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This issue focuses on the museum's Alsdorf Collection of Renaissance jewelry, which comprises a splendid array of secular and religious jewels produced in workshops in England, France, Spain, Germany, and Italy. Among pieces represented in this issue are crowns, pendants, and cameos, crafted from a wide variety of materials and richly adorned with pearls, precious stones, and enamel. Designed as a companion to the installation at the museum of the Alsdorf jewels, this publication presents entries which capture the collection's geographic, chronological, and stylistic breadth. Also featured are introductory essays which explore the art of jewelry-making and the social and sacred significance of jewelry-wearing in renaissance culture. This issue of Museum Studies draws on a wealth of recent research in the field, and will appeal to specialists as well as to a broad audience of individuals interested in jewelry and its uses.
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the precious year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 20 of the J. Paul Getty Museum Journal contains an index to volumes 1 to 20 and includes articles by John Walsh, Carl Brandon Strehlke, Barbara Bohen, Kelly Pask, Suzanne Lewis, Elizabeth Pilliod, Anne Ratzki-Kraatz, Sharon K. Shore, Linda A. Strauss, Brian Considine, Arie Wallert, Richard Rand, And Jacky De Veer-Langezaal.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book draws together for the very first time examples of the 'aesthetic pacifism' practised during the Great War by such celebrated individuals as Virginia Woolf, Siegfried Sassoon and Bertrand Russell. In addition, the book outlines the stories of those less well-known who shared the mind-set of the Bloomsbury Group when it came to facing the first 'total war'. The research for this study took five years, gathering evidence from all the major archives in Great Britain and abroad. This is the first time that such wide-ranging evidence has been placed together in order to paint a complete picture of this fascinating form of anti-war expression.