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Much maligned in pre-war Germany, the short story enjoyed a creative rebirth in 1945. Initially imported by the Allies, the form also matched perfectly the prevailing mood of irony, objectivity and mistrust of the didactic. With the original German text running alongside English translations, this collection features stories from eight outstanding post-war authors including Heinrich B�ll, Ilse Aichinger and Reinhard Lettau which students will find both educational and engrossing. B�ll�s opening story 'Pale Anna' follows a soldier returning home, his situation comparable to that of the writer in the first months of peace: he knows no-one and has few words not linked to painful memories. This poignant narrative is followed by a variety of tales representing the diversity of the time and including satires, explorations of private obsessions and experiments in form and language.
Much maligned in pre-war Germany, the short story enjoyed a creative rebirth in 1945. Initially imported by the Allies, the form also matched perfectly the prevailing mood of irony, objectivity and mistrust of the didactic. With the original German text running alongside English translations, this collection features stories from eight outstanding post-war authors including Heinrich Böll, Ilse Aichinger and Reinhard Lettau which students will find both educational and engrossing. Böll’s opening story 'Pale Anna' follows a soldier returning home, his situation comparable to that of the writer in the first months of peace: he knows no-one and has few words not linked to painful memories. This poignant narrative is followed by a variety of tales representing the diversity of the time and including satires, explorations of private obsessions and experiments in form and language.
The eight stories in this volume offer a varied and representative collection of twentieth century German authors from a range of political and cultural backgrounds. Styles include the non-fictional manner of Kluge's montage technique and the contrasting classical storytelling of Penzoldt. With reading notes and parallel texts in German and English, this anthology is valuable to the German student of English as well as the English student of German. Reflecting trends in German literature, the stories have been selected for their quality as well as their readability, and will enhance the appreciation of both languages.
The eight stories in this volume offer a varied and representative collection of twentieth century German authors from a range of political and cultural backgrounds. Styles include the non-fictional manner of Kluge's montage technique and the contrasting classical storytelling of Penzoldt. With reading notes and parallel texts in German and English, this anthology is valuable to the German student of English as well as the English student of German. Reflecting trends in German literature, the stories have been selected for their quality as well as their readability, and will enhance the appreciation of both languages.
Second-person storytelling is a continually present and diverse technique in the history of literature that appears only once in the oeuvre of an author. Based on key narratives of the post-war period, Evgenia Iliopoulou approaches the phenomenon in an inductive way, starting out from the essentials of grammar and rhetoric, and aims to improve the general understanding of second-person narrative within literature. In its various forms and typologies, the second person amplifies and expands the limits of representation, thus remaining a narrative enigma: a small narrative gesture - with major narrative impact.
"Ideal for students, this affordable anthology features expert new translations of a dozen works previously unavailable in English. The translations appear alongside the original German text of such stories as "Beauty and the Beast" by Irmtraud Morgner, Gabriele Wohmann's "Good Luck and Bad Luck," and tales by other modern authors, including Grunert, Inneberger, and Klockmann"--