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Takes readers through Shakta imagery, philosophy, beliefs, customs, history, folklore and myth. This book includes tales of Adi-Maya-Shakti, Lakshmi, Saraswati, Parvati, Kali, Durga as well as several village-goddesses such as Kanyakumari, Vaishnav-devi, Bahucharmata and heroines such as Anasuya, Arundhati and Savitri.
Devi, Mother and Protector of the World, is one of the most loved figures of Hindu iconography. In her various incarnations, Devi is warrior, mother, faithful wife, and the fount of knowledge, delivering all that her devotees ask of her. Bulbul Sharma tells the fascinating story of Devi in this book, drawing upon the many strands of myth and legend contained in ancient scriptures and also in folklore. She looks at how these stories were created, how they changed down the ages, and the vision of the world they uphold. Rich in drama and symbolism, these stories live today with the same intensity as they did when they were first told.
The monotheistic religions of Judaism, Christianity, and Islam have severely limited the portrayal of the divine as feminine. But in Hinduism "God" very often means "Goddess." This extraordinary collection explores twelve different Hindu goddesses, all of whom are in some way related to Devi, the Great Goddess. They range from the liquid goddess-energy of the River Ganges to the possessing, entrancing heat of Bhagavati and Seranvali. They are local, like Vindhyavasini, and global, like Kali; ancient, like Saranyu, and modern, like "Mother India." The collection combines analysis of texts with intensive fieldwork, allowing the reader to see how goddesses are worshiped in everyday life. In these compelling essays, the divine feminine in Hinduism is revealed as never before—fascinating, contradictory, powerful.
This translation and commentary on an important Hindu text on the Great Goddess envisions a universe created and protected by a compassionate female deity.
I am the goddess of time, immorality, and the cycle of life/death. Slow to anger, easy to smile. Now I work with babies and the young of humans since they are innocents. It was there I met him. Rhodes Liatos. A man unlike any I've known before. He challenges my disheartened beliefs of the human race. He has taught me many things one of which was how to love. He is a man who loves life and has no fear of death, what happens when he learns who I truly am?
Devi, Mother and Protector of the world, isone of the most loved figures of Hindu iconography. In her various incarnations, Devi is warrior, mother, faithful wife, and the fount of knowledge, delivering all that her devotees ask of her. Bulbul Sharma tells the fascinating story of Devi in this book, drawing upon the many strands of myth and legend contained in ancient scriptures and also in folklore. She looks at how these stories were created, how they changed down the ages, and the vision of the world they uphold. Rich in drama and symbolism, these stories live today with the same intensity as they did when they were first told.
Mahasweta Devi occupies a singular position in the history of modern Indian literature and world literature. This book engages with Devi’s works as a writer-activist who critically explored subaltern subjectivities, the limits of history and the harsh social realities of post-independence India. The volume showcases Devi’s oeuvre and versatility through samples of her writing – in translation from the original Bengali—including Jhansir Rani, Hajar Churashir Ma, and Bayen among others. It also looks at the use of language, symbolism, mythic elements and heteroglossia in Devi’s exploration of heterogeneous themes such as exploitation, violence, women’s subjectivities, depredation of the environment and failures of the nation state. The book analyses translations and adaptations of her work, debates surrounding her activism and politics and critical reception to give readers an overview of the writer’s life, influences, achievements and legacy. It highlights the multiple concerns in her writings and argues that the aesthetic aspects of Mahasweta Devi’s work form an essential part of her politics. Part of the ‘Writer in Context’ series, this book will be useful for scholars and researchers of Indian literature, Bengali literature, English literature, postcolonial studies, cultural studies, global south studies and translation studies.
Ananda Devi: Feminism, Narration and Polyphony is the first full-length monograph devoted to Ananda Devi, a dynamic contemporary Francophone writer. Recipient of Prix Louis-Guilloux and Prix Télévision Suisse Romande du Roman, she is described by many as a prototype of a new generation of Mauritian writers. This book analyses Devi’s unconventional polyphonic narratives, particularly, her strategies that allow marginalized narrators to disrupt androcentric and dominant structures of narrative construction, thereby creating hybrid magical spaces for feminine expression. Drawing on the notion of feminist narratology that investigates the relation between gender and narrative, this book focuses on a wide range of Western and non-Western narrative strategies such as plot and plotlessness, narrative metalepsis, pluritemporality, multisubjectivity, myths, folktales and magic. It also demonstrates how her texts become the point of convergence of the West and the non-West, the feminine and the androcentric, the real and the extra-real as muted discourses resurface and traditional distinctions between categories are blurred in favor of alternate and new possibilities. As this book is interdisciplinary in its approach, it will appeal to a broad range of audience from those interested in Contemporary Francophone and Indian-Ocean Literature to scholars in Women’s Writing, Post-Colonial Studies, and Narratology.
Srimad Devi Bhagavatam, also known as Devi Purana, is one of the many works of Maharishi Veda Vyasa. Consisting of 18,000 verses, it is divided into 12 chapters and numerous sections. Though classified as an upapurana (sub-Purana), it is the only Purana that Veda Vyasa terms 'Mahapurana', or the great Purana, at the end of each chapter. Vyasa's narration reiterates that the Supreme Goddess or the Divine Mother, as described in all scriptures, is the one beyond and above the Trinity of Gods and all Devas. The stories in the book not only establish this but also describe various manifestations of the Devi. All the Puranas are essentially collections of stories, through a narrator called Suta, who heard these from his guru, Vyasa. These, in their original form, are woven like a web and are not easy to comprehend since there is no defined order, be it chronological or otherwise. Dinesh Bhatia segregates and simplifies the stories as well as their underlying philosophies in order to present them in a simple and comprehensible way. He also reorganises the flow of stories as a direct narration by Vyasa to King Janamejaya, the grandson of Abhimanyu, while retaining the essence of the original work.
Devi Mahatmayam, also known as Durga Saptashati, Sri Chandi or Saptashati, is from the Markandeya Mahapuran. Devi Mahatmayamm literally means 'Glory of the Goddess' . Here the seven hundred mantra story describes the victory of the Goddess over the Asuras (Madhu-Kaitabha, Mahishasura and Shambha-Nishumbha) - representing the conquest and freedom from the tamsik Mahakali (Chapter 1), rajsik Mahalakshmi (Chapters 2-4) and satvik Mahasaraswati (Chapters 5-13) forces. Her adversaries represent the all-too-human impulses arising from the pursuit of power, possessions, pleasure and from the illusions of self-importance. The Devi, personified as one supreme Goddess and many goddesses, confronts the demons within us - representing the field of human consciousness within each person.