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Centralia exposes hidden crimes of war as an indigenous people fight for their survival. In war, truth is the first casualty and Centralia explores the unsteady relationship between reality and fiction and how our perceptions of reality and truth are manipulated.
FloodZone is Miami-based Russian photographer Samoylova's account of life on the knife-edge of the Southern U.S.: in Florida, where sea levels are rising and hurricanes threaten. These beautifully subtle and often unsettling images capture the mood of waiting, of knowing the climate is changing, and of living with it.
Switzerland is well-known as one of the safest countries on earth and as a prime example of efficiency and efficacy. One of the central reasons that such a country exists is the development of a culture based on protection, which is supported by the presence and production of national security. When in 2014 Swiss people voted in favour of a federal popular initiative against massive immigration, Salvatore Vitale, an immigrant living in Switzerland felt the need to research this phenomenon in order to comprehend where the motives for this constant need for security originate and how they became part of Swiss culture. In How to Secure a Country Vitale explores this country s national security measures by focusing on matterof-fact types of instructions, protocols, bureaucracies, and clear-cut solutions which he visualises in photographs, diagrams, and graphical illustrations. The result is a case study that can be used to explain the global context and the functioning of contemporary societies Essays by political scientists Jonas Hagmann (ETH Zurich) and Roland Bleiker (University of Queensland, Australia) provide an analysis of the structure of the Swiss security system and a view on the politics of photography. Lars Willumeit, curator and social anthropologist, will discuss attitudes, behaviours, and codes in 21st Century statehood. 118 illustrations
As a manufacturer of food and animal feed, seeds and chemical products, Monsanto is relentlessly developing and marketing new technologies. The monopoly it has arguably secured by dubious means bears no relation to its negligence with regard to potential risks. Particularly in light of the devastating consequences that are still causing suffering to people and the environment in many places, the company's self-portrayal as a forward-looking, omnipotent force for good seems cynical. The photographer Mathieu Asselin, who lives in France and Venezuela, has tried his hand at the daunting task of exploring the issues surrounding Monsanto. His investigative photographic study manages to capture the complexity of this topic, creating links between past, present and future and illuminating many different aspects from a variety of perspectives.
In 1992, Dana Lixenberg travelled to South Central Los Angeles for a magazine story on the riots that erupted following the verdict in the Rodney King trial. What she encountered inspired her to revisit the area, and led her to the community of the Imperial Courts housing project in Watts. Returning countless times over the following twenty-two years, Lixenberg gradually created a collaborative portrait of the changing face of this community. Over the years, some in the community were killed, while others disappeared or went to jail, and others, once children in early photographs, grew up and had children of their own. In this way, Imperial Courts constitutes a complex and evocative record of the passage of time in an underserved community.
Three decades of celebrity portraiture from an acclaimed master of the genre The celebrity portraits of Austrian photographer Manfred Baumann (born 1968) capture distinct personalities while also framing them as special--larger than life. Through the lens of his Leica, Baumann has photographed countless celebrities of international renown, among them Sandra Bullock, William Shatner, Jack Black, Natalie Portman, Martin Sheen, Lionel Richie, Olivia Newton John, Bruce Willis, John Malkovich, Juliette Lewis, Angelina Jolie and Evander Holyfield. Baumann's mostly black-and-white portraits often position the subject outside of the studio and within a scrupulously chosen backdrop--although Baumann calls Vienna and Los Angeles home, he frequently travels to shoot on location. The hardcover survey Face to Facecompiles the best of the photographer's celebrity portraits. Viewed together, they give shape to the storyteller behind the camera and testify to the consistency and richness of his style.
A sensitive portrait of contemporary Russian life that goes far beyond the familiar stereotypes