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Desert Screen is a vision of future war. Paul Virilio identifies the Gulf War as a turning point in history, the last industrial and the first information war. Virilio argues that we live in a world still exhausted from the geopolitics of the Cold War, a world in which the politics of military and media technology seem to preclude the possibility of negotiation and diplomacy. This new translation of an already classic text includes a new interview with Virilio in which he looks back at a decade of war at the speed of light.
For more than fifty years Virilio has offered incisive and provocative criticism on technology and its moral, political, and cultural implications. The Paul Virilio Reader collects for the first time English extracts reflecting the entire range of Virilio's diverse career. The book's introduction demonstrates that Virilio has produced an important--if controversial--"theory at the speed of light" that uncannily illuminates the impact of new information and communications technologies in a world that collapses time and distance as never before.
The first dictionary dedicated to the work of Paul Virilio, offering you clear and contemporary direction through the work of Virilio, the French critic of art and technology.
The cult-y pocket-size field guide to the strange and intriguing secrets of the Mojave—its myths and legends, outcasts and oddballs, flora, fauna, and UFOs—becomes the definitive, oracular book of the desert For the past five years, Desert Oracle has existed as a quasi-mythical, quarterly periodical available to the very determined only by subscription or at the odd desert-town gas station or the occasional hipster boutique, its canary-yellow-covered, forty-four-page issues handed from one curious desert zealot to the next, word spreading faster than the printers could keep up with. It became a radio show, a podcast, a live performance. Now, for the first time—and including both classic and new, never-before-seen revelations—Desert Oracle has been bound between two hard covers and is available to you. Straight out of Joshua Tree, California, Desert Oracle is “The Voice of the Desert”: a field guide to the strange tales, singing sand dunes, sagebrush trails, artists and aliens, authors and oddballs, ghost towns and modern legends, musicians and mystics, scorpions and saguaros, out there in the sand. Desert Oracle is your companion at a roadside diner, around a campfire, in your tent or cabin (or high-rise apartment or suburban living room) as the wind and the coyotes howl outside at night. From journal entries of long-deceased adventurers to stray railroad ad copy, and musings on everything from desert flora, rumored cryptid sightings, and other paranormal phenomena, Ken Layne's Desert Oracle collects the weird and the wonderful of the American Southwest into a single, essential volume.
This text attempts to shape definitions of the American science fiction film, studying the connection between the films and social preconceptions. It covers many classic films and discusses their import, seeking to rescue the genre from the neglect of film theorists. The book should appeal to both film buff and fans of science fiction.
This book analyses some of the key problems explored in Paul Virilio’s theorising on war and security. Paul Virilio has developed a provocative series of writings on how modern societies have shaped the acceleration of military/security technologies – and how technologies of security and acceleration have transformed society, economy and politics. His examination of the connections between geopolitics, war, speed, technology and control are viewed as some of the most challenging and disturbing interventions on the politics of security in the twenty-first century, interventions that help us understand a world that confronts problems that increasingly emerge from the desire to make life safer, faster, networked and more efficient. Security, Technology and Global Politics examines some of the key concepts and concerns in Virilio’s writings on security, society and technology: endo-colonization, fear and the war on terror; cities and panic; cinema and war; ecological security and integral accidents; universities and ideas of progress. Critics often point to an apocalyptic or fatalistic element to Virilio’s writings on global politics, but this book challenges this apocalyptic reading of Virilio’s work, suggesting that – while he doesn’t provide us with easy solutions to the problems we face – the political force in Virilio’s work comes from the questions he leaves us with about speed, security and global politics in times of crisis, terror and fear. This book will be of interest to students of critical security studies, political theory, sociology, political geography, cultural studies and IR in general.
Cutting-edge introduction to and extension of the work of Paul Virilio and it's current directions. Contains contributions by the world's leading Virilio scholars, as well as a newly-translated text by Virilio.
An examination of telepresence technologies through the lens of contemporary artistic experiments, from early video art through current “drone vision” works. "Telepresence” allows us to feel present—through vision, hearing, and even touch—at a remote location by means of real-time communication technology. Networked devices such as video cameras and telerobots extend our corporeal agency into distant spaces. In Here/There, Kris Paulsen examines telepresence technologies through the lens of contemporary artistic experiments, from early video art through current “drone vision” works. Paulsen traces an arc of increasing interactivity, as video screens became spaces for communication and physical, tactile intervention. She explores the work of artists who took up these technological tools and questioned the aesthetic, social, and ethical stakes of media that allow us to manipulate and affect far-off environments and other people—to touch, metaphorically and literally, those who cannot touch us back. Paulsen examines 1970s video artworks by Vito Acconci and Joan Jonas, live satellite performance projects by Kit Galloway and Sherrie Rabinowitz, and CCTV installations by Chris Burden. These early works, she argues, can help us make sense of the expansion of our senses by technologies that privilege real time over real space and model strategies for engagement and interaction with mediated others. They establish a political, aesthetic, and technological history for later works using cable TV infrastructures and the World Wide Web, including telerobotic works by Ken Goldberg and Wafaa Bilal and artworks about military drones by Trevor Paglen, Omar Fast, Hito Steyerl, and others. These works become a meeting place for here and there.