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The show must go on . . . When mystery bookstore owner Annie Laurance is invited to stage a Mystery Night for the annual antebellum house tour of the Historical Preservation Society of Chastain, South Carolina, she instead finds herself the leading lady in a flesh-and-blood drama. The play's the thing wherein the curtain falls on mean-spirited grande dame Corinne Webster. While jeweled fingers point, accusing Annie of murder, the perpetrator lurks within the genteel cast of Murder-Most-Make-Believe . . . and the murder weapon is one of the props. In the tight-laced society of Chastain, Annie is guilty until proven innocent. With her fiance, Max Darling, Annie pieces together evidence to clear her name—until her chief witness is murdered. Now it will take all her sleuthing skills to discover the evil in the heart of Chastain's Beautiful People.
WHO COULD PLOT A MURDER BETTER THAN A MYSTERY WRITER? At Annie Laurance’s Death On Demand bookstore on Broward’s Rock Island, South Carolina, murder most foul suddenly isn’t confined to the well-stocked shelves. Author Elliot Morgan’s abrupt demise during a weekly gathering of famous mystery writers called the Sunday Night Regulars is proof positive that a bloody sword is sometimes mightier than a brilliant pen. With Annie is the unenviable position of primary police suspect, the pretty young mystery maven and her wealthy paramour, Max Darling, embark on an investigation into a classic locked-room mystery with high stakes. For failing to unmask a brutal and ingenious killer could mean prison for Ms. Laurance. While success could mean her death. “Irresistible! [Carolyn] Hart drops big names from the mystery world like murderers drop clues and Annie and Max are the most endearing new pair of sleuths since Tommy and Tuppence!” – Nancy Pickard
A brilliant historical mystery series begins: in gaslit Victorian London, writer Thomas De Quincey must become a detective to clear his own name. Thomas De Quincey, infamous for his memoir Confessions of an English Opium-Eater, is the major suspect in a series of ferocious mass murders identical to ones that terrorized London forty-three years earlier. The blueprint for the killings seems to be De Quincey's essay On Murder Considered as One of the Fine Arts. Desperate to clear his name but crippled by opium addiction, De Quincey is aided by his devoted daughter Emily and a pair of determined Scotland Yard detectives. In Murder as a Fine Art, David Morrell plucks De Quincey, Victorian London, and the Ratcliffe Highway murders from history. Fogbound streets become a battleground between a literary star and a brilliant murderer, whose lives are linked by secrets long buried but never forgotten.
"Viktor Shklovsky's 1925 book Theory of Prose might have become the most important work of literary criticism in the twentieth century had not two obstacles barred its way: the crackdown by the Soviet dictatorship on Shklovsky and other Russian Formalists in the 1930s, and the unavailability of an English translation. Now translated in its entirety for the first time, Theory of Prose not only anticipates structuralism and post-structuralism, but poses questions about the nature of fiction that are as provocative today as they were in the 1920s. Arguing that writers structure their material according to artistic principles rather than from attempts to imitate "reality," Shklovsky uses Cervantes, Tolstoi, Sterne, Dickens, Bely, and Rozanov to give us a new way of thinking about fiction and, in his most impassioned moments, about the world. Benjamin Sher's lucid translation will allow Shklovsky's Theory of Prose to fulfill its destiny as a major theoretical work of the twentieth century." from back cover.
ÒAnd Darkness and Decay and the Red Death held illimitable dominion over allÓ
DigiCat Publishing presents to you this special edition of "The History of Tom Thumb and Other Stories" by Anonymous. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.