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From concert violinist Gerald Elias comes this debut set in the classical music world about the theft of a priceless violin. Daniel Jacobus is a blind, reclusive, crotchety violin teacher living in self-imposed exile in rural New England. He spends his time chain-smoking, listening to old LPs, and occasionally taking on new students, whom he berates in the hope that they will flee. Jacobus is drawn back into the world he left behind when he decides to attend The Grimsley Competition at Carnegie Hall. The young winner of this competition is granted the honor of playing the Piccolino Stradivarius, a uniquely dazzling three-quarter-size violin that has brought misfortune to all who possessed it over the centuries. But the violin is stolen before the winner of the competition has a chance to play it, and Jacobus is the primary suspect. With the help of his friend and former musical partner, Nathaniel Williams, his new student,Yumi Shinagawa, and several quirky sidekicks, Jacobus sets out to prove his innocence and find the stolen Piccolino Strad. Will he be successful? The quest takes him through the halls of wealth and culture, across continents to Japan, and leads him to a...murder. Devil's Trill gives the reader a peek into the world of classical music, with its backstabbing teachers and performers, venal patrons, and shady violin dealers. It is the remarkable beginning of a wonderful new series.
From celebrated entertainer Michael Feinstein comes a beautifully illustrated account of the lives and legacies of the Gershwins--told through stories of twelve of their greatest songs and accompanied by an original CD of those songs, performed by the author. The "Ambassador of the Great American Songbook" Michael Feinstein was just twenty years old when he got the chance of a lifetime: a job with his hero, Ira Gershwin. During their six-year partnership, the two became close friends. Feinstein blossomed under Gershwin's mentorship and Gershwin was reinvigorated by the younger man's zeal for his and his brother George's legacy. Now, in "The Gershwins and Me," the only book of its kind, Michael Feinstein shares unforgettable stories and reminiscences from the music that defined American popular song, along with rare Gershwin memorabilia he's collected through the years. From "Strike Up the Band" to "Love Is Here to Stay," each of the twelve chapters highlights one of the Gershwins' classic songs, exploring the brothers' lives, illuminating what the music meant to them, and telling the stories of how their iconic tunes came to life. Throughout the star-studded narrative, Feinstein unfolds the moving chronicle of his own life with the Gershwins, describing his vision for their enduring presence today. No other writer could give us such an authoritative inside perspective on these titans of American culture--and no other writer could include such a soulful collection of music as the accompanying CD packed with Feinstein's original recordings of the twelve songs. A timeless classic and the definitive account of the Gershwins and their legacy, "The Gershwins and Me" will having you humming with every turn of the page.
There is only one way in and there is only one way out: the river. One stifling afternoon, a mysterious supply boat docks at a research station deep in the jungle. To Dr Forle and his team of naturalists, its passengers are unwelcome. Ruthless, uninvited, and bringing corruption to the life of the forest, they force Forle, already a fugitive from his past, to confront his darkest impulses . . . ‘An unusually intelligent thriller that refuses to take sides’ Metro ‘As full of intellectual provocations as it is of suspenseful turns’ Giles Foden, Guardian ‘Reminiscent of J. M. Coetzee or Damon Galgut . . . This poisoned Eden throbs with intensity and delivers a gut punch that leaves you reeling’ Independent on Sunday ‘Docx is a master of disquiet’ Spectator ‘A confident and compelling novel, a riveting Conradian page-turner’ Dazed and Confused
A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.
In Thresholds, Marcel Cobussen rethinks the relationship between music and spirituality. The book presents an idea of spirituality in and through music that counters strategies of exclusion and mastering of alterity and connects it to wandering, erring, and roving. Cobussen regards spirituality as a (non)concept that escapes categorization, classification, and linguistic descriptions. Spirituality is a-topological, non-discursive and a manifestation of 'otherness'. And it is precisely music (or better: listening to music) that induces these thoughts. By carefully encountering, analysing, and evaluating certain examples from classical, jazz, pop and world music it is possible to detach spirituality from concepts of otherworldliness and transcendentalism.
Daniel Jacobus, reclusive blind concert master and amateur sleuth, returns to solve a most despicable crime and to clear an innocent man Just after his Carnegie Hall swansong and before his imminent departure for retirement in France, beloved violinist and humanitarian Rene Allard is brutally murdered with a mysterious weapon. His young African American rival, crossover artist BTower, is spotted at the scene of the crime hovering over the contorted body of Allard with blood on his hands. In short order the aloof and arrogant BTower is convicted and sentenced to death, in part the result of the testimony of blind and curmudgeonly violin pedagogue Daniel Jacobus, like millions of others, an ardent admirer of Allard. Justice has been served...or has it? Jacobus is dragged back into the case kicking and screaming, and reluctantly follows a trail of broken violins and broken lives as it leads inexorably to the truth, and to his own mortal peril.
A practical, concise, and comprehensive guide for flutists.
“An ideal ‘first book’ on Beethoven” from one of the world’s most eminent classical music aficionados (Booklist). Beethoven scholar and classical radio host John Suchet has had a lifelong, ardent interest in the man and his music. Here, in his first full-length biography, Suchet illuminates the composer’s difficult childhood, his struggle to maintain friendships and romances, his ungovernable temper, his obsessive efforts to control his nephew’s life, and the excruciating decline of his hearing. This absorbing narrative provides a comprehensive account of a momentous life, as it takes the reader on a journey from the composer’s birth in Bonn to his death in Vienna. Chronicling the landmark events in Beethoven’s career—from his competitive encounters with Mozart to the circumstances surrounding the creation of the well-known “Für Elise” and Moonlight Sonata—this book enhances understanding of the composer’s character, inspiring a deeper appreciation for his work. Beethoven scholarship is constantly evolving, and Suchet draws on the latest research, using rare source material (some of which has never before been published in English) to paint a complete and vivid portrait of the legendary prodigy. “A gripping and thought-provoking read.” —Howard Shelley, pianist and conductor “By exercising a genuine authority in identifying how Beethoven, the man, manifests himself in our appreciation of the music, Suchet brings an incisive freshness to an extraordinary life.” —Jonathan Freeman-Attwood, Principal of the Royal Academy of Music