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As the first Muslim elected to Congress, Minnesota Democrat Keith Ellison explores what it's like to be an American in the twenty-first century. As a Black, Latino, and former Catholic who converted to Islam, Keith Ellison, is the first Muslim elected to Congress—from a district with fewer than 1 percent Muslims and 11 percent Blacks. With his unique perspective on uniting a disparate community and speaking to a common goal, Ellison takes a provocative look at America and what needs to change to accommodate different races and beliefs. Filled with anecdotes, statistics, and social commentary, Ellison touches on everything from the Tea Party to Obama, from race to the immigration debate and more. He also draws some very clear distinctions between parties and shows why the deep polarization is unhealthy for America. Deeply patriotic, with My Country ’Tis of Thee, Ellison strives to help define what it means to be an American today.
"Tanguy Viel's parody/pastiche of the American novel is subtle and experimental; it tells a story at the same time as it implicitly poses questions about the narrative structure it is deploying." —The French Review In The Disappearance of Jim Sullivan, disappearance is both a theme and a stylistic device. Indeed, this publication narrates the disappearance of Dwayne Koster, who, fascinated by the story of Jim Sullivan, commits suicide in the New Mexico desert which was the setting of the rocker’s disappearance in 1975. But this novel is for the most part set in the metanarrative tale of its own genesis, and, as a result, is partially eclipsed: its -fictitious- author doesn’t relate it in its entirety and keeps adding bits and pieces of first drafts and preliminary sketches to his text, thus blurring its boundaries. Tanguy Viel’s work can therefore be perceived as a double response, existential and aesthetic, to the question of the end.
Pulitzer Prize–winning author and “one of our most talented biographers and historians” (The New York Times) David Maraniss delivers a “thoughtful, poignant, and historically valuable story of the Red Scare of the 1950s” (The Wall Street Journal) through the chilling yet affirming story of his family’s ordeal, from blacklisting to vindication. Elliott Maraniss, David’s father, a WWII veteran who had commanded an all-black company in the Pacific, was spied on by the FBI, named as a communist by an informant, called before the House Un-American Activities Committee in 1952, fired from his newspaper job, and blacklisted for five years. Yet he never lost faith in America and emerged on the other side with his family and optimism intact. In a sweeping drama that moves from the Depression and Spanish Civil War to the HUAC hearings and end of the McCarthy era, Maraniss weaves his father’s story through the lives of his inquisitors and defenders as they struggle with the vital 20th-century issues of race, fascism, communism, and first amendment freedoms. “Remarkably balanced, forthright, and unwavering in its search for the truth” (The New York Times), A Good American Family evokes the political dysfunctions of the 1950s while underscoring what it really means to be an American. It is “clear-eyed and empathetic” (Publishers Weekly, starred review) tribute from a brilliant writer to his father and the family he protected in dangerous times.
Michigan in Literature is a guide to more than one thousand literary and dramatic works set in Michigan from its pre-territorial days to the present. Imaginative, narrative, dramatic, and lyrical creations that have Michigan settings, characters, subjects, and themes are organized into sixteen chapters on topics such as Indians in Michigan, settlers who came to Michigan, diversity in the state, the timber industry, the Great Lakes, crime in Michigan literature, Detroit, and Michigan poetry. In this most complete work to date, Clarence Andrews has assembled the literary reputation of a state. He illustrates, with a wide variety of literary works, that Michigan is more than just a builder of automobiles, a producer of apples and cherries, a supplier of copper and lumber, and the home of great athletes. It is also a state that has played—and continues to play—an important role in the production of American literature. To qualify for inclusion, a work or a significant part of it has to be set in Michigan. Andrews shows how novelists, dramatists, poets, and short story writers have created their particular images of Michigan by using and interpreting the history of the state—its land and waters, people, events, ideas, philosophies, and policies—sometimes factually, sometimes modified or distorted, and sometimes fancied or imagined. Biographical information is featured about authors, editors, and compilers, who range in fame from Ernest Hemingway and Elmore Leonard to persons long forgotten. The published opinions and judgments of reputable critics and scholars are also presented.