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Intuition By Design is an instrument for harmonizing within the individual the highest frequencies of both intuition and intellect. This unique blend of spontaneous insight and linear thought has been called the "intelligence of the Heart". Such applied wisdom brings the clarity of true inner knowing to bear upon all of your daily activities. This work introduces the Intuition Quotient Cards -- an adaptation of ancient geometric technology that has been updated for contemporary use. Each card carries a geometric pattern which generates a specific energy field on one side, and corresponding written verse on the other.
Named A Best Book of the Year by World Magazine Throughout his distinguished and unconventional career, engineer-turned-molecular-biologist Douglas Axe has been asking the questions that much of the scientific community would rather silence. Now, he presents his conclusions in this brave and pioneering book. Axe argues that the key to understanding our origin is the “design intuition”—the innate belief held by all humans that tasks we would need knowledge to accomplish can only be accomplished by someone who has that knowledge. For the ingenious task of inventing life, this knower can only be God. Starting with the hallowed halls of academic science, Axe dismantles the widespread belief that Darwin’s theory of evolution is indisputably true, showing instead that a gaping hole has been at its center from the beginning. He then explains in plain English the science that proves our design intuition scientifically valid. Lastly, he uses everyday experience to empower ordinary people to defend their design intuition, giving them the confidence and courage to explain why it has to be true and the vision to imagine what biology will become when people stand up for this truth. Armed with that confidence, readers will affirm what once seemed obvious to all of us—that living creatures, from single-celled cyanobacteria to orca whales and human beings, are brilliantly conceived, utterly beyond the reach of accident. Our intuition was right all along.
One of the world's leading philosophers offers aspiring thinkers his personal trove of mind-stretching thought experiments. Includes 77 of Dennett's most successful "imagination-extenders and focus-holders.O
Designers rarely question design but there are many non-designers ready to question the practice for them. Shifting design towards a statement of social critique, a practice for measurement or as an externalised design discourse. But these incursions from beyond the designer's intuition have no substantial connection to design. They are mostly agenda driven gambits seeking affirmation, credibility and relevance. In this essay Palmer outlines a more precise definition of design that should resonate with all designers and position the practice as an expression of our fundamental sense of being human.
Scholarship has sought to explain design primarily as developments and trends by understanding the influential ideas of a period. These processes are resourceful to the analysis, however they don't explain why people become attached to design and cultivate it in time. For this purpose we must also gain understanding of collective cognitive processes and the meaning of design to people.The study traces the development of respective design observed first in ancient structures, and then in interiors and artefacts that are associated to architecture by design. Design form migrates usually from technology to material culture (i.e. from buildings to interiors and crafts), though this direction is not fixed in creativity. Sometimes this pattern is not followed, and arches, pilasters, tower crenellations and pediments appear in historic costume. Technology holds implications for visual culture, thus this study also looks at the inspiration in mechanical instruments observed in XXI century design.As the book unfolds a cultural phenomenon emerges. Architectural evocations in other crafts reflect that the public has its own dialogue with design. The attachments and responses of the public to design are many times a phenomenon worthy of being analyzed. The book gives out interesting findings about the mind and how it transforms design. It also exemplifies a new methodology for the observation of collective responses to design.
This book introduces a customer-centered approach to business by showing how data gathered from people while they work can drive the definition of a product or process while supporting the needs of teams and their organizations. This is a practical, hands-on guide for anyone trying to design systems that reflect the way customers want to do their work. The authors developed Contextual Design, the method discussed here, through their work with teams struggling to design products and internal systems. In this book, you'll find the underlying principles of the method and how to apply them to different problems, constraints, and organizational situations. Contextual Design enables you to + gather detailed data about how people work and use systems + develop a coherent picture of a whole customer population + generate systems designs from a knowledge of customer work + diagram a set of existing systems, showing their relationships, inconsistencies, redundancies, and omissions
Extensive research conducted by the Hasso Plattner Design Thinking Research Program at Stanford University in Palo Alto, California, USA, and the Hasso Plattner Institute in Potsdam, Germany, has yielded valuable insights on why and how design thinking works. Researchers have identified metrics, developed models, and conducted studies, which are featured in this book, and in the previous volumes of this series. Offering readers a closer look at design thinking, and its innovation processes and methods, this volume covers topics ranging from understanding success factors of design thinking to exploring the potential that lies in the use of digital technologies. Furthermore, readers learn how special-purpose design thinking can be used to solve thorny problems in complex fields, such as the health sector or software development. Thinking and devising innovations are inherently human activities – so is design thinking. Accordingly, design thinking is not merely the result of special courses or of being gifted or trained: it is a way of dealing with our environment and improving techniques, technologies and life. As such, the research outcomes compiled in this book should increase knowledge and provide inspiration to all seeking to drive innovation – be they experienced design thinkers or newcomers.
This book explores the scientific perspective on the concept of intuition, particularly in relation to vibration, music and emotion. Taking a multimedia approach, it contains practical exercises that will help the reader to achieve greater intuition and develop their capacity for creativity and innovation. The exercises in this book come from over a hundred workshops worldwide in both business and higher education. They include, for example, the “Mind Map of Me”, an introspective exercise designed to develop trust and confidence in the self and the reader’s own intuition. The book opens the field of possibilities to the reader, offering encouragement and motivation to explore new approaches and techniques. With these tools, intuition can become a valuable ally in everyday life.
Design Pedagogy explains why it is vital that design students education helps them construct a ‘passport’ to enter the professional sphere. This collection explores how design education is, in itself, a passport to practice and showcase how some of the key developments in education use techniques related to collaboration, case studies and experience to motivate students, enable them to express their identity, reflect and learn.