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A Top Ten YALSA Pick for Popular Paperbacks for Young Adults! Fans of Cory Doctorow's Little Brother and M. T. Anderson's Feed will love this high-octane cyber thriller. In a dystopian near-future, neuro-headsets have replaced computer keyboards. Just slip on a headset, and it's the Internet at the speed of thought. For teen hacker Sam Wilson, a headset is a must. But as he masters the new technology, he has a terrifying realization. If anything on his computer is vulnerable to an attack, what happens when his mind is linked to the system? Could consciousness itself be hacked? Brian Falkner, author of The Tomorrow Code and The Project, delivers an action-packed and thought-provoking sci-fi thriller in which logging on to a computer could mean the difference between life and death.
The billion dollar video games industry had to start somewhere, and this is the hilarious, heartbreaking, inside story of how it all began and where it's all headed. And in the middle of it all there was a game hailed as the best ever written. It was called Deus Ex Machina. It was a creative triumph and it was a commercial disaster. Meet the pirates, the nerds, the innovators, the charlatans, the superstars, the winners, the sinners, the good, the bad and the downright ugly. A remarkable story revealed by the founder of the industry himself, with gut-wrenching honesty and merciless humor. If you ever wondered how computer gaming turned us all into willing slaves, you're about to find out in glorious style.
Watson's win on Jeopardy came as no surprise to those who had read Deus ex Machina sapiens. It was written largely during the 1990s, around the time that another IBM supercomputer--Deep Blue--was trouncing world chess grandmaster Garry Kasparov. The book has since been updated on a few points of detail but its primary message remains intact: the Machine is rapidly evolving as Man's rival if not replacement for the job of Steward of the Earth. Building upon the work of some of the world's greatest scientists, philosophers, and religious thinkers, and drawing particularly from developments in the computing and cognitive sciences--particularly, the field of artificial intelligence, or AI--the book reveals the evolutionary emergence of a machine that is not just intelligent but also self-conscious, emotional, and free-willed. In the 1980s and '90s you used to hear grandiose claims about AI. Machines would soon surpass humans in intelligence, it was claimed by some. The Japanese government spent a billion dollars on one project to make it happen. Well, it didn't happen, but that didn't stop the development of intelligence in machines. AI research simply went underground, and has ever since been quietly incorporated into the "ordinary" programs we use every day, without fanfare, without hype. There is still no machine that rivals Homo sapiens in overall intelligence, but today there are machines that far exceed human intellectual capacity in specific domains, from games to engineering to art, and the number of domains is growing exponentially big and exponentially fast. The disappearance of AI from front stage was good insofar as it allowed machines to develop in the right way; that is, through an evolutionary process, which is the only way for something of such complexity to develop. But it was bad insofar as we lost sight of the development of the intelligent machine. Deus brings Machina sapiens back to front stage, where it belongs. After describing the evolutionary development of intelligence in machines it goes on to describe the emotional, intellectual, and ethical attributes of what is no less than an emergent new life form. It asks the Big Question that can only be asked if you accept the very possibility of the new life form: Will it be serpent or savior? The question is answered in the book's title, which is intended to mean "God Emerging From the Intelligent Machine." The author confesses to having never studied Latin and to have concocted the title from two known Latin phrases: "Deus ex Machina" and "Homo sapiens." The concoction could be grammatically incorrect. The author would be pleased to be corrected.
A thrilling debut novel where fantasy and science fiction meet, dragons aren't as innocent as they look, and nothing is quite what it seems. Anne has spent most of her thirteen years dreaming of the day she and her best friend Penelope will finally leave Saint Lupin's Institute for Perpetually Wicked and Hideously Unattractive Children. When the big day arrives, a series of very curious happenings lead to Anne being charged with an epic quest. Anne, Penelope, and new questing partner Hiro have only days to travel to strange new locales, solve myriad riddles, and triumph over monstrous foes--or face the horrible consequences. Packed with action, humor, and endless heart, this debut novel marks the first volume in an irresistible and original fantasy series.
Poetry. Winner of the 2014 Kelsey Street Press FIRSTS Contest. "Jennifer Pilch's DEUS EX MACHINA pulls the ache from a fractured century, stitching the bloom past artifice into an urgent, prismatic form unlike any we have seen. Each voice 'risks/transforms night' into 'a blossom that punctures that blots.' A book like this, assembled from music and ruin and light, is rare and necessary." Joshua Poteat "In DEUS EX MACHINA, Jennifer Pilch crashes classical tragedy into melodrama, foregrounding the parameters of representation in an analog of early photography's impact. With lush language, she explores the photograph's obviating violence, focusing on the 'taken' part of the picture and the lens's seizure of sensory mechanics. Working at varying distances from the stage, the page, and the photographic image, her historical characters successively worry the line between romance and fidelity, presence and preservation, and contend with a colonizing mode of 'perception stuck to where there's light.'" Kate Colby"
This volume of essays provides a fresh and innovative look at colonial trade and its impact on economic development in Europe. It is unique in its coverage of countries that are usually ignored, such as Denmark and Sweden, while also including in its chronology more than the 18th century alone.
Joe Haldeman’s “adept plotting, strong pacing, and sense of grim stoicism have won him wide acclaim” (The Washington Post) and numerous honors for such works as The Forever War, The Accidental Time Machine, and the Marsbound trilogy. Now, the multiple Hugo and Nebula award–winning author pits a lone war veteran against a mysterious enemy who is watching his every move—and threatens him with more than death unless he kills for them. Wounded in combat and honorably discharged nine years ago, Jack Daley still suffers nightmares from when he served his country as a sniper, racking up sixteen confirmed kills. Now a struggling author, Jack accepts an offer to write a near-future novel about a serial killer, based on a Hollywood script outline. It’s an opportunity to build his writing career, and a future with his girlfriend, Kit Majors. But Jack’s other talent is also in demand. A package arrives on his doorstep containing a sniper rifle, complete with silencer and ammunition—and the first installment of a $100,000 payment to kill a “bad man.” The twisted offer is genuine. The people behind it are dangerous. They prove that they have Jack under surveillance. He can’t run. He can’t hide. And if he doesn’t take the job, Kit will be in the crosshairs instead.
A popular strategy among contemporary critics of religion is to explain religiosity as an evolutionary adaptation -- a behavior pattern that exists simply because it helped our early human ancestors thrive. An effective response to this type of argument requires the ability to integrate social scientific research, philosophical viewpoints, and theological beliefs. Using social scientific research, Beck identifies the flaws in Freud's dismissal of religion as a neurotic defense against mortal dread. Instead, Beck draws on the writings of William James to show the complexity of religious belief, which emphasizes the uniqueness of the individual believer. Written in a way that is accessible to readers who aren't trained in social scientific research, but rigorous in meeting the standards of the social sciences, The Authenticity of Faith is a masterful example of the "new apologetics." (Steven V. Rouse).
"In this long-awaited second collection of the groundbreaking series Animal Man, .. questions become more and more troubling-and the answers less and less clear."- p .[4] of cover.
Hosted in Italy by Australian company Deus Ex Machina, the Deus Swank Rally is a championship for riders of Enduro off-road dirt bikes. Presented here are photographs documenting the championship and the eccentric events surrounding it, including amusing competitions and parties.