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Detective Fiction and the Ghost Story is a lively series of case studies celebrating the close relationship between detective fiction and the ghost story. It features many of the most famous authors from both genres including Conan Doyle, Agatha Christie, M. R. James and Tony Hillerman.
Montague Rhodes James OM, MA, FBA (1 August 1862 – 12 June 1936), who used the publication name M. R. James, was an English author, medievalist scholar and provost of King's College, Cambridge (1905–1918), and of Eton College (1918–1936). He is best remembered for his ghost stories, which are regarded as among the best in the genre. James redefined the ghost story for the new century by abandoning many of the formal Gothic clichés of his predecessors and using more realistic contemporary settings. However, James's protagonists and plots tend to reflect his own antiquarian interests. Accordingly, he is known as the originator of the "antiquarian ghost story".James was born in Goodnestone Parsonage, near Dover in Kent, England, although his parents had associations with Aldeburgh in Suffolk. From the age of three (1865) until 1909 his home, if not always his residence, was at the Rectory in Great Livermere, Suffolk. This had also been the childhood home of another eminent Suffolk antiquary, "Honest Tom" Martin (1696–1771) "of Palgrave." Several of his ghost stories are set in Suffolk, including "'Oh, Whistle, and I'll Come to You, My Lad'" (Felixstowe), "A Warning to the Curious" (Aldeburgh), "Rats" and "A Vignette" (Great Livermere). He lived for many years, first as an undergraduate, then as a don and provost, at King's College, Cambridge, where he was also a member of the Pitt Club. The university provides settings for several of his tales. Apart from medieval subjects, James studied the classics and appeared very successfully in a staging of Aristophanes' play The Birds, with music by Hubert Parry. His ability as an actor was also apparent when he read his new ghost stories to friends at Christmas time.In September 1873 he arrived as a boarder at Temple Grove School, one of the leading boys' preparatory schools of the day.James is best known for his ghost stories, but his work as a medievalist scholar was prodigious and remains highly respected in scholarly circles. Indeed, the success of his stories was founded on his antiquarian talents and knowledge. His discovery of a manuscript fragment led to excavations in the ruins of the abbey at Bury St Edmunds, West Suffolk, in 1902, in which the graves of several twelfth-century abbots described by Jocelyn de Brakelond (a contemporary chronicler) were rediscovered, having been lost since the Dissolution. His 1917 edition of the Latin Lives of Saint Aethelberht, king and martyr (English Historical Review 32), remains authoritative.He catalogued many of the manuscript libraries of the Cambridge colleges. Among his other scholarly works, he wrote The Apocalypse in Art, which placed illuminated Apocalypse manuscripts into families. He also translated the New Testament Apocrypha and contributed to the Encyclopaedia Biblica (1903). His ability to wear his learning lightly is apparent in his Suffolk and Norfolk (Dent, 1930), in which a great deal of knowledge is presented in a popular and accessible form, and in Abbeys (Great Western Railway, 1925).James also achieved a great deal during his directorship of the Fitzwilliam Museum in Cambridge (1893–1908). He managed to secure a large number of important paintings and manuscripts, including notable portraits by Titian.James was Provost of Eton College from 1918 to 1936. He died in 1936 and was buried in Eton town cemetery.
P. D. James, the undisputed queen of mystery, gives us an intriguing, inspiring and idiosyncratic look at the genre she has spent her life perfecting. Examining mystery from top to bottom, beginning with such classics as Charles Dickens's Bleak House and Wilkie Collins's The Woman in White, and then looking at such contemporary masters as Colin Dexter and Henning Mankell, P. D. James goes right to the heart of the genre. Along the way she traces the lives and writing styles of Arthur Conan Doyle, Agatha Christie, Dashiell Hammett, and many more. Here is P.D. James discussing detective fiction as social history, explaining its stylistic components, revealing her own writing process, and commenting on the recent resurgence of detective fiction in modern culture. It is a must have for the mystery connoisseur and casual fan alike.
The locked room mystery is one of the iconic creations of popular fiction. Michael Cook's critical study reveals how this archetypal form of the puzzle story has had a significant effect in shaping the immensely popular genre of detective fiction. The book includes analysis of texts from Poe to the present day.
This book features a marvellous collection of murderous, greedy and immoral villains brought to book by the greatest fictional detectives, who date from the golden age of crime literature as well as the present day. Follow in the footsteps of criminal masterminds and marvel at the inspired deductions of Sherlock Holmes, Hercule Poirot and the brilliant (if timid) Mr Budd. Nick Hardcastle's line drawings make these riveting stories come alive
This book is a study of the narrative techniques that developed for two very popular forms of fiction in the nineteenth century - ghost stories and detective stories - and the surprising similarities between them in the context of contemporary theories of vision and sight. Srdjan Smajić argues that to understand how writers represented ghost-seers and detectives, the views of contemporary scientists, philosophers, and spiritualists with which these writers engage have to be taken into account: these views raise questions such as whether seeing really is believing, how much of what we 'see' is actually only inferred, and whether there may be other (intuitive or spiritual) ways of seeing that enable us to perceive objects and beings inaccessible to the bodily senses. This book will make a real contribution to the understanding of Victorian science in culture, and of the ways in which literature draws on all kinds of knowledge.
Tingling Treats for Halloween: Detective Yarns, Supernatural Mysteries & Ghost Stories gathers an enigmatic collection that spans across various literary horizons, inviting readers into the shadowy realms of the unknown and the unexplained. This anthology juxtaposes the logical deduction of detective tales with the ethereal ambiguity of ghost stories, creating a tapestry rich in psychological depth and narrative complexity. The inclusion of renowned works by luminaries such as Edgar Allan Poe and Arthur Conan Doyle alongside hidden gems from lesser-known authors offers a diverse exploration of fear, curiosity, and the supernatural, highlighting the evolution of these genres from their origins to the early 20th century. The contributors to this anthology are not just storytellers but pioneers who have significantly shaped the course of literary history. From Mark Twain's satirical twist to the gothic eeriness of M.R. James and the pioneering adventures of Mary E. Hanshew, each author brings their unique voice to this collective narrative. The anthology serves as a microcosm of the larger historical, cultural, and literary movements of their time, reflecting the Victorian fascination with the occult, the Gothic revival, and the birth of detective fiction, binding these disparate threads into a coherent whole that transcends the sum of its parts. This anthology is not merely a collection of stories; it is a gateway to the crossroads of human emotion, logic, and the supernatural. It presents an unparalleled opportunity for readers to engage with the minds of some of the most influential writers in Western literature, offering a journey through the macabre, the mysterious, and the profound. For scholars, enthusiasts, and casual readers alike, Tingling Treats for Halloween promises a rich educational experience, providing not only entertainment but also a deeper understanding of the different era-specific perspectives on mystery and the supernatural. Delve into this meticulous curation of tales to ignite your imagination and perhaps, uncover hidden truths veiled within the shadows of the past.
A clergyman named Ronald A. Knox once set forth a set of rules for writing detective fiction. In ten new stories (two featuring Lieutenant Boruvka), a crime occurs that violates one of Father Knox's rules, thus serving up a double challenge: Who dunnit? and Which rule was broken?