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"Comprising almost one thousand drawings and more than four hundred prints, the Malcolm collection was considered a preeminently important addition to the British Museum's holdings of old master drawings when it was acquired in 1895. Formed by John Malcolm of Poltalloch (1805-93), it contained masterpieces by Sandro Botticelli, Andrea del Verrocchio, Leonardo da Vinci, Michelangelo, Rembrandt, Claude Lorrain and Watteau. Minor masters also found their place, provided that, in the words of Malcolm's own guidelines, they were 'exceptionally fine and well-preserved examples'." "One hundred of the finest drawings are reproduced here, reflecting the general character and strengths of this remarkable collection. In the introduction, Stephen Coppel outlines its history and the life of John Malcolm, a passionate collector and a connoisseur of the most discriminating kind." --Book Jacket.
An extraordinary history of Netherlandish drawing, focused on the training and skill of artists during the long 17th century With a lively narrative thread and thematic chapters, this book offers an exceptional introduction to Dutch and Flemish drawing during the long 17th century. Victoria Sancho Lobis discusses the many roles of drawing in artistic training, its function in the production of works in other media, and its emergence as a medium in its own right. Beautifully illustrated with some 120 drawings by artists including Rembrandt van Rijn, Peter Paul Rubens, Hendrick Goltzius, Gerrit von Honthorst, and Jacob De Gheyn, this book surveys current methodologies of studying these works and features a brief history of Dutch papermaking and watermarks as well as a glossary. Paying careful attention to materials and techniques, and informed by recent conservation treatments, Lobis explains how to look at these drawings as records of experimentation and skill, true windows into the artist’s mind.