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Using concepts from attachment theory, D.H. Lawrence and Attachment presents innovative readings of Lawrence's fiction. Ronald Granofsky teases out hidden patterns in Lawrence's work, deepening our understanding of his fictional characters and revealing new significance to key thematic concerns like gender identification, marriage, and class.
Though we all face a tug of war between dependency and autonomy while growing up, British author D.H. Lawrence (1885–1930) experienced the struggle with particular intensity. Later in life, his acute observational skills, high emotional intelligence, and expressive abilities would allow him to articulate this conflict in his works as few other writers have. Applying concepts from attachment theory, D.H. Lawrence and Attachment presents innovative readings of a broad swath of Lawrence’s fiction. Ronald Granofsky teases out hidden patterns in Lawrence’s work, deepening our understanding of his fictional characters and revealing new significance to key thematic concerns like gender identification, marriage, and class. Lawrence’s too-close relationship with his own mother, in particular, was the foundation for his lifelong interest in attachment, as well as the impetus for his literary exploration of the delicate balance between the desire for closeness and the need for separation. While the theories of Margaret S. Mahler, D.W. Winnicott, John Bowlby, and others were developed after Lawrence’s death, his writing about relationships - and how they are influenced by early childhood experiences - bears a striking resemblance to the concepts of attachment theory. The Lawrence who emerges from D.H. Lawrence and Attachment is a psychological writer of great power whose intuitive insights into the vagaries of attachment resulted in rich, complex fiction.
Showcasing the most exciting contemporary scholarship on D. H. Lawrence, this comprehensive collection serves as both an overview of the field at present as well as an examination of new approaches and directions in D. H. Lawrence studies. Explicitly interdisciplinary in its focus and covering fields such as Bibliotherapy, sustainability and animal studies, this book: · Provides new insights into Lawrence as a transnational figure whose work responds to global cultures; · Considers Lawrence in light of broader developments within modernist studies; · Examines Lawrence's work in relation to material cultures and his engagements with print, publishing and literary networks. Contributors are comprised of established international experts in D. H. Lawrence studies as well as newer voices. This collection provides a comprehensive resource for literature students at all levels, from undergraduates and postgraduates to scholars and advanced readers interested in developing their knowledge of D. H. Lawrence.
Originally published in 1991, the first volume of the three-volume Cambridge Biography of D. H. Lawrence reveals a complex portrait of an extraordinary man.
D. H. Lawrence's "The Complete Novels" offers a comprehensive collection of the author's works, showcasing his signature style of psychological realism and exploration of human relationships in the context of early 20th-century England. Lawrence's ability to dissect the complexities of love, desire, and societal expectations is evident in each novel, making this anthology a must-read for those interested in modernist literature. His use of vivid imagery and introspective storytelling sets him apart as a master of prose, with each novel holding a mirror to the human experience. The compilation includes celebrated works such as "Sons and Lovers," "Women in Love," and "Lady Chatterley's Lover. D. H. Lawrence's own tumultuous personal life and unconventional views on sexuality and relationships greatly influenced his writing, infusing his novels with a raw and provocative honesty that continues to resonate with readers today. This comprehensive collection serves as a testament to Lawrence's enduring legacy in the literary world. I highly recommend D. H. Lawrence's "The Complete Novels" to enthusiasts of modernist literature and those intrigued by profound explorations of the human psyche. This anthology provides a captivating insight into the complexities of human emotions and societal constraints, making it a timeless addition to any reader's collection.
One of the most controversial yet celebrated names in English Literature, D. H. Lawrence (1885-1930) wrote his first novel The White Peacock in 1931. Lawrence's novels like Women in Love (1920) and Lady Chatterly's Lover (1928) were banned for explicit description of sexual activity and had to be privately printed. Lawrence's personal life was beset with turmoil. His childhood was scarred by a traumatic sexual experience .In 1912, he ran away with Frieda Weekly, his professor's wife. In 1929, Lawrence became seriously ill and died of tuberculosis on 2 March 1930.
Analyses key texts by D.H. Lawrence, John Cowper Powys, Mary Butts and Virginia Woolf, charting their respective attempts to forge new identities, perspectives and literary approaches that reconcile tradition and modernity, belonging and exploration, the rural and the metropolitan.