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In the past three or four years, Detroit has become a "spraycation" spot for graffiti artists. Formerly known as the automotive capital of the world, the media now refers to the Motor City as a bankrupt ruin--a shadow of its former self. Thanks to the city's street artists, however, Detroit is experiencing an artistic renaissance. The author has recorded the work produced by these graffiti writers and documented the evolution of Detroit street art culture in more than a dozen neighborhoods in and around this resilient Midwest city between 2008 and 2013. This photographic dossier is the first book to exclusively feature graffiti from Detroit, where one in every five structures is vacant, abandoned, or dilapidated. As industry disappears, the number of vacant walls increases, drawing the attention of the most talented graffiti artists and writers on the planet.
A collection of photographs by artist Scott Hocking of the 'bad', often humourous graffiti seen in urban areas. As such graffiti is mostly on sites that are derelict or in a state of disrepair, Hocking's work documents the depressing appearance of buildings tarnished by urban decay and abandonment rather than mocking the artists.
A photographic record of almost three decades of Detroit's changing urban fabric
Street Talking is a massive accumulation of graffiti and street art photographs taken over the last decade by photographer Mike Popso. Exploring a cross-continental swath of urban areas, Popso captures hard-to-reach spots where there is an explosion of bright color and brighter ideas on canvases ranging from abandoned schools in Detroit to the back alleys of Istanbul, Turkey. From illegal tagging under ground to the commissioned productions above ground, Street Talking documents works by an entirely new generation of "writers" and artists under the influence of yesterday's masters. An artistic platform for today's global voices in street art, Popso's compilation features works by The MSK Crew and other cutting edge artists working in Detroit, New York, the West Coast, and Europe--a must have for all street art collectors, practitioners, and enthusiasts.
This is a nostalgic, visual account of the best time and place to be a graffiti writer. In the 1980s, brothers Kenny, a.k.a. KEY, and Paul, a.k.a. CAVS, immersed themselves in the graffiti scene in the Boogie Down Bronx, dutifully photographing hundreds of pieces on now-discontinued MTA subway cars and capturing their proud comrades before, during, and after the act. "Bombing" "White Elephants" with their pilot markers and documenting them with their cameras, which they always carried, they were on the ride of their lives--until 1989, when the last painted train was removed from service. Tags by names like QUIK, IZTHEWIZ, and many others appear here in color exposures, and dozens of artists share stories and drop knowledge with no filter. A foreword by graffiti historian Henry Chalfant, coproducer of Style Wars--the seminal documentary on New York graffiti and hip-hop culture--kicks things off.
It will be essential reading for anyone interested in arts and culture in the city.
"Graffiti is by nature a protean art. In movies, it is often the backdrop used to create a sense of danger and lawlessness. In bathroom stalls, it is the disembodied expression of gossip, lewdness, or confession. In protests, it is a resistive tool, visually displaying the cacophony of disparate voices and interests that come together to make up a movement. Every graffito has an unstable afterlife-fated to be added to, transformed, overlaid, photographed, reinterpreted, or painted over. In short, as this book artfully explains, graffiti makes for messy politics. It brings the unwieldiness of the crises it engages to the fore, giving shape to a conflict's evolving nature. The book closely examines the many permutations of graffiti in conflict zones-moving from the protest graffiti of the Black Lives Matter movement in Ferguson and the Arab Spring in Egypt to the tourist attraction murals on the Israeli Separation Wall, to the street art used for city rebranding and beautification in Detroit and post-Katrina New Orleans. Graffiti has played a crucial role in the revolutionary movements of these locales, but has also been variously appropriated, policed, and exported, ushering in postconflict consumerism, gentrification, militarization, and anaesthetized forgetting. Yet, the book concludes, as protest movements change and adapt in turn, graffiti is also uniquely suited to shapeshift with them, opening up new apertures of resistance with every wave"--
Catalog of art work by JeeYeun Lee about Detroit made 2016-2018
Detroit: The Dream Is Now is a visual essay on the rebuilding and resurgence of the city of Detroit by photographer Michel Arnaud, co-author of Design Brooklyn. In recent years, much of the focus on Detroit has been on the negative stories and images of shuttered, empty buildings—the emblems of Detroit’s financial and physical decline. In contrast, Arnaud aims his lens at the emergent creative enterprises and new developments taking hold in the still-vibrant city. The book explores Detroit’s rich industrial and artistic past while giving voice to the dynamic communities that will make up its future. The first section provides a visual tour of the city’s architecture and neighborhoods, while the remaining chapters focus on the developing design, art, and food scenes through interviews and portraits of the city’s entrepreneurs, artists, and makers. Detroit is the story of an American city in flux, documented in Arnaud’s thought-provoking photographs.