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A collection of tattoo designs from many cultures, drawing on historical records. Includes a brief historical overview, and b & w maps. Most designs are in b & w, with a few colour illustrations.
The Tattoo Encyclopedia provides the first comprehensive overview of tribal tattooing across history, continents, and ethnicities. Each group, clan, or community that practiced tattooing had its own places where people prepared for tattooing or where tattooing was performed. Tattoo sessions were accompanied by music, songs, or other rituals. They had tattoo artists and their assistants. Of course, they used various tattoo tools to carry and apply the designs. Last but not least, they also used different ingredients to obtain the inks for the tattoos. For all this, the different communities had their own names and terms, in their own language or dialect, and it is these terms, including descriptions, often already lost in history, that this book presents.
The second part of history and meanings of tattoo motifs.
Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.
Version papier du blog :"Quand les grenouilles auront des plumes !"
This book includes the story of artist Germaine Arnaktauyok's traditional Inuk life in her own words, commentary on her works, and over one hundred full-colour reproductions of her pieces.
The art of tattooing has been found all over the world, from the Ice Age to our own day. And though aboriginal people from Arabia to America to the South Seas have traditionally practiced it, tattooing has lately been on the decline among tribal cultures - even as it has become fashionable in the first world. This book showcases the rich variety and sometimes surprising similarities of these disappearing tribal tattoo designs, both representative and abstract, employed as religious symbols, talismans, charms, indicators of status or position, or simply as adornment.