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For Charles Schine, it began as a quiet, ordinary day with a simple commute to work . . . until he meets the seductive, mysterious Lucinda Harris -- an encounter that will irrevocably wreck his life. From multi-talented writer James Siegel comes a highly charged, suspenseful tale of murder, betrayal, and revenge. Warner Books is proud to present Siegel's newest thriller, featuring rich characterizations and a scintillating plot that builds to an explosive climax sure to stun readers.
Dialogues for Discovery: Improving Psychotherapy's Effectiveness teaches psychotherapists of all modalities how to help their clients make more frequent and higher quality discoveries in every therapy session. Detailed therapist-client dialogues in each chapter illustrate the client-centered and collaborative 4-Stage Model of Socratic Dialogue, as well as other guided discovery approaches such as behavioural experiments, imagery exercises, and role plays. Guidelines for expert use of Socratic dialogue are highlighted to help therapists avoid common therapy traps that frequently derail therapy progress, as well as effective strategies for navigating and overcoming them. Chapters are written by international experts on each topic and each includes guiding principles to help therapy stay on track, summarized in “Keep in Mind” boxes. Reader Learning Activities at the end of each chapter suggest a variety of ways to tailor the skills taught to one's own therapy / supervision practice or classroom settings, as well as Reflective Practice Worksheets which further personalize and help consolidate therapist application and development of Dialogue for Discovery skills. Although Socratic questioning is most commonly associated with cognitive behavioural therapy (CBT), this book offers a vision for how these processes can infuse all types of psychotherapy and lead to discoveries that transform client lives for the better.
Across our differences, people everywhere wish to be heard, to be known, and to be understood. When these needs are met, individuals have the potential to flourish, and communities can work together in common cause. Yet, in the current argument culture, the power of communication to meet these needs remains largely untapped, and the ability to resolve shared problems is compromised. This book explores the roots of this communication crisis and offers a realistic means to reconnect, to build community, and to make just and wise decisions together.
The influence of religion on culture is as strong as ever, but the shape of that influence is unique in today's pluralistic society. In Christianity in the Modern World, Ambrose Mong examines critically themes of religious commitment and tolerance, attitudes towards other religions, and the sociological aspects of religion and inter-religious dialogue. He provides an overview of factors that challenge traditional religion, from the relationship between monotheistic and polytheistic beliefs to the history of tolerance and intolerance in the church and the future of secularism. Following the global ethics formulated by the late Hans Kung, Mong also engages with the dialogue between Jurgen Habermas and Joseph Ratzinger to provide an extensive defence of the importance of inter-religious dialogue, with particular relevance to multiple religious belonging in the Asian context. Scholars of world religions will find Mong's analysis compelling, while students will find his introduction to the historical dialectics underlying many of today's tensions illuminating.
Distrust, divisiveness, and conflict run rampant in today's world. Human relations are strained, communication gaps and breakdowns pervade. Yet whether within couples, families, friendships, workplaces, communities, or institutions across our nation and planet, defending our own positions and attacking those of the "Other" has not solved our problems. Maybe it's time to explore how to communicate together in ways that bring connection and healing. In our stressful era the practice of person-centered dialogue offers both hope and help.
The psychoanalytic unconscious is a slippery set of phenomena to pin down. There is not an accepted standard form of research, outside of the clinical practice of psychoanalysis. In this book a number of non-clinical methods for collecting data and analysing it are described. It represents the current situation on the way to an established methodology. The book provides a survey of methods in contemporary use and development. As well as the introductory survey, chapters have been written by researchers who have pioneered recent and effective methods and have extensive experience of those methods. It will serve as a gallery of illustrations from which to make the appropriate choice for a future research project. Methods of Research into the Unconscious: Applying Psychoanalytic Ideas to Social Science will be of great use for those aiming to start projects in the general area of psychoanalytic studies and for those in the human/social sciences who wish to include the unconscious as well as conscious functioning of their subjects.
Demonstrating a relational, dialogic way of thinking and writing, this book offers an innovative perspective on the human potential for intersubjective engagement and on the nature of true encounter. The authors engage in creative, associative dialogues and trialogues inspired by psychoanalysis and Buddhism, poetry and religion, theory and case studies, academic and free styles of writing – each enriching the other. Reflecting on the essence of relating, they convey a flow between inner, private reveries and shared ones, and between individual expressions of thought and evolvements of newly born thirds. Through this interdisciplinary, experimental setting, the authors explore the possibility to reach truths and meanings that each individual would not have achieved on their own. Offering new concepts and formulations that may nourish psychotherapists’ thought and be usefully implemented in their practice, this book presents a pressingly unique and essential viewpoint for psychoanalysts and psychoanalytic psychotherapists in training and in practice.
In this highly original and provocative book, Sara Ahbel-Rappe argues that the Platonic dialogues contain an esoteric Socrates who signifies a profound commitment to self-knowledge and whose appearances in the dialogues are meant to foster the practice of self-inquiry. According to Ahbel-Rappe, the elenchus, or inner examination, and the thesis that virtue is knowledge, are tools for a contemplative practice that teaches us how to investigate the mind and its objects directly. In other words, the Socratic persona of the dialogues represents wisdom, which is distinct from and serves as the larger space in which Platonic knowledge—ethics, epistemology, and metaphysics—is constructed. Ahbel-Rappe offers complete readings of the Apology, Charmides, Alcibiades I, Euthyphro, Lysis, Phaedrus, Theaetetus, and Parmenides, as well as parts of the Republic. Her interpretation challenges two common approaches to the figure of Socrates: the thesis that the dialogues represent an "early" Plato who later disavows his reliance on Socratic wisdom, and the thesis that Socratic ethics can best be expressed by the construct of eudaimonism or egoism.
The long and distinguished tradition of the literary vampire began in Germany during the Age of Enlightenment. German literature was the first to adapt the vampire figure from central European folklore and superstition and give it literary form. Despite these German origins, scholarly attention devoted to literary vampires has consistently focused on a select set of sources: British and French literature, Bram Stoker’s Dracula, and the phenomenon of the vampire superstition in general. While there have been many illuminating studies of pre-literary vampires and vampires that have already been firmly established as literary figures, the story of the crucial moment of transition from folkloric figure to literary subject has not yet been told. In The Origins of the Literary Vampire Heide Crawford redirects scholarly attention to the body of German poetry and prose where vampire folklore becomes vampire literature. This book focuses on the adaptation of the vampire superstition from central European folklore by German poets in the 18th and early 19th centuries for an audience that had become increasingly interested in superstition and occult phenomena in an Age of Enlightenment. In addition to establishing that the origins of the literary vampire in 18th and 19th century German poetry and prose were informed by the stories and reports of vampires from Central Europe, Crawford argues that the German poets who adapted this figure from superstition for their creative work immediately molded it into a metaphor for contemporary cultural anxieties and fears—a connection that would inspire horror literature in general and the traits of the literary vampire in particular for the 19th century and beyond. Contemporary culture has exhibited a marked fascination with eroticized and politicized applications of the vampire. This volume traces these erotic motifs, common political motifs and others to the first vampire poems that were written by German poets. Consequently, this book answers three central questions: What were the origins of the literary vampire; how was the vampire of folklore and superstition adapted for literature; and how did German poets contribute to the development of the vampire and Gothic horror literature? By answering these and other questions, The Origins of the Literary Vampire explains how the literary vampire became the ubiquitous horror figure it is today.
Dr. Bach composes diverse clinical experiences into a coherent portrait of the narcissitic patients.