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Published to accompany a major exhibition at The Queen's Galleries in London and Edinburgh, this book provides new insights into George IV as a collector. Although George led a life bounded by convention, he was a genuine connoisseur who was able to form an unrivalled collection of paintings, porcelain and furniture. These he presented and displayed in a series of architecturally adventurous spaces. His acquisitions continue to form the backdrop to royal ceremony, a legacy that is one of the principal pillars of today's magnificent Royal Collection.
Interior designer and artist Ashley Hicks presents his photographs and description of the interior design of Buckingham Palace, home of Britain's royal family since 1837. An important representation of Regency, Victorian, and Edwardian styles, the palace is the work of such noted architects as John Nash and Sir Aston Webb. Hicks records the formal spaces with vibrancy, capturing the magnificent rooms furnished with treasures from the Royal Collection. Starting at the Grand Staircase, Hicks leads us through the state rooms, which include the White Drawing Room and the Blue Drawing Room that both overlook the palace gardens; the Ballroom, which is the setting for twenty investiture ceremonies each year; and the Throne Room, used by Queen Victoria for spectacular costume balls in the 1840s. The long, skylit Picture Gallery is hung with important works of art from the Royal Collection by Rembrandt van Rijn, Peter Paul Rubens, Nicolas Poussin, Anthony van Dyck, Johannes Vermeer, and Canaletto, among others. Decorative furnishings from George IV's exotic Brighton Pavilion lend a fanciful turn to many of the rooms.
China has fascinated the imagination of the West for centuries. The story of chinoiserie in Britain is
The classical elegance of the Regency period in England is considered one of the most sophisticated and refined moments in design history. Throughout the twentieth century, designers took elements of the Regency vocabulary and restyled them to meld with the reigning design aesthetic of the day to extraordinary effect. The book opens with an introduction to the original Regency period, which built its sophisticated aesthetic on the example of the Neoclassical style of Napoleon’s time. It then picks up with the Art Deco designs of Emile-Jacques Ruhlmann and S�e et Mare in France. By the 1930s, the Vogue Regency returned home to England where Sibyl Colefax and Syrie Maugham created stylized classical interiors. In America, the Regency revival took hold in Hollywood on the lavish film sets of the 1930s and ‘40s. Designers and architects to the stars such as Billy Haines and T.H. Robsjohn-Gibbings made a mark with their work for the Hollywood elite. The book concludes with Regency fashions of the 1930s and ‘40s, when Dorothy Draper and Elsie de Wolfe cut a stylish swath with their Regency-infused designs from coast to coast. Rounding out the vintage interiors are designs by acclaimed contemporary designers. Each chapter is illustrated with a rich selection of images of interiors, film sets, and furniture.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Donated: The Margaret A. Bailey Art Collection.
The long-awaited first monograph from the AD100 New York City and Miami-based interior designer recognized for his considerable knowledge of 20th-century design, furniture, and art. From demolishing walls in favor of a floor-to-ceiling, canary-yellow sliding door that opens two rooms to one spectacular Miami Beach view, to adding a sense of translucency to a regal 19th-century Upper East Side townhouse by dividing interior rooms with steel-framed glass doors, John Barman demonstrates in full force—with this book—the clear-cut, decisive blend of glamour and functionality that has won his firm accolades over the past 15 years. At once a classicist and a modernist, John Barman favors handsome, crisp lines and the unrestrained use of strong, resonant color. He can be seen taking decorative cues from contemporary art collections (a palette of warm beige and gold to showcase an Ed Ruscha, or colors and forms inspired by an Alex Katz portrait), seamlessly incorporating antique Persian rugs or Indian artifacts, or combining custom pieces with rich historical references to complement an enviable collection of French art deco furnishings. The fifteen residences featured in these photographs show the designer’s full range of talent with color and texture, as well as his masterful ability to honor history and formality while resisting the expected. Chic New York City penthouses, townhouses, and lofts showcase Barman’s distinctive methods of arranging rooms to facilitate meaningful interaction; polished white flooring and reflective finishes bring ocean light and color into seaside Miami homes; a traditional Shingle Style summer house takes unexpected inspiration from the Indo-Saracenic Royal Pavilion in Brighton, England; and a converted barn in Connecticut is midcentury, California modern rather than country-rustic cliché. Unexpected materials appear in new ways throughout—cobalt blue lacquer on the underside of a spiral oak-and-glass staircase; pink metallic leather and striped velvet update traditional chairs. Whether an open kitchen for an avid home cook, or a streamlined bar wall for cocktail parties, minimalist black and white or teal flocked velvet walls, each space reveals Barman’s signature sophisticated style, bold new ideas, and strong point of view.