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The extraordinary true story of how an iman's daughter escaped her abused childhood, and an honor killing by her strict Muslim family, to find freedom - and love.
Love Against the Odds The Earl of Seahaven desperately wanted a son and heir but died leaving nine daughters and a fifth wife. Cruelly turned out by the new earl, they live hand-to-mouth in a small cottage. The young dowager Countess's one regret is that she cannot give Seahaven's dear girls a chance at happiness. When a cousin offers the use of her townhouse in York during the season, the Countess rallies her stepdaughters.They will pool their resources so that the youngest marriageable daughters might make successful matches, thereby saving them all. So start their adventures in York, amid a whirl of balls, lectures, and al fresco picnics. Is it possible each of them might find love by the time the York horse races bring the season to a close?
An incisive and provocative work on male-female relationships explores the complex relationship of fathers and daughters and of older men and younger females in history, life, art, and culture.
From the acclaimed author of "Final Payments" comes a gripping novel of filial devotion and complication between a mother and daughter who, together and separately, must face the ultimate questions of life and death.
Fourteen chilling tales from the pioneering women who created the domestic suspense genre Murderous wives, deranged husbands, deceitful children, and vengeful friends. Few know these characters—and their creators—better than Sarah Weinman. One of today’s preeminent authorities on crime fiction, Weinman asks: Where would bestselling authors like Gillian Flynn, Sue Grafton, or Tana French be without the women writers who came before them? In Troubled Daughters, Twisted Wives, Weinman brings together fourteen hair-raising tales by women who—from the 1940s through the mid-1970s—took a scalpel to contemporary society and sliced away to reveal its dark essence. Lovers of crime fiction from any era will welcome this deliciously dark tribute to a largely forgotten generation of women writers.
In the 1940s film Now, Voyager, Bette Davis plays a daughter struggling against her mother's stifling repression. Nearly fifty years later, in the Hollywood saga Postcards from the Edge, Shirley MacLaine, as a neglectful and bossy mother, inflicts untold psychological pain on her daughter, played by Meryl Streep. These dramas of conflict and the ambivalent struggle for separation have been central to popular images of mothers and daughters in the last half-century in the U.S. Walters boldly challenges these dichotomies and proposes an innovative and multilayered understanding of the cultural construction of the mother/daughter relationship. In a discussion of popular media ranging from themes of maternal martyrdom to maternal malevolence, Walters shows that since World War II, mainstream culture has generally represented the mother/daughter relationship as one of never-ending conflict and thus promoted an "ideology of separation" as necessary to the daughter's emancipation and maturity. This ideological move is placed in a social context of the anti-woman backlash of the early post-war period and the renewed anti-feminism of the Reagan and Bush years. Walters uses exceptions to mainstream imagery-films such as A Tree Grows in Brooklyn, television shows like "Maude," novels like The Joy Luck Club-to offer evidence of alternative traditions and paradigms. Timely and vividly argued, Lives Together/Worlds Apart makes a brilliant contribution to discussions of popular culture and feminism.
In 1997 journalist Karin Evans walked into an orphanage in southern China and met her new daughter, a beautiful one-year-old baby girl. In this fateful moment Evans became part of a profound, increasingly common human drama that links abandoned Chinese girls with foreigners who have traveled many miles to complete their families. At once a compelling personal narrative and an evocative portrait of contemporary China, The Lost Daughters of China has also served as an invaluable guide for thousands of readers as they navigated the process of adopting from China. However, much has changed in terms of the Chinese government?s policies on adoption since this book was originally published and in this revised and updated edition Evans addresses these developments. Also new to this edition is a riveting chapter in which she describes her return to China in 2000 to adopt her second daughter who was nearly three at the time. Many of the first girls to be adopted from China are now in the teens (China only opened its doors to adoption in the 1990s), and this edition includes accounts of their experiences growing up in the US and, in some cases, of returning to China in search of their roots. Illuminating the real-life stories behind the statistics, The Lost Daughters of China is an unforgettable account of the red thread that winds form China?s orphanages to loving families around the globe.
A vivid and provocative literary criticism of famous women writers from Virginia Woolf to Zelda Fitzgerald by a “gifted miniaturist biographer” (Joyce Carol Oates) The novelist and essayist Elizabeth Hardwick is one of contemporary America’s most brilliant writers, and Seduction and Betrayal, in which she considers the careers of women writers as well as the larger question of the presence of women in literature, is her most passionate and concentrated work of criticism. A gallery of unforgettable portraits—of Virginia Woolf and Zelda Fitzgerald, Dorothy Wordsworth and Jane Carlyle—as well as a provocative reading of such works as Wuthering Heights, Hedda Gabler, and the poems of Sylvia Plath, Seduction and Betrayal is a virtuoso performance, a major writer’s reckoning with the relations between men and women, women and writing, writing and life.
Homeschooling, large families, Biblical womanhood, and quiverfull - they are all part of the Christian patriarchy movement, which promises parents a legacy of godly children if they adhere to specific Biblical principles. But what happens when families who abandon "the world" for "the Biblical home" leave hearts behind, too? For many wives and daughters, the Christian home is not always a safe place. Scripture is used to manipulate. God is used as a weapon. And through spiritual and emotional abuse, women who become "the least of these" within Biblical patriarchy experience deep wounds that only God can heal. But if living "God's way" caused this pain, why should they trust Him to heal it? - publisher website.
The biblical stories of Lot’s daughters, Tamar, Ruth and Bathsheba, share much in common – singular women who are left to rely upon their own wits to achieve some measure of victory over the men around them. Scholarly interpretation of these women often reduces them to mere stock characters who inform civic notions about Israel, the perennial underdog who, like these women, achieves against great odds. Or, they reflect the trickery and moral ambiguity inherent in their line as ancestresses of the House of David. However, when read for their gender information (and not for what they can tell readers about Israel), one finds women who employ strategies of deception and trickery, motivated by individual self-interest, in order to successfully maneuver within the system to their benefit. Such initiative can be seen as valorous: they save themselves through their own pluck and ingenuity. Thus, a close consideration of these stories finds that heroic biblical women carry their essential weapons upon and within themselves in their drive, their resolve and their cleverness. Using methods from biblical study as well as folklore, this study identifies biblical women motivated by self-interest coupled with deception and an incidence of the “bedtrick,” an instance of sexual trickery that challenges the text’s power and gender dynamics. This identification puts Lot’s daughters, Tamar, Ruth and Bathsheba, in league with female heroes from folk tale and legend. By contrasting and comparing common motifs and actions with traits established by other non-biblical female heroic narratives, strong heroic themes are located in all four narratives. This offers a dynamic argument for identifying the female biblical heroic. This work concludes that this new identification of heroic women in the Bible profoundly affects further interpretation of the Bible.