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Everyone dies. For thousands of years, uncountable millions of corpses have been given funerals, and the living have always been faced with the problems of valedictory ceremonials for the dead and what to do with the corpses. Most of them have been buried, burnt, preserved, put in the sea, or exposed to the air. Quicklime, acids, eating and shrinking are more rare, and on the whole the overtly scientific methods go with unnatural death, so that earth, air, fire, and water are the most common agents of disposal.--pg. 9.
Emergencies—landing a malfunctioning plane, resuscitating a heart attack victim, or avoiding a head-on car crash—all require split-second decisions that can mean life or death. Fortunately, designers of life-saving products have leveraged research and brain science to help users reduce panic and harness their best instincts. Life and Death Design brings these techniques to everyday designers who want to help their users think clearly and act safely.
How can otherwise normal, moral persons - as citizens, voters, and jurors - participate in a process that is designed to take the life of another? In DEATH BY DESIGN, research psychologist Craig Haney argues that capital punishment, and particularly the sequence of events that lead to death sentencing itself, is maintained through a complex and elaborate social psychological system that distances and disengages us from the true nature of the task. Relying heavily on his own research and that of other social scientists, Haney suggests that these social psychological forces enable persons to engage in behavior from which many of them otherwise would refrain. However, by facilitating death sentencing in these ways, this inter-related set of social psychological forces also undermines the reliability and authenticity of the process, and compromises the fairness of its outcomes. Because these social psychological forces are systemic in nature - built into the very system of death sentencing itself - Haney concludes by suggesting a number of inter-locking reforms, derived directly from empirical research on capital punishment, that are needed to increase the fairness and reliability of the process. The historic and ongoing public debate over the death penalty takes place not only in courtrooms, but also in classrooms, offices, and living rooms. This timely book offers stimulating insights into capital punishment for professionals and students working in psychology, law, criminology, sociology, and cultural area studies. As capital punishment receives continued attention in the media, it is also a necessary and provocative guide that empowers all readers to come to their own conclusions about the death penalty.
Nancy Drew and her friend Bess Marvin travel into a world of fashion. But behind all the clothes, there is someone determained to see the death of famed fashion designer Kim Daley. When Nancy accidentally drinks a poison that was meant for Kim, she realizes she has only seventy-two hours to live. Can Nancy find the poisoner—and the antidote—before it’s too late?
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As Gotham City undergoes a massive architectural boom, a series of unexplained construction accidents begin to cause casualties across the city and it is up to Batman to discover who is behind the string of catastrophes.
This delightfully intriguing pair of full-length mysteries by award-winning author Carolyn G. Hart delivers a novel approach to murder that is sure to enthrall you until the last killer is caught.. . . Death on Demand At Annie Laurance’s Death on Demand bookstore in Broward’s Rock, South Carolina (“the finest mystery bookstore north of Miami”), murder suddenly isn’t confined to the shelves. An author’s abrupt demise during a gathering of famous mystery writers is proof positive that a bloody sword is sometimes mightier than a brilliant pen. But now Annie is in the unenviable position of prime suspect, which means that she and her wealthy paramour, Max Darling, must unmask a brutal and ingenious killer. For Annie, failing could mean prison . . . while success could mean her death. Design for Murder When Annie stages a Mystery Night for Chastain, South Carolina’s annual antebellum house tour, she finds herself the lead in a deadly drama wherein the curtain falls on a mean-spirited grande dame. But while fingers point at Annie as the murderer, the perpetrator lurks within the cast of Murder-Most-Make-Believe. Guilty until proven innocent, Annie hopes to clear her name with Max’s help—until her chief witness is killed. Now it will take all of Annie’s sleuthing skills to unmask the evil in the hearts of Chastain’s Beautiful People.
Tricky Design responds to the burgeoning of scholarly interest in the cultural meanings of objects, by addressing the moral complexity of certain designed objects and systems. The volume brings together leading international designers, scholars and critics to explore some of the ways in which the practice of design and its outcomes can have a dark side, even when the intention is to design for the public good. Considering a range of designed objects and relationships, including guns, eyewear, assisted suicide kits, anti-rape devices, passports and prisons, the contributors offer a view of design as both progressive and problematic, able to propose new material and human relationships, yet also constrained by social norms and ideology. This contradictory, tricky quality of design is explored in the editors' introduction, which positions the objects, systems, services and 'things' discussed in the book in relation to the idea of the trickster that occurs in anthropological literature, as well as in classical thought, discussing design interventions that have positive and negative ethical consequences. These will include objects, both material and 'immaterial', systems with both local and global scope, and also different processes of designing. This important new volume brings a fresh perspective to the complex nature of 'things', and makes a truly original contribution to debates in design ethics, design philosophy and material culture.
"The Design of "The Waste Land" offers a detailed, comprehensive explanation of T. S. Eliot's enigmatic poem. It relates The Waste Land to earlier and later poems by Eliot, demonstrating that the major poems describe a continuous spiritual odyssey or quest undertaken by the same individual, initiated by the moment of ecstasy in the Hyacinth garden." "Blistein's analysis of Eliot's sources reveals that the protagonist's glimpse of "the heart of light" is equivalent to drinking from the Grail, or communing with God. The incarnate deity momentarily transforms the Hyacinth garden into the likeness of the Edenic paradise. With the inevitable passing of the moment of communion, the protagonist in effect is expelled from the paradisiacal garden as mankind was from Eden. By contrast, the familiar world appears to him a wasteland. The protagonist seeks to drink again from the divine Source and return again to the garden as it was when transfigured by the divine presence. His is a quest for grail and homeland."--BOOK JACKET.