Europe. It highlights the way the concept and institution of (fine) art, through colonialism and diaspora, conquered the world. Ryynänen presents globally competing frameworks from India to Japan but also describes how the art system debased local European artistic cultures (by women, members of the working class, etc) and how art with the capital A appropriated not just non-Western but also Western alternatives to art (popular culture). The book discusses alternative art forms such as sport, kitsch, and rap music as pockets of resistance and resources for future concepts of art. Ultimately, the book introduces nobrow as an alternative to high and low, a new concept that sheds light on the democratic potentials of the field of art and invites reader to rethink the nature of art.
Technology has extended its reach to the human body, not just in a literal sense, through implants, transplants and technological substitutes for biological organs, but in a more figurative sense too. Technological infrastructure and the institutions of a technified society today determine what perception is, how we communicate and what forms of human relationship with the natural world are possible. A fundamental new conception of technology is urgently needed. Technology can no longer be seen as a means for efficiently attaining pre-established ends. Rather, it must be seen as a total structure which makes new forms of human action and human relationship possible, while limiting the possibilities of others. In Invasive Technification, acclaimed German philosopher Gernot Böhme offers a reading of technology that explores the many dimensions in which technology presents challenges for modern human beings. It is a book about the preservation of humanity and humane values under the demanding conditions of a technically advanced civilisation and makes a major contribution to the contemporary philosophy of technology.
The Form of Becoming offers an innovative understanding of the emergence around 1800 of the science of embryology and a new notion of development, one based on the epistemology of rhythm. It argues that between 1760 and 1830, the concept of rhythm became crucial to many fields of knowledge, including the study of life and living processes. The book juxtaposes the history of rhythm in music theory, literary theory, and philosophy with the concurrent turn in biology to understanding the living world in terms of rhythmic patterns, rhythmic movement, and rhythmic representations. Common to all these fields was their view of rhythm as a means of organizing time — and of ordering the development of organisms. Janina Wellmann, a historian of science, has written the first systematic study of visualization in embryology. Embryological development circa 1800 was imagined through the pictorial technique of the series, still prevalent in the field today. Tracing the origins of the developmental series back to seventeenth-century instructional graphics for military maneuvers, dance, and craft work, The Form of Becoming reveals the constitutive role of rhythm and movement in the visualization of developing life.
In The Problem of Being Modern, Thomas P. Saine provides a lucid introduction to German thought in the eighteenth century and the struggle of Enlightenment philosophers and writers to come to grips with the profound philosophical and theological implications of new scientific developments since the seventeenth century. He concentrates on those points at which the essential modernity and the secular viewpoint of the Enlightenment conflicted with traditional thought structures rooted in the religious world view that governed attitudes and behavior far into the eighteenth century.
This book reflects on science education in the first 20 years of the 21st century in order to promote academic dialogue on science education from various standpoints, and highlights emergent new issues, such as education in science education research. It also defines new research agendas that should be “moved forward” and inform new trajectories through the rest of the century. Featuring 21 thematically grouped chapters, it includes award-winning papers and other significant papers that address the theme of the 2018 International Science Education Conference.