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How does a man get over the first woman he ever loved? I didn’t get to say goodbye to my mother. When I watched her coffin lower into the ground, I swore I’d never love another that deeply again. I didn’t have to. I found solace in the opposite. Krishna is hard like me. I keep him at arm’s length no matter how much I prefer him in my bed. Together, we can be whatever we want. The monsters we keep at bay to avoid someone getting hurt can come out to play with each other. My life was stable, controllable. Then my father issued an order I wasn’t expecting—a bride. Ciera is soft, but her eyes are constantly challenging my authority. She has a backbone that only shows when her smart mouth is telling me off. Aside from the physical release they provide, I’ve never wanted a woman for more than one night, but from the moment my dark gaze fell on her emerald stare, I wanted to wrap my hand around her pretty little throat and claim her as mine. I can’t let her be my downfall. I can’t allow them to be my undoing. I won’t make my father’s past mistakes. I won’t lose those I vowed to protect.
Whoever said to keep your friends close and your enemies closer... was right. Being around her is the worst kind of torture. Emmie is an obligation I can't avoid... an oath I can't break. And having her in my life is the last thing I want or need. But thanks to my father, I have no choice. This Family-this life, is my future, and I'm sure as hell not going to let some spitfire from the wrong side of town get under my skin and in my way. When the time comes, I will take what I need and walk away. I'll finally be free from her shadow and she will know the truth, even if it leaves her broken. The only problem... she might not be the only one left in pieces.
From a rehabilitation series–what works for those who've sexually offended The Wiley Handbook of What Works with Sexual Offenders is an important addition to the What Works in Offender Rehabilitation handbook series. This handbook specifically looks at the topics of sexual offender theory, assessment, rehabilitation, prevention, policy, and risk management. Current assessment frameworks and intervention programmes are evaluated, with consideration of treatment efficacy. The handbook provides professionals with an evidence-based approach to the management and rehabilitation of individuals who have sexually offended, while presenting ideas on the prevention of sexual abuse. Concepts and theory behind sexual offender rehabilitation are presented with a focus on how this information can be applied in the development of real-world policies that seek to reduce re-offending. The Wiley Handbook of What Works with Sexual Offenders also includes discussions from renowned international researchers and clinicians on the empirical findings of treatment effectiveness. Presents theory, research, policy, and practice related to sexual offenses Addresses a full range of topics, such as sexual aggression, structured risk assessment, sexual offenders with intellectual disabilities, and pharmacological treatment of sexual offenders Discusses how conceptual and theoretical material can be used in establishing policy and practice As an important reference work, this rehabilitation handbook offers material for practitioners, including probation officers, social workers and psychologists. Each handbook within the What Works in Offender Rehabilitation series studies current theory, policy, and practice related to a type of offending.
Julien I'm a hit man, an assassin. A deviant by all accounts. I never pretended to be the good guy. She was the opposite. But the minute she pulled the curtains back and saw my face, watched me screwing the blonde who happened to be my next mark, she sealed her own fate. There could be no witnesses, ever. Imagine my surprise when I turned up to take care of her only to find two goons breaking down her door, weapons in hand. Turned out she had a price on her head. Her stepbrother wanted her and he wanted her alive. I'd never been one to pass up an opportunity to collect the kind of money he was offering, especially if I could have some fun while I was at it. It just never occurred to me she’d be anything more than my next mark. Mia “Curiosity killed the kitten.” I'll never forget the look in his eyes when he said those words. When I watched them from the window, I didn't suspect for a moment that he'd seen me, that he was watching me back. Not while he was doing what he was doing to the woman on her knees before him. But then she turned up dead, and he turned up in my hotel room, waiting for me in the dark. I didn't think for one second him being there that night would save my life. I'd been on the run for two years, but my stepbrother had finally caught up with me. Or his two thugs had. Finding out I had a quarter-of-a-million dollar bounty on my head convinced Julien I was more valuable alive than dead. But to collect it would mean returning me to my stepbrother, who had sworn to make me pay for what I'd done. But my stepbrother was wrong if he thought I'd ever let him get his hands on me again. I had no intention of allowing that to happen, even if it meant I'd have to sleep with the devil to survive. And I had no doubt Julien was the devil.
"John Connolly returns with a prequel that goes back to the very beginning of Private Investigator Charlie Parker's astonishing career with his first terrifying case"--
I chose the title “A Poemers’ Poemerings” because it means (for me), that of someone to whom is always writing, about something, anything, and its odd and catchy at the same time, and it’s the main title for the series that I am writing in volumes, too many to put all into one book. I think of my poems, “all”, as individual artworks, all their own, a completeness – from start to finish, a journey, a path, a message that will inspire, mesmerize, intrigue, and take you to that deepness that hasn’t been felt or known of your own self. Allow yourself to think for out there to see what each one is telling you! Envision the poem and let yourself see the answers to your own thoughts of these pieces of artworks.
Inspire your students to develop their sociological imaginations in Our Social World. Focused on deep learning rather than memorization, this book encourages readers to analyze, evaluate, and apply information about the social world; to see the connection between the world and personal events from a new perspective; and to confront sociological issues on a day-to-day basis. Organized around the "Social World Model”, a conceptual framework used across chapters to see the complex links between various micro- to macro-levels of the social system, students will develop the practice of using three levels of analysis, and to view sociology as an integrated whole, rather than a set of discrete subjects.
Most people who read an article in the newspaper about the brutal rape of a woman by a stranger, or the long-standing sexual abuse of a young boy by his step-father have a strong visceral reaction which is a mix of anger, fear, and incomprehension. Apart from these aversive reactions, several questions also come to people’s minds: Was this offender crazy or sexually obsessed? What is the purpose of such outrageous acts? To answer these questions, the authors of this book review theoretical and empirical models of the processes that lead men to sexually assault children or women, whilst also presenting new results and models on this topic. In particular, this book focuses on empirical analyses of the pathways of six types of sexual aggressors, three of which (marital rapists, hebephilic sexual aggressors, and polymorphic sexual aggressors) have never been investigated before. Drawing on a large dataset on the offending processes of sexual aggressors, this book analyzes the influence of personality factors and lifestyle factors on offending pathways and brings together key researchers in the field of sexual aggression. This book will be of interest to psychologists, psychiatrists, criminologists, and social workers involved in the study, assessment and treatment of sexual aggressors. In addition, this information will be crucial for practitioners involved in the follow-up of these offenders in the community, and will interest researchers and graduate students in the field of sexual aggression.
Our Social World: Condensed, by Jeanne H. Ballantine, Keith A. Roberts, and Kathleen Odell Korgen, inspires you to develop your sociological imaginations, to see the world and personal events from a new perspective, and to confront sociological issues on a day-to-day basis. The award-winning author team organizes the text around the "Social World" model, a conceptual framework that demonstrates the relationships among individuals (the micro level); organizations, institutions, and subcultures (the meso level); and societies and global structures (the macro level). The use of the Social World Model across chapters (represented in a visual diagram in the chapter openers) helps you to develop the practice of using three levels of analysis, and to view sociology as an integrated whole, rather than a set of discrete subjects. The Condensed version is adapted from Our Social World: Introduction to Sociology. The Sixth Edition of the Condensed version is made approximately 30% shorter than the full edition by removing selected boxes, editing the main narrative, and combining four chapters into two (Family/Education, and Politics/Economics).
Ecocritical Menopause: Women, Literature, Environment, “The Change” is the first volume of its kind to bring together cross-sectional ecofeminist voices privileging women’s menopausal positionality within literary works. This collection reexamines menopause across the disciplinary fields of ecofeminism and ecocriticism as clearly the most neglected phase of the menstrual cycle and aims to develop a critical discourse in counterpoint to the persistent cultural and critical legacies that sustain underrating women in midlife. In highlighting selected literary representations of female being in transition, this volume includes: • Exploration of the core motifs mediating the fashioning of menopausal women, including biology, the body, body shaming, climacterium, hysteria, the crone/hag figure, femininity, gender, identity, reproduction, sexlessness and asexuality • Reexamination of histo-cultural biases that continue to perpetuate a devaluation of women after menopause, such as ageism, degeneration, loss of fertility and myths of essentialism, patriarchy and hegemony, social taboos, the medicalization of menopause, and cultural “menophobia” • Analysis of literature genres in which we find portraitures of peri/post/menopause subjectivity, such as autofiction, crime fiction, detective fiction, folktales, frame tale, fiction, mystery, poetry, short story, and the “whodonit.”