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Neue Deutsche Welle (NDW), or “German New Wave,” was made extraordinarily popular in the 1970s and 1980s by the likes of Nena's "99 Luftballons" and Trio's "Da Da Da"-and then left as quickly as it came. Conventional wisdom among artists dictates that it's better to burn out than fade away, but this doesn't tell the full story of NDW-the reason for its rapid rise and fall, the historical context that necessitated the genre, and where the energy of the NDW movement went after its end. The genre has international influences but still demonstrates a uniquely German desire to build a new, sanitized identity in the aftermath of World War II. Originally quite subversive and underground, NDW became exponentially more mainstream until it could no longer sustain itself creatively. And rather than disappearing, it helped give rise to the post-Cold War rave craze and is still an important touchstone in music history.
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As Stefan Ihrig shows in this first comprehensive study, many Germans sympathized with the Ottomans’ longstanding repression of the Armenians and with the Turks’ program of extermination during World War I. In the Nazis’ version of history, the Armenian Genocide was justifiable because it had made possible the astonishing rise of the New Turkey.
Colonialism, Antisemitism, and Germans of Jewish Descent in Imperial Germany examines the relationship between the colonial and antisemitic movements of modern Germany from 1871 to 1918, examining the complicated ways in which German antisemitism and colonialism fed off of and into each other in the decades before the First World War. Author Christian S. Davis studies the significant involvement with and investment in German colonialism by the major antisemitic political parties and extra-parliamentary organizations of the day, while also investigating the prominent participation in the colonial movement of Jews and Germans of Jewish descent and their tense relationship with procolonial antisemites. Working from the premise that the rise and propagation of racial antisemitism in late-nineteenth-century Germany cannot be separated from the context of colonial empire, Colonialism, Antisemitism, and Germans of Jewish Descent in Imperial Germany is the first work to study the dynamic and evolving interrelationship of the colonial and antisemitic movements of the Kaiserreich era. It shows how individuals and organizations who originated what would later become the ideological core of National Socialism---racial antisemitism---both influenced and perceived the development of a German colonial empire predicated on racial subjugation. It also examines how colonialism affected the contemporaneous German antisemitic movement, dividing it over whether participation in the nationalist project of empire building could furnish patriotic credentials to even Germans of Jewish descent. The book builds upon the recent upsurge of interest among historians of modern Germany in the domestic impact and character of German colonialism, and on the continuing fascination with the racialization of the German sense of self that became so important to German history in the twentieth century.
By illustrating the quintessentially different self-perceptions of three German writers of Jewish background, all born in or around 1880 in Berlin, this book examines a range of German-Jewish identities in a socio-cultural context in Wilhelmine Germany. Moritz Goldstein (1880-1977), the conflict of his dual identity and the interplay between being a German writer and a cultural Zionist is covered first. Particular attention is given to the genesis of his essay 'Deutsch-jüdischer Parnaß' with its call for Jews to vacate their seats in German literary culture. The range of positions unfolding in the debate, following its publication in 'Der Kunstwart' in 1912, serves to illustrate the spectrum of German-Jewish self-definition at the time. In the second part, the writings of Julius Bab (1880-1955) are examined in so far as they shed light on his advocation of a synthesis of 'Deutschtum' and 'Judentum'. The far side of the spectrum of German-Jewish self-definition is represented by Ernst Lissauer (1882-1937), who propagated complete assimilation, considering the Jewish element as an obstacle which had to be overcome on the road to 'Deutschtum'. This study depicts how external cultural and political influences shaped the transformation of their ideas of what it meant to be Jewish in Germany and how they responded to increasing anti-Semitism. By recognising the way in which the individual's cultural identity was constantly refashioned in the face of external challenges, a fuller understanding of the evolving self-perception of German Jews is reached.
This collection provides a comprehensive treatment of the German colonial empire and its significance. Leading scholars show not only how the colonies influenced metropolitan life and the character of German politics during the Bismarckian and Wilhelmine eras (1871–1918), but also how colonial mentalities and practices shaped later histories during the Nazi era. In introductory essays, editors Geoff Eley and Bradley Naranch survey the historiography and broad developments in the imperial imaginary of the nineteenth and twentieth centuries. Contributors then examine a range of topics, from science and the colonial state to the disciplinary constructions of Africans as colonial subjects for German administrative control. They consider the influence of imperialism on German society and culture via the mass-marketing of imperial imagery; conceptions of racial superiority in German pedagogy; and the influence of colonialism on German anti-Semitism. The collection concludes with several essays that address geopolitics and the broader impact of the German imperial experience. Contributors. Dirk Bönker, Jeff Bowersox, David Ciarlo, Sebastian Conrad, Christian S. Davis, Geoff Eley, Jennifer Jenkins, Birthe Kundus, Klaus Mühlhahn, Bradley Naranch, Deborah Neill, Heike Schmidt, J. P. Short, George Steinmetz, Dennis Sweeney, Brett M. Van Hoesen, Andrew Zimmerman
The Position of the German Language in the World focuses on the global position of German and the factors which work towards sustaining its use and utility for international communication. From the perspective of the global language constellation, the detailed data analysis of this substantial research project depicts German as an example of a second-rank language. The book also provides a model for analysis and description of international languages other than English. It offers a framework for strengthening the position of languages such as Arabic, Chinese, French, Portuguese, Spanish and others and for countering exaggerated claims about the global monopoly position of English. This comprehensive handbook of the state of the German language in the world was originally published in 2015 by Walter de Gruyter in German and has been critically acclaimed. Suitable for scholars and researchers of the German language, the handbook shows in detail how intricately and thoroughly German and other second-rank languages are tied up with a great number of societies and how these statistics support or weaken the languages’ functions and maintenance.
Jazz was banned from German broadcasting as soon as the Nazis came to power in 1933. Yet throughout World War II, American jazz and swing were core components of the Third Reich's propaganda. Jazz classics such as W.C. Handy's famous St. Louis Blues, their lyrics neatly tampered with, came over the airwaves, alongside the famous Germany Calling programmes directed at Britain and allied forces around the world.