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Fictionalized account of the life of Fritz Lang, the German motion picture director
In this commentary on chapter one, "Why I am So Wise," of Nietzsche's Ecce Homo, the author dispels the long-standing impression that Ecce Homo is an irrational book in which the madness that claimed Nietzsche only months after he began writing it had already begun its work. Ecce Homo, it is alleged, is not egotistical, or narcissistic, or megalomaniacal. It is not a work of madness. In his linear exposition of this first chapter, the author presents Nietzsche's revelation of the tragic fact that his very aliveness was in a state of being overwhelmed, consumed, by powerful unconscious emotion, the condition he called decadence. Nietzsche's madness may have caused him to lose perspective on the meaning of having dwelt in "a world of exalted and delicate things," as he writes of himself in Ecce, but the original experience of elevation that comes of an abundance of life, of a surplus of life, certainly was not pathological.
The name of Fritz Lang—the visionary director of Metropolis, M, Fury, The Big Heat, and thirty other unforgettable films—is hallowed the world over. But what lurks behind his greatest legends and his genius as a filmmaker? Patrick McGilligan, placed among “the front rank of film biographers” by the Washington Post, spent four years in Europe and America interviewing Lang’s dying contemporaries, researching government and film archives, and investigating the intriguing life story of Fritz Lang. This critically acclaimed biography—lauded as one of the year’s best nonfiction books by Publishers Weekly—reconstructs the compelling, flawed human being behind the monster with the monocle.
The entertainment world lost many notable talents in 2017, including iconic character actor Harry Dean Stanton, comedians Jerry Lewis and Dick Gregory, country singer Glen Campbell, playwright Sam Shepard and actor-singer Jim Nabors. Obituaries of actors, filmmakers, musicians, producers, dancers, composers, writers, animals and others associated with the performing arts who died in 2017 are included. Date, place and cause of death are provided for each, along with a career recap and a photograph. Filmographies are given for film and television performers.
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This book summarizes the author’s extensive research on Confucian morality issues and focuses on elaborating the extremely important and unique role of moral thought in Confucian ideology. The book shares the author’s own standpoints on a range of issues – including where moral thoughts originated, what the major principles are, and what methods were adopted in Confucianism – to form a comprehensive and in-depth interpretation, and help readers achieve a better understanding. Moreover, the book focuses on the similarities and differences between Chinese and western cultures and presents an in-depth analysis of the differences and roots regarding various aspects, including Chinese and western historical development paths, thoughts and cultures, national spirits, national mentalities, and social governance models. The formation of either culture has its own practical reasons and historical roots. The book represents a major contribution, helping readers understand the similarities and differences between Chinese and western cultures and social civilizations, enabling them to integrate and learn from Chinese and western cultures, and promoting a better development for Chinese society and the international community alike. Combining detailed data and an approachable style, it contributes to the legacy of Confucianism by applying a critical attitude. The author thinks out of the box in terms of theoretical analysis and studies on certain issues. As such, the book will be of great academic value in terms of studying China’s ideological culture, especially its morality culture, and will benefit scholars and research institutions alike.