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This lively, engaging book investigates the relationship between some of our more beloved popular expressions of national identity and the extent to which the interests of the state appeal to the pleasures of citizens, thus shaping our understanding of what it means to be Canadian.
Creative Industries in Canada is a foundational text that encourages students to think critically about creative industries within a Canadian context and interrogate the current state and future possibilities of the industry. While much of current creative industries literature concerns the United Kingdom, the United States, and Asia, this text captures the breadth of how Canadian industries are organized and experienced, and how they operate. This ambitious collection aims to guide students through the current landscape of Canadian creative industries through three thematic sections. “Production” collects chapters focused on how national discourses and identities are produced through creative industries and the tensions that exist between policy and media. “Participation” explores how we engage with these industries in different roles: as consumer, creator, policy-maker, and more. “Pedagogies” explores how education impacts inclusion and visibility in creative industries. Truly intersectional, Creative Industries in Canada provides students with practical industry knowledge and frameworks to explore the current state of the field and its future. With a broad application to many undergraduate programs, this text is a must-read resource for those pursuing media studies, arts management, creative and cultural industries studies, communications, and arts and humanities.
Canada's Holy Grail investigates the political motivations of Lord Stanley and sheds light on the Stanley Cup as a symbol of Canadian unity.
We are all our history. Yet despite curricular revisions, the mainstream historical narrative that shapes the way we teach students about the Canadian nation can be divisive, separating “us” from “them.” Responding to the evolving demographics of an ethnically and culturally heterogeneous population, Transforming the Canadian History Classroom calls for an innovative approach that instead places students – the stories they carry and the histories they want to be part of – at the centre of history education. Samantha Cutrara explores how teaching practices and institutional contexts can support ideas of connection, complexity, and care in order to engender meaningful learning and foster a student-centric history education. Applying insights gained from student and teacher interviews and case studies in schools, Transforming the Canadian History Classroom delineates a learning environment in which students can investigate the historical narratives that infuse their lives and imagine a future that makes room for their diverse identities.
Winner of the 2005 Ontario Printing and Imaging Association Excellence in Print Awards Best of Category, and of the 2005 International Gallery of Superb Printing Gold Award for Superb Craftsmanship Since the creation of the Canadian honours system in 1967, more than 250,000 Canadians have been rewarded, yet little has been written about it. This full-colour illustrated book recounts the history of Canada’s various national orders, decorations, and medals, from New France’s Croix de St. Louis, through the British Order of the Bath, to modern Canadian awards such as the General Campaign Star. Each award in the modern Canadian honours system is examined in detail, including historical background, design, and criteria for bestowal. With special chapters on heraldry, protocol, and the proper mounting and wear of medals, it is an essential reference for anyone interested in Canadian honours.