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Now in a full-color second edition, Not Just a Pretty Face is an engaging exploration of the role of dolls and doll making in Alaska Native cultures. From ancient ivory carvings to the thriving tourist market, dolls and human figurines have played integral parts in the ritual, economic, and social lives of Native Alaskans. Dolls served as children's playthings, represented absent community members at ceremonies, and predicted the movements of game animals for shamans. Not Just a Pretty Face surveys these and other uses of dolls and figurines, illustrating in beautiful color photographs the diversity of the doll-making tradition in Eskimo, Athabaskan, and Northwest Coast Native communities. Authors explore the ethnographic literature, twentieth-century oral histories, and photographic documentation of dolls and the doll-making process. Contemporary doll makers explain, in their own words, how they learned to make dolls and what doll making means to them. The second edition features a photo essay on Rosalie Paniyak of Chevak, one of the most influential doll makers in Alaska today. Not Just a Pretty Face provides a panoramic view of an ancient tradition and situates the art of doll making within a contemporary context. Scholarly, yet accessible, Not Just a Pretty Face is a lively contribution to the literature on dolls, anthropology, and Native studies.
Why do the innocent suffer in a world created by a loving God? Does this mean that God cannot prevent this suffering, despite His supposed omnipotence? Or is God not loving after all? This in brief is 'the problem of evil'. The Devil provides one solution to this problem: his rebellion against God and hatred of His works is responsible for evil. The Christian Devil has fascinated writers and theologians since the time of the New Testament, and inspired many dramatic and haunting works of art. Today he remains a potent image in popular culture. The Devil: A Very Short Introduction presents an introduction to the Devil in the history of ideas and the lives of real people. Darren Oldridge shows us that he is a more important figure in western history than is often appreciated, and also a richly complex and contradictory one. Oldridge focuses on three main themes: the idea of the Devil being integral to western thought from the early Middle Ages to the beginnings of modernity; the principle of 'demonic inversion' (the idea that as the eternal leader of the opposition, the Devil represents the mirror image of goodness); and the multiplicity and instability of ideas about the Devil. While belief in the Devil has declined, the idea of an abstract force of evil is still remarkably strong. Oldridge concludes by exploring 'demonological' ways of thinking in our own time, including allegations of 'satanic ritual abuse' and the on-going 'war on terror'. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Ever wonder how the Hells Angels got their name, or about that little demonic critter on the Pagan's patch? What about the local one-percenter motorcycle club that hangs out at the corner bar? What goes on there? This book answers these questions and more. The One-Percenter Encyclopedia: The World of Outlaw Motorcycle Clubs from Abyss Ghosts to Zombies Elite features concise entries that include information on founding chapters, founding dates, number of chapters and members, club and leadership biographies, and more. This book covers all the major clubs--Hells Angels, Outlaws, Pagans, Mongols, Vagos--as well as lesser-known clubs from around the world.
Rev up the engines with this book about the powerful, sexy, and fearless women who love the open road, and the motorcycles they ride. Color photos.
A treasure trove of all-new stories exploring the dark side of dolls, puppets, mannequins and more—featuring Joyce Carol Oates, Jeffrey Ford and others. The seventeen original stories in this anthology feature everything from life-sized clockwork dolls to all-too-human Betsy Wetsy-type baby dolls. Moving past the cliches of the doll trope, each one delves into the uncanny creepiness of these bizarrely lifelike objects. Master anthologist Ellen Datlow has assembled a menagerie of beautifully terrifying stories from critically acclaimed authors such as Seanan McGuire, Carrie Vaughn, Pat Cadigan, Tim Lebbon, Richard Kadrey, Genevieve Valentine. The collection is illustrated with photographs of dolls taken by Datlow and other devoted doll collectors from the science fiction and fantasy field. The result is a star-studded collection exploring one of our most primal fears. Stories in this anthology by: Stephen Gallagher, Joyce Carol Oates, Gemma Files, Pat Cadigan, Lucy Sussex, Tim Lebbon, Seanan McGuire, Carrie Vaughn, Stephen Graham Jones, Miranda Siemienowicz, Mary Robinette Kowal, Richard Bowes, Genevieve Valentine, Richard Kadrey, Veronica Schanoes, John Langan, Jeffrey Ford
This eclectic overview of horror cinema offers up a collection of horror films for practically any occasion and literally every day of the year. For example, the author recommends commemorating United Nations Day (October 24) with a screening of The Colossus of New York, whose startling climax takes place at the U.N. Building. Each day-by-day entry includes the movie title, production year, plot summary and critique, along with a brief explanation of how the film fits into the history of that particular day and interesting anecdotes on the film's production.
Daniel is raised as an invalid in isolation by his mother until the day she is removed to an asylum and Daniel is taken to live with the doctor's family. Soon Daniel begins to uncover secrets about his mother's dark family history, and a sinister doll seems to be at the centre of the mystery. First person recount. Suggested level: intermediate, secondary.
She sees possessed people. Amity Rothchild’s life couldn’t get any more complicated. Born a Guardian against the shadows, she’s already faced her share of battles. Quitting her job as a barista to become an exorcist sounded good... until she tried paying the rent. No one ever told her she was about to become the keeper of a demon cat and two arcane texts that would most likely get her killed. Oh, and throw in one smoking hot hook up with a guy who may or may not be the Devil in blue jeans. Yeah. Complicated is her middle name. A brush of black wings… and scorch marks. Being the Devil is a full time job. Lucas Morningstar can attest to that. Disappearing demons, corporate takeovers, managing the seven deadlies, and a sister who wants him dead. Yeah. Whoever said it was better to reign in Hell than serve in Heaven hasn’t had to do it for the last several millennia. One night at a local bar brings him blissful salvation in the arms of a luscious brunette, but when all Hell literally breaks loose, can he fit all the pieces together before his one and only chance at happiness is taken away forever?
Since the 1980s there has been a growing billion dollar business producing porcelain collectible dolls. Avertised in Sunday newspapers and mailbox fliers, even Marie Osmond, an avid collector herself, is now promoting her own line of dolls on the Home Shopping Network and sales are soaring. With average price tags of $100 -- and $500 or more for a handcrafted or limited edition doll -- these dolls strike a chord in the hearts of middle-aged and older women, their core buyers, some of whom create "nurseries" devoted to collections that number in the hundreds. Each doll has its own name, identity and "adoption certificate," like Shawna, "who has just learned to stack blocks all by herself," and Bobby, whose "brown, handset eyes shine with mischief and little-boy plans." Exploring the nexus of emotions, consumption and commodification they represent, A. F. Robertson tracks the rise of the porcelain collectible market; interviews the women themselves; and visits their clubs, fairs and homes to understand what makes the dolls so irresistible. Lifelike but freakish; novelties that profess to be antiques; pricey kitsch: These dolls are the product of powerful emotions and big business. Life Like Dolls pursues why middle-class, educated women obsessively collect these dolls and what this phenomenon says about our culture.