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"Kurt Tucholsky (1890-1935) achieved popular success in Germany before the First World War with a witty and sensitive novel of young love. But he is best known for his work as a satirist and critic, most of it written as a left-wing journalist in Berlin during the twenties and the years leading up to the Nazis, the fateful Weimar years. He is considered by some an exemplar of the intemperately critical spirit that doomed Weimar--a cautionary and bitter footnote to an era; by others, an indispensable moral and prophetic voice of the period, basically correct in his assessments and values." -- Book jacket.
"God Bless America" is a song most Americans know well. It is taught in American schools and regularly performed at sporting events. After the attacks on September 11th, it was sung on the steps of the Capitol, at spontaneous memorial sites, and during the seventh inning stretch at baseball games, becoming even more deeply embedded in America's collective consciousness. In God Bless America, Sheryl Kaskowitz tells the fascinating story behind America's other national anthem. It begins with the song's composition by Irving Berlin in 1918 and first performance by Kate Smith in 1938, revealing an early struggle for control between composer and performer as well as the hidden economics behind the song's royalties. Kaskowitz shows how the early popularity of "God Bless America" reflected the anxiety of the pre-war period and sparked a surprising anti-Semitic and xenophobic backlash. She follows the song's rightward ideological trajectory from early associations with religious and ethnic tolerance to increasing uses as an anthem for the Christian Right, and considers the song's popularity directly after the September 11th attacks. The book concludes with a portrait of the song's post-9/11 function within professional baseball, illuminating the power of the song - and of communal singing itself - as a vehicle for both commemoration and coercion. A companion website offers streaming audio of recordings referenced in the book, links to videos of relevant performances, appendices of information, and an opportunity for readers to participate in the author's survey. Based on extensive archival research and fieldwork, God Bless America sheds new light on cultural tensions within the U.S., past and present, and offers a historical chronicle that is full of surprises and that will both edify and delight readers from all walks of life.
The first comprehensive history of the German Jews on the eve of Hitler's seizure of power, this book examines both their internal debates and their relations with larger German society. It shows that, far from being united, German Jewry was deeply divided along religious, political, and ideological fault lines. Above all, the liberal majority of patriotic and assimilationist Jews was forced to sharpen its self-definition by the onslaught of Zionist zealots who denied the "Germanness" of the Jews. This struggle for the heart and soul of German Jewry was fought at every level, affecting families, synagogues, and community institutions. Although the Jewish role in Germany's economy and culture was exaggerated, they were certainly prominent in many fields, giving rise to charges of privilege and domination. This volume probes the texture of German anti-Semitism, distinguishing between traditional and radical Judeophobia and reaching conclusions that will give no comfort to those who assume that Germans were predisposed to become "willing executioners" under Hitler. It also assesses the quality of Jewish responses to racist attacks. The self-defense campaigns of the Central Association of German Citizens of the Jewish Faith included publishing counter-propaganda, supporting sympathetic political parties, and taking anti-Semitic demagogues to court. Although these measures could only slow the rise of Nazism after 1930, they demonstrate that German Jewry was anything but passive in its responses to the fascist challenge. The German Jews' faith in liberalism is sometimes attributed to self-delusion and wishful thinking. This volume argues that, in fact, German Jewry pursued a clear-sighted perception of Jewish self-interest, apprehended the dangers confronting it, and found allies in socialist and democratic elements that constituted the "other Germany." Sadly, this profound and genuine commitment to liberalism left the German Jews increasingly isolated as the majority of Germans turned to political radicalism in the last years of the Republic. This full-scale history of Weimar Jewry will be of interest to professors, students, and general readers interested in the Holocaust and Jewish History. Donald L. Niewyk studied at the Free University of Berlin and Tulane. He has taught at Xavier University and Ithaca College, and since 1982, he has been a professor of modern European history at Southern Methodist University. He is author of six books, including most recently Fresh Wounds: Early Narratives of Holocaust Survival.
Stencil Pirates is the first comprehensive book dedicated to stencil street art. Included are artist profiles, an in-depth history of stencil graffiti, its political context, and how stencils fit into the larger pantheon of street expression. Also here are a detailed ?how-to” manual with designing, cutting, and painting tips from the artists, as well as 20 perforated cardstock stencil templates for readers who can't wait to hit the streets.
The purpose of this book is to provide a one-volume resource for collectors and historians with an Imperial German army interest. The more we researched, the more we found there were more stories, myths and misunderstandings about Imperial Germany than there were facts. Different authors addressed different aspects: collectors, historians and educators all had their own area of expertise, but there was no readily available resource to give a general overview of Imperial Germany. Though it is convenient to call it "Germany," at the start of the First World War, there was still no united Germany, no German army, and no German officer corps. At 333 pages with 183 pictures and over 670 footnotes, this is an attempt to explain the intricacies of how the country worked -- militarily, politically and socially.
From the Pulitzer Prize–nominated author of Forrest Gump: “A fascinating, evenhanded, page-turning account” of Ypres’s pivotal WWI battles (San Francisco Chronicle). The Ypres Salient in Belgian Flanders was the most notorious and dreaded territory in all of World War I—possibly of any war in history. After Germany’s failed attempt to capture Britain’s critical ports along the English Channel, a bloody stalemate ensued in this pastoral area no larger than the island of Manhattan. Ypres became a place of horror, heroism, and terrifying new tactics and technologies: poison gas, tanks, mines, air strikes, and the unspeakable misery of trench warfare. Drawing on the journals of the men and women who were there, Winston Groom has penned a drama of politics, strategy, the human heart, and the struggle for victory against all odds. This ebook features 16 pages of black-and-white historical photographs. “Everything nonfiction should be.” —Fort Worth Star-Telegram “Groom reconstructs a forgotten military passage that serves as a cautionary tale about war’s consequences.” —Pittsburgh Tribune-Review “Groom’s account, full of detail and the smell of gunsmoke, is expertly paced and free of dull stretches.” —Kirkus Reviews “Moving . . . Inspiring . . . An important and brilliantly written book.” —Booklist
The opening battles of WWI’s Western Front and the world-changing advances in warfare are reexamined through eyewitness accounts from the trenches. The 1914 campaign of World War I, sparked by the German Army’s invasion of Luxembourg, Belgium, and France, marked a watershed in military history. Advances in weaponry forced both sides to take to the earth in what became a grueling standoff of trench warefare. In a bizarre mix of ancient and modern, some of the last cavalry charges took place in the same theatre in which armoured cars, motorcycles and aeroplanes were beginning to make their presence felt. These dramatic developments were recorded in graphic detail by soldiers who were there in the trenches themselves. Now, with the benefit of these firsthand accounts, historian Matthew Richardson offers a thoroughgoing reassessment of the 1914 campaign. His vivid narrative emphasises the perspective of the private soldiers and junior officers of the British Army and includes full colour plates containing over one hundred illustrations. 1914: Voices from the Battlefields was a Britain At War Magazine Book of the Month in February 2014.