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Batman must confront the evil that he is responsible for creating and personal demons that have haunted him since that fateful night in Crime Alley. Plus, the Dark Knight Detective usually works alone, but the threat of mass murder in the financial district forces him to team up with a bizarre private eye. Then, movies of death are being filmed in Gotham-and Batman may be the next star. This and more iconic stories from the late 1980s! Collecting Detective Comics #592-600.
When Bruce Wayne refuses to allow illegal mindcontrol experiments to continue at Wayne Technology, he finds himself charged with being a traitor. During the police investigation, Wayne is forced to confront memories of the various people who trained him to become the feared Dark KnightBatman. Wayne not only must clear himself, but also protect his secret and save his company from ruin. Batman screenwriter Sam Hamm makes his comic-book debut with BATMAN: BLIND JUSTICE, introducing new elements to the Batman legend including the character of Henri Ducard, played by Liam Neeson in 2005s smash film Batman Begins.
A LEGENDS crossover, continued from BATMAN #401. The Penguin traps Batman in a skyscraper aerie, while G. Gordon Godfrey sells the citizens of Gotham on a city without heroes! Continued in LEGENDS #1.
A warped variation of the Joker drug has caused those who use it to embrace anarchy and chaos. With riots cropping up throughout Gotham, the citizens are divided into two gangs: one led by a Batman imposter trying to bring law and order back to the streets, the other by a Joker imposter out to punish the innocent and set Gotham ablaze.
The bible of the comic book industry is updated for 2002 with Web site information, tips about grading and caring for comics, and more than 1,500 black-and-white photos.
The bible of the comic book industry is updated for 2002 with Web site information, tips about grading and caring for comics, and more than 1,500 black-and-white photos.
This book is a re-examination of the critic whose Congressional testimony sparked the Comics Code. Bart Beaty traces the evolution of Wertham's attitudes toward popular culture and reassesses his place in the debate about pop culture's effects on youth and society. When The Seduction of the Innocent was published in 1954, Wertham (1895-1981) became instantly known as an authority on child psychology. Although he had published several books before Seduction, its sharp criticism of popular culture in general--and comic books in particular--made it a touchstone for debate about issues of censorship, child protection, and freedom of speech. This book reinterprets his intellectual legacy and challenges notions about his alleged cultural conservatism. Drawing upon Wertham's published works as well as his unpublished private papers, correspondence, and notes, Beaty reveals a man whose opinions, life, and career offer more subtlety of thought than previously assumed. In particular, the book examines Wertham's change of heart in the 1970s, when he began to claim that comics could be a positive influence in American society.