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While sitting in a London airport during a snowstorm, Lydia meets a Middle Eastern sheikh named Amir. She finds herself wanting him like she’s never wanted anyone before, and they end up spending a sultry, passionate night together. When they wake up the next morning, they’re informed that the airport will be closed for three days due to the bad weather. That’s when Amir offers Lydia three days and three nights with him. All she has to do is ask!
The cult-y pocket-size field guide to the strange and intriguing secrets of the Mojave—its myths and legends, outcasts and oddballs, flora, fauna, and UFOs—becomes the definitive, oracular book of the desert For the past five years, Desert Oracle has existed as a quasi-mythical, quarterly periodical available to the very determined only by subscription or at the odd desert-town gas station or the occasional hipster boutique, its canary-yellow-covered, forty-four-page issues handed from one curious desert zealot to the next, word spreading faster than the printers could keep up with. It became a radio show, a podcast, a live performance. Now, for the first time—and including both classic and new, never-before-seen revelations—Desert Oracle has been bound between two hard covers and is available to you. Straight out of Joshua Tree, California, Desert Oracle is “The Voice of the Desert”: a field guide to the strange tales, singing sand dunes, sagebrush trails, artists and aliens, authors and oddballs, ghost towns and modern legends, musicians and mystics, scorpions and saguaros, out there in the sand. Desert Oracle is your companion at a roadside diner, around a campfire, in your tent or cabin (or high-rise apartment or suburban living room) as the wind and the coyotes howl outside at night. From journal entries of long-deceased adventurers to stray railroad ad copy, and musings on everything from desert flora, rumored cryptid sightings, and other paranormal phenomena, Ken Layne's Desert Oracle collects the weird and the wonderful of the American Southwest into a single, essential volume.
“A landmark work of lesbian fiction” and the basis for the acclaimed film Desert Hearts (The New York Times). Against the backdrop of Reno, Nevada, in the late 1950s, award-winning author Jane Rule chronicles a love affair between two women. When Desert of the Heart opens, Evelyn Hall is on a plane that will take her from her old life in Oakland, California, to Reno, where she plans to divorce her husband of sixteen years. A voluntary exile in a brave new world, she meets a woman who will change her life. Fifteen years younger, Ann Childs works as a change apron in a casino. Evelyn is instantly drawn to the fiercely independent Ann, and their friendship soon evolves into a romantic relationship. An English professor who had always led a conventional life, Evelyn suddenly finds all her beliefs about love, morality, and identity called into question. Peopled by a cast of unforgettable characters, this is a novel that dares to ask whether love between two women can last.
Princess Aliyah arrives to her wedding in a black wedding dress. This is a declaration of war to her husband, King Kamal. Seven years ago, the two were in a relationship, but he messed around with her and then left her. Now, the two of them end up in an arranged marriage, and she is being forced to give him an heir. Aliyah treats him coldly during the ceremony and that resistence awakens something within him. As the drums pronounce them husband and wife, Kamal takes Aliyah into the depths of the palace into his bedroom. Unable to hold himself back anymore, he rips off her black dress...
A convenient wife? Nicole wasn't looking for a temporary affair–and this was all loner Dr. Alexander Strathallen seemed prepared to offer. So she resisted her attraction to him.... Until he confessed that he needed an heir and suggested a marriage of convenience!
This book, the first full-length cross-period comparison of medieval and modern literature, offers cutting edge research into the textual and cultural legacy of the Middle Ages: a significant and growing area of scholarship. At the juncture of literary, cultural and gender studies, and capitalizing on a renewed interest in popular western representations of the Islamic east, this book proffers innovative case studies on representations of cross-religious and cross-cultural romantic relationships in a selection of late medieval and twenty-first century Orientalist popular romances. Comparing the tropes, characterization and settings of these literary phenomena, and focusing on gender, religion, and ethnicity, the study exposes the historical roots of current romance representations of the east, advancing research in Orientalism, (neo)medievalism and medieval cultural studies. Fundamentally, Representing Difference invites a closer look at medieval and modern popular attitudes towards the east, as represented in romance, and the kinds of solutions proposed for its apparent problems.
Kidnapped by a sheikh. Seduced by his touch. Desperation drives one man to do the unthinkable—and find an impossible love—in this touching romance. Certain that Regan James has information on his sister’s disappearance, Sheikh Jaeger steals her away to his palace. He doesn’t expect compliance from his beautiful captive, but when defiant Regan accidentally causes a media storm, it must be resolved. How? He’ll have to marry her! Their engagement is for appearances, but the electricity sparked by their passion feels exquisitely—dangerously—real . . . “This book was such an interesting and extremely fascinating read, as the hero is royalty and finding his perfect match has never been a possibility . . . really captivating . . . I would recommend Bound to Her Desert Captor by Michelle Conder, if you enjoy the opposites attract trope.” —Harlequin Junkie
Layering climate science, mythologies, nature writing, and personal experiences, this New York Times Notable Book presents a stunning reckoning with our current moment and with the literal and figurative end of time. Desert Notebooks examines how the unprecedented pace of destruction to our environment and an increasingly unstable geopolitical landscape have led us to the brink of a calamity greater than any humankind has confronted before. As inhabitants of the Anthropocene, what might some of our own histories tell us about how to confront apocalypse? And how might the geologies and ecologies of desert spaces inform how we see and act toward time—the pasts we have erased and paved over, this anxious present, the future we have no choice but to build? Ehrenreich draws on the stark grandeur of the desert to ask how we might reckon with the uncertainty that surrounds us and fight off the crises that have already begun. In the canyons and oases of the Mojave and in Las Vegas’s neon apocalypse, Ehrenreich finds beauty, and even hope, surging up in the most unlikely places, from the most barren rocks, and the apparent emptiness of the sky. Desert Notebooks is a vital and necessary chronicle of our past and our present—unflinching, urgent—yet timeless and profound.
Sterling faces a big challenge when Rihad, the Sheikh of Bakri, confronts her. Knowing that Sterling is pregnant with his little brother, Rihad has no choice but to make the baby his new heir. So he takes Sterling to Bakri and even convinces her to marry him so the baby’s link to the royal family can’t be doubted. Sterling goes along with Rihad’s plans for her baby’s sake and does her best to behave like a suitably convincing wife, even going on a honeymoon with Rihad… She has no interest in status or fortune for herself, but she cannot deny her interest in Rihad! Little does he know that Sterling is keeping a very big secret!
Sweeping from New York to North Africa, this smoldering romance follows an American woman searching for her brother and the Scottish sea captain who sets her heart on fire. With fiery kisses, he ignites her desires and possesses her in passion's ultimate embrace.