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Includes entries for maps and atlases.
Mario Paz has, in the Romantic Agony, acutely analyzed the effect of the traditions of Byron and De Sade upon poets and painters from 1800 to 1900. It is the analysis of a mood in literature. The mood may ve been transient, but it was widespread, and it was expressed in dreams of "luxurious cruelties," "fatal women," corpse-passions, and the sinful agonies of delight. Professo Praz has described the whole Romantic literature under one of its most characteristic aspects, that of erotic sensibility.
The best-selling Oxford Dictionary of Literary Terms (formerly the Concise dictionary) provides clear, concise, and often witty definitions of the most troublesome literary terms from abjection to zeugma. It is an essential reference tool for students of literature in any language. It is now available in a new and expanded edition and includes increased coverage of new terms from modern critical and theoretical movements, such as feminism, and schools of American poetry, Spanish verse forms, life writing, and crime fiction. It includes extensive coverage of traditional drama, versification, rhetoric, and literary history, as well as updated and extended advice on recommended further reading and a pronunciation guide to more than 200 terms. New to this edition are recommended entry-level web links updated via the Dictionary of Literary Terms companion website.
Local/Global: Women Artists in the Nineteenth Century is the first book to investigate women artists working in disparate parts of the world. This pioneering collection addresses issues at the heart of feminist and post-colonial studies: the nature of difference, discrepant modernities and cross-cultural encounters. Written in a lively and accessible style, this lavishly illustrated volume offers fresh perspectives on women, art and identity. It is essential reading for anyone interested in the history of women artists and the art of the nineteenth century.
This book articulates a new research program, called “Ur-Illuminism,” which consists in an integrated and systematic study of humanity’s quest for “illumination,” namely, for the highest and noblest possible mode of being. Thus, it takes on the challenge of revising widely accepted ways of understanding and interpreting the ontological underpinnings of civilization and the ontological potential of humanity. It allows the reader to delve into a creative “rediscovery” of Platonism, medieval Christian mystics’ and scholars’ writings, and various “illuminist” systems, from the Orphic mystical cult to the European Enlightenment and thence to the eighteenth-century Illuminati fraternities and beyond. Moreover, the book studies major issues in the history of philosophy, politology, and esoteric systems (such as Hermeticism, the Kabbalah, alchemy, the Rosicrucian movement, Freemasonry, and the Bavarian Illuminati). It maintains that a postmodern “rediscovery” of premodern metaphysics, specifically, a postmodern esoteric theocracy (as distinct from old sacerdotalism and religious formalism), is the best bulwark against oppression and the ontological degradation of humanity, as well as the best path to the attainment of that wisdom and spiritual self-knowledge which constitute the existential integration and completion of the human being. In this context, it proposes a peculiar and intellectually fecund synthesis between Tory Anarchism, Libertarianism, Platonism, and Byzantine Hesychasm, as they are elucidated here.
This book explores a range of social, institutional and discursive conditions in and through which criticism emerged and functioned in 19th-century France, and goes on to develop broader theoretical questions drawn from historical case studies.
This comprehensive survey lays out in chronological progression the lives and works of the artists whose masterpieces make up the history of European painting, from the late Gothic masters of the thirteenth and fourteenth centuries to the Cubists and Surrealists of the early twentieth century, to the postmodernists of our own day. In the work of these artists we can observe the great movements of art history - the dawn of the Renaissance, the birth of Realism, and the rise of abstraction. The artists are represented by full-color illustrations of their most important and characteristic paintings, accompanied by concise, authoritative discussions of their life and work.