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This Is A New Release Of The Original 1909 Edition.
The study of the Second Sophistic is a relative newcomer to the Anglophone field of classics, and much of what characterizes it temporally and culturally remains a matter of legitimate contestation. This Handbook offers a diversity of scholarly voices that attempt to define the state of this developing field. Included are chapters that offer practical guidance on the wide range of valuable textual materials that survive, many of which are useful or even core to inquiries of particularly current interest (e.g., gender studies, cultural history of the body, sociology of literary culture, history of education and intellectualism, history of religion, political theory, history of medicine, cultural linguistics, intersection of the classical traditions and early Christianity).
"Trips to the Moon" by Of Samosata Lucian was originally written in the 2nd century, though it was later translated in the late 1800s. A satire about society through the lens of the ancient Greeks, the book is just as fun and insightful to read now as it was nearly two thousand years ago when it was first penned.
Building the Canon through the Classics. Imitation and Variation in Renaissance Italy (1350-1580) provides a comprehensive reappraisal of the construction of a literary canon in Renaissance Italy by exploring the multiple reuses of classical authorities. The volume reshapes current debate on the notion of canon by intertwining two perspectives: analyzing when and in what form a canon emerged, and determining the ways in which an ancient literary canon interacts with the urge to bestow a similar authority on some later and contemporaneous authors. Each chapter makes an original contribution to its selected topic, but the collective strength of the volume relies on its simultaneous appeal to readers in Italian Studies, intellectual history, comparative studies and classical reception studies.
Giovanni Pontano (1426–1503), whose academic name was Gioviano, was the most important Latin poet of the fifteenth century as well as a leading statesman who served as prime minister to the Aragonese kings of Naples. His Dialogues are our best source for the humanist academy of Naples which Pontano led for several decades. They provide a vivid picture of literary life in the capital of the Aragonese seaborne empire, based in southern Italy and the Western Mediterranean. This first volume contains the two earliest of Pontano’s five dialogues. Charon, set in the underworld of classical mythology, illustrates humanist attitudes to a wide range of topics, satirizing the follies and superstitions of humanity. Antonius, a Menippean satire named for the founder of the Neapolitan Academy, Antonio Beccadelli, is set in the Portico Antoniano in downtown Naples, where the academicians commemorate and emulate their recently-deceased leader, conversing on favorite topics and stopping from time to time to interrogate passersby. This volume contains a freshly-edited Latin text of these dialogues and the first translation of them into English.
By the time of Lucian, popular religion had ceased to hold much influence over the hearts of the cultured classes. Philosophy was the new God, but there were efforts in some circles to divert men's minds from the philosophical sects and restore a sort of unorthodox faith in the old religion. Against this artificial revival of mythological faith, Lucian pitted the influence of his tremendous satirical powers. In the "Dialogues of the Gods," he pulls the curtain aside-exposing the Gods as they engage in private disputes, domestic brawls, and love affairs, with their jealousies and scandals, their paltry strifes and petty motives. The lesson is simple: Can one worship beings with such weaknesses, such foibles, and such scandalous and immoral lives? This new translation by Baudelaire Jones breathes fresh life into ancient deities such as Zeus, Hera, Hermes, Aphrodite, Poseidon, and Athena, revealing complex, contradictory, sex-obsessed creatures that modern mortals can surely relate to.
Round Trip to Hades in the Eastern Mediterranean Tradition explores the theme of visits to the underworld in the ancient Greek and Byzantine traditions from a broad perspective including written sources, iconography and archaeology.