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"Balancing use, preservation and energy use is a fundamental challenge for the whole heritage field. This is put to the point in designing and operating systems for indoor climate control in historic buildings, where competing objectives such as preservation, comfort, accessibility, energy use and cost have to be negotiated in the individual case. The overarching aim of this thesis is to explore the gap between research and practice regarding energy efficient indoor climate control in historic buildings. The thesis deals with historic buildings where both the building fabric and the movable collection are vulnerable and where the management of the building is more or less professionalized. Examples of such buildings are palaces, churches and historic house museums, ranging from the large and complex to the small and simple. A key to a more sustainable management of these buildings is to understand how scientific knowledge related to indoor climate control can become usable for the professional practitioner. The thesis comprises six published papers introduced by a thesis essay. The papers reflect a progression both in terms of the research questions and the methodology. The first three papers outline the background needed for a technical understanding of the involved matters through an identification of key knowledge gaps. The three remaining papers use qualitative case studies to understand the nature of the gap between science and practice by paying more attention to the social aspects of decisions related to indoor climate control. Generally, the results of the thesis contribute to an expanded problem definition and to a better understanding of the gap between research and practice regarding energy efficient indoor climate control in historic buildings. It is shown how the specific social and material context is crucial for enabling or limiting a transition toward more sustainable ways of controlling the indoor climate. Furthermore it is discussed how uncertainty can be managed and communicated to support decisions, and suggestions are given for how decision processes regarding indoor climate control can be supported with improved standards to facilitate a more sustainable management. A conclusion for further research is that scientific knowledge alone will not be able to guide the transition to a sustainable, low carbon future; technical esearch has to be complemented with reflexive research approaches that explore the actual practices of heritage management"--Abstract.
Offering readers essential insights into the relationship between ancient buildings, their original and current indoor microclimates, this book details how the (generally) virtuous relationship between buildings and their typical microclimate changed due to the introduction of new heating, ventilation, and air conditioning (HVAC) systems in historic buildings. The new approach to the study of their Historic Indoor Microclimate (HIM) put forward in this book is an essential component to monitoring and evaluating building and artefact conservation. Highlighting the advantages of adopting an indoor microclimatic approach to the preservation of existing historic materials by studying the original conditions of the buildings, the book proposes a new methodology linking the preservation/restoration of the historic indoor microclimate with diachronic analysis for the optimal preservation of historic buildings. Further, it discusses a number of frequently overlooked topics, such as the simple and well-coordinated opening and closing of windows (an example extracted from a real case study). In turn, the authors elaborate the concept of an Historic Indoor Microclimate (HIM) based on “Original Indoor Microclimate” (OIM), which proves useful in identifying the optimal conditions for preserving the materials that make up historic buildings. The book’s main goal is to draw attention to the advantages of an indoor microclimatic approach to the preservation of existing historic materials/manufacture, by studying the original conditions of the buildings. The introduction of new systems in historic buildings not only has a direct traumatic effect on the actual building and its components, but also radically changes one of its vital immaterial elements: the Indoor Microclimate. Architects, restorers and engineers will find that the book addresses the monitoring of the indoor microclimate in selected historic buildings that have managed to retain their original state due to the absence of new HVAC systems, and reflects on the advantages of a renewed attention to these aspects.
This book elaborates on different aspects of the decision making process concerning the management of climate risk in museums and historic houses. The goal of this publication is to assist collection managers and caretakers by providing information that will allow responsible decisions about the museum indoor climate to be made. The focus is not only on the outcome, but also on the equally important process that leads to that outcome. The different steps contribute significantly to the understanding of the needs of movable and immovable heritage. The decision making process to determine the requirements for the museum indoor climate includes nine steps: Step 1. The process to make a balanced decision starts by clarifying the decision context and evaluating what is important to the decision maker by developing clear objectives. In Step 2 the value of all heritage assets that are affected by the decision are evaluated and the significance of the building and the movable collection is made explicit. Step 3. The climate risks to the moveable collection are assessed. Step 4: Those parts of the building that are considered valuable and susceptible to certain climate conditions are identified. Step 5. The human comfort needs for visitors and staff are expressed. Step 6: To understand the indoor climate, the building physics are explored. Step 7. The climate specifications derived from step 3 to 5 are weighed and for each climate zone the optimal climate conditions are specified. Step 8: Within the value framework established in Step 1, the options to optimize the indoor climate are considered and selected. Step 9: All options to reduce the climate collection risks are evaluated by the objectives established in Step 1.
How climate influenced the design strategies of modernist architects Modern Architecture and Climate explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design. Extensively illustrated with archival material, Modern Architecture and Climate provides global perspectives on modern architecture and its evolving relationship with a changing climate, showcasing designs from Latin America, Europe, the United States, the Middle East, and Africa. This timely and important book reconciles the cultural dynamism of architecture with the material realities of ever-increasing carbon emissions from the mechanical cooling systems of buildings, and offers a historical foundation for today’s zero-carbon design.