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Study on the devadasis, female dancers and singers, traditionally attached to temples; with particular reference to Karnataka.
Ancient India has been a land of wisdom, riches and mysteries. Its fabled saints, philosophers, ascetics, its multiplicity of Gods & religions, complex rituals and even snake charmers and magicians never ceased to fascinate the world. Socio-religious tradition of Devadasis or the 'Brides of God' as they were known in India, is one such tradition, shrouded in mystery that attracts attention. It compels a curious mind to take a closer look to learn more and understand its realities. These women are generally referred to by the term devadasi which literally means 'female servant of the deity'. This work bears on many topics such as origin, belief, development, ceremonies, organization, functions, activities, paramours, sexuality, historical survey, statistical analysis, preventive measures and the pathetic stories of devadasis. Because it was conceived as a study of women, culture and religion, it must be borne in mind that all these concerns are dealt with as they arise out of a close attention to the practices of the devadasis.
This is a comprehensive study on Devadasis in a very lucid and interesting style. The subject matter is divided into twelve main chapters- Introduction, Rise of Buddhist Nuns, was Buddha Against women, Glorious Epock of the Buddhist Nuns, Buddhist Nuns in other countries, Original Buddhism and Brahmanical interference, story of untouchability in India, Vajrayani Siddhas, Trantras and Bhakti, Deities of Varayani, Buddhism, what isl the Devadasis system, Devadasis system and Ancient foreign customs, and lastly summary and conclusion. A very interesting study deeply examined and analysed. The sociologists, the social reformers and students of sociology will find the book most referential and informative.
Servants of the Goddess weaves together the heartbreaking, yet paradoxically life-affirming stories of five devadasis—women, in the clutches of an ancient fertility cult, forced to serve the gods. Catherine Rubin Kermorgant sets out attempting to make a documentary film about the lives of present-day devadasis. Through her, we meet and get to know the devadasi women of Kalyana, a remote village in Karnataka. As they grow to trust Kermorgant and welcome her as an honorary sister, we hear their stories in their own words: stories of oppression, discrimination, violence and, most importantly, resilience. Kermorgant becomes a part of these stories and finds herself unwittingly enmeshed in a world of gender and caste bias which extends far beyond Kalyana—all the way to Paris, where the documentary is to be edited and produced. Servants of the Goddess is a testament to women’s strength and spirit, and a remarkably astute analysis of gender and caste relations in today’s rural India.
A vivid portrait of India's underclass and a picture of a society bloodied by decades of unequel social structure and the absence of a civil society and political mechanisms capable of responding to exploitation of the poor and weak.
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
'Unfinished Gestures' presents the social and cultural history of courtesans in South India, focusing on their encounters with colonial modernity in the 19th and early 20th centuries.
With reference to India.
Tritiya-Prakriti: People of the Third Sex is a collection of years of research into a topic seldom discussed or easily found within the Hindu/Vedic scriptural canon. Based entirely upon authentic Sanskrit references and modern concurring facts, the book guides us through the original Hindu concept of a "third sex" (defined as homosexuals, transgenders and the intersexed), how such people were constructively incorporated into ancient Indian society, and how foreign influences eventually eroded away that noble system. It discusses how this concept can be practically applied in today's modern world, the importance of all-inclusiveness in human society, and the spiritual principle of learning to transcend material designations altogether. Tritiya-Prakriti: People of the Third Sex will be a valuable source of reference for anyone interested in Hindu/LGBTI studies whether they are newcomers to the field or seasoned veterans of Vedic knowledge. It offers a veritable treasure trove of fresh information and ideas that will likely challenge the reader to rediscover and rethink Hinduism's traditional understanding and treatment of gay, lesbian, and other gender-variant people within its culture. "The recognition of a third sex in ancient India and Hinduism is highly relevant in many ways. Our own modern-day society has only recently begun to understand sexual orientation, transgender identity, and intersex conditions, and our legal and social systems are just beginning to catch up with and accommodate such people in a fair and realistic way . . . yet ancient India had already addressed and previously resolved this issue many thousands of years ago in the course of its own civilization's development. Indeed, there is much we can learn from ancient India's knowledge regarding the recognition and accommodation of a 'third sex' within society." -Amara Das Wilhelm "In India there is a system where such people (the third sex) have their own society, and whenever there is some good occasion like marriage or childbirth, they go there and pray to God that this child may be very long living." -A.C. Bhaktivedanta Swami Prabhupada "Gay and lesbian people have always been a part of society from Vedic times to our postmodern times. They should be accepted for what they are in terms of their sexual orientation and encouraged like everyone else to pursue spiritual life." -B.V. Tripurari Swami "Initially, I did not really allow myself to go deep in trying to understand the third sex. I figured that this was necessary only for those who are insensitive, arrogant and fundamentalist . . . who think that they are compassionate and tolerant while basically being superficial and even condescending. It is quite amazing how most of us can be so prejudiced about so many things and not even know it . . . .I thank you and several others for your compassion and for your tolerance in making efforts to educate your Godfamily, so that we can be more authentic servants of the servant." -H.H. Bhakti Tirtha Swami
Tradition and Transformation in Mohiniyattam Dance: An Ethnographic History demonstrates how Mohiniyattam, a form previously stigmatized, was reinvented as a sign of traditional Keralite womanhood. The book traces how the emergence of Mohiniyattam as a traditional form of dance based on a feminine aesthetic was synchronistic with the outlawing of polyandrous marriage practices and devadasi practices, as well as changes in matrilineal inheritance and the outlawing of and reforms in women’s dress customs in Kerala, India. These layers of history and cultural meaning permitted Mohiniyattam’s renaissance as a sign of female grace and tradition. Throughout, Lemos argues that practicing and learning movement is a gateway to understanding a system of semiosis. Danced movement itself can be a locust, a bellwether, and even an agent of social change.