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Pebbles are usually found only on the beach, in the liminal space between land and sea. But what happens when pebbles extend inland and create a ridge brushing against the sky? Landscape in the Longue Durée is a 4,000 year history of pebbles. It is based on the results of a four-year archaeological research project of the east Devon Pebblebed heathlands, a fascinating and geologically unique landscape in the UK whose bedrock is composed entirely of water-rounded pebbles. Christopher Tilley uses this landscape to argue that pebbles are like no other kind of stone – they occupy an especial place both in the prehistoric past and in our contemporary culture. It is for this reason that we must re-think continuity and change in a radically new way by considering embodied relations between people and things over the long term. Dividing the book into two parts, Tilley first explores the prehistoric landscape from the Mesolithic to the end of the Iron Age, and follows with an analysis of the same landscape from the eighteenth into the twenty-first century. The major findings of the four-year study are revealed through this chronological journey: from archaeological discoveries, such as the excavation of three early Bronze Age cairns, to the documentation of all 829 surviving pebble structures, and beyond, to the impact of the landscape on local economies and its importance today as a military training camp. The results of the study will inform many disciplines including archaeology, cultural and art history, anthropology, conservation, and landscape studies.
This book presents a series of Mann's paintings that represent his life as a painter, showing how his work has developed and changed. The paintings are photographed where they actually hang in his house.
In Praise of Devon is an evocation of the unique character of the county and its people. John Lane eloquently describes Devon’s rivers, coastline and moors; its towns, villages and buildings; its beautiful images and objects, traditions and occupations—from Dartmoor to Devonshire dialect, Church Bells to Cream Teas, Honiton Lace to Holy Wells—and gives intimate sketches of the lives and values of twenty Devonians, including farmers, a trawlerman, a doctor, a cook, the sculptor Peter Randall Page, potter Clive Bowen and scientist James Lovelock. The text is complemented by 140 colour plates:?photographs, engravings and old master paintings of the Devon countryside.
The English landscape is steeped in ruins. Markers of the nation’s rich and often turbulent history, ruins represent not only the passing of time but also the constant presence of the past. In English Ruins, renowned architectural historian Jeremy Musson explores some of England’s most evocative derelict and abandoned buildings, from churches, castles and forts to country houses, industrial works and even entire villages. Following a wide-ranging introduction examining the role of the English ruin in defining the nation’s identity, Musson surveys each of the featured sites, revealing its past, present and future in fascinating detail. Lavishly illustrated throughout with stunning images by Paul Barker, one of the country’s foremost architectural photographers, English Ruins is an invaluable guide to a much-loved aspect of English history.
Come into our garden! This book of twenty-six images and twenty-six essays is for all lovers of flowers and gardening. Two women, a digital artist and a writer, have created floral art and words that give a unique, personal tour of what it means to be a gardener.
Parks and gardens in eighteenth-century England are usually seen as works of art created by individual geniuses like William Kent, Capability Brown and Humphry Repton. But this narrow view wasn't necessarily shared by contemporaries, and Tom Williamson in this thought-provoking book reveals that the aristocracy and gentry, who paid for these private landscapes and lived in them, were motivated by more complex interests and needs. Landowners had strong ideas of their own about how their property should look and how it should function. The park and garden were part of a working estate consisting of farms and forestry enterprises, and the surroundings of the country house were shaped to suit the requirements of hunting, shooting, riding and other recreational activities as well as to conform to the aesthetic principles of philosophers and landscape gardeners. Tom Williamson's pioneering study concentrates on the wider social, economic and political implications of these elaborate private landscapes. He emphasizes the practical relationship between the landowners who were demanding customers and the designers who were businessmen as well as artists. In the process he shows how changing fashions in the layout of gentlemen's pleasure grounds were related to broader currents of social and economic development in eighteenth-century England.
This comprehensive and authoritative guide offers an evidence-based overview of healing gardens and therapeutic landscapes from planning to post-occupancy evaluation. It provides general guidelines for designers and other stakeholders in a variety of projects, as well as patient-specific guidelines covering twelve categories ranging from burn patients, psychiatric patients, to hospice and Alzheimer's patients, among others. Sections on participatory design and funding offer valuable guidance to the entire team, not just designers, while a planting and maintenance chapter gives critical information to ensure that safety, longevity, and budgetary concerns are addressed.
The English Garden is the universal measure of all things related to garden design. It is in the UK that the great garden designers live and work and where a major gardening movement has developed over the last few decades, influencing the rest of the world with its ideas and vision. This book introduces the “grandes dames” of contemporary English garden design and includes the great names of the garden world which have emerged since the 1950s, from Vita Sackville-West and Beth Chatto to Beatrix Havergal. It also presents outstanding women gardeners of the present-day who have likewise had a substantial influence on the development of contemporary garden design. Heidi Howcroft has discovered these women’s gardening secrets and writes sensitively and informatively about the individual women and their influence on the English country garden. The individual gardens' charm and design are captured in photos by Marianne Majerus.