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In the winter of 1922-23 archaeologist Howard Carter and his wealthy patron George Herbert, the Fifth Earl of Carnarvon, sensationally opened the tomb of Tutenkhamen. Six weeks later Herbert, the sponsor of the expedition, died in Egypt. The popular press went wild with rumours of a curse on those who disturbed the Pharaoh's rest and for years followed every twist and turn of the fate of the men who had been involved in the historic discovery. Long dismissed by Egyptologists, the mummy's curse remains a part of popular supernatural belief. Roger Luckhurst explores why the myth has captured the British imagination across the centuries, and how it has impacted on popular culture. Tutankhamen was not the first curse story to emerge in British popular culture. This book uncovers the 'true' stories of two extraordinary Victorian gentlemen widely believed at the time to have been cursed by the artefacts they brought home from Egypt in the nineteenth century. These are weird and wonderful stories that weave together a cast of famous writers, painters, feted soldiers, lowly smugglers, respected men of science, disreputable society dames, and spooky spiritualists. Focusing on tales of the curse myth, Roger Luckhurst leads us through Victorian museums, international exhibitions, private collections, the battlefields of Egypt and Sudan, and the writings of figures like Arthur Conan Doyle, Rider Haggard and Algernon Blackwood. Written in an open and accessible style, this volume is the product of over ten years research in London's most curious archives. It explores how we became fascinated with Egypt and how this fascination was fuelled by myth, mystery, and rumour. Moreover, it provides a new and startling path through the cultural history of Victorian England and its colonial possessions.
First published in 1992. This book includes research and excavation in the Royal Necropolis at Thebes presented a meeting to mark seventy fifth anniversary of 1915 when the Earl of Carnarvon and Howard Carter had embarked upon their search for Tut'ankhamiin, a search destined to be crowned with such stunning success eight years later. What has happened in the Valley of the Kings since that discovery was the theme of our meeting, a theme addressed over the following two days by an international panel of leading Egyptologists.
King Sethy I (also transcribed as Seti, Sethi and Sethos) ruled for around a decade in the early thirteenth century BC. His lifetime coincided with a crucial point in Egyptian history, following the ill-starred religious revolution of Akhenaten, and heralding the last phase of Egypt’s imperial splendor. As the second scion of a wholly new royal family, his reign did much to set the agenda for the coming decades, both at home and abroad. Sethy was also a great builder, apparently with exquisite artistic taste, to judge from the unique quality of the decoration of his celebrated monuments at Abydos and Thebes. This richly illustrated book tells the story of Sethy's career and monuments, not only in ancient times, but in modern history, and the impact of his legacy on today’s understanding and appreciation of ancient Egypt.
No study of the modern exploration of ancient Egypt is complete without the extraordinary work of Giovanni Belzoni. Once a circus strongman, trained as an engineer, he spent many years abroad in Egypt and Nubia studying the ancient ruins and shipping antiquities back to Europe. Though once considered a tomb robber, recent re-evaluations of Belzoni have given him credit for his remarkably keen powers of observation and, for his time, careful excavation methods and recording. A larger-than-life character, Belzoni was a true adventurer-explorer during a time of nationalist competition between the European powers for the best antiquities. This exciting and detailed account of his two journeys to Egypt and Nubia is a treasure of Egyptology. For the first time, this long out-of-print volume is available as an affordable, well-formatted book for e-readers and smartphones. Be sure to LOOK INSIDE by clicking the cover above or download a sample.
The decades between 1770 and 1840 are rich in exotic accounts of the ruin-strewn landscapes of Ethiopia, Egypt, India, and Mexico. Yet it is a field which has been neglected by scholars and which - unjustifiably - remains outside the literary canon. In this pioneering book, Nigel Leask studies the Romantic obsession with these 'antique lands', drawing generously on a wide range of eighteenth and nineteenth-century travel books, as well as on recent scholarship in literature, history, geography, and anthropology. Viewing the texts primarily as literary works rather than 'transparent' adventure stories or documentary sources, he sets out to challenge the tendency in modern academic work to overemphasize the authoritative character of colonial discourse. Instead, he addresses the relationship between narrative, aesthetics, and colonialism through the unstable discourse of antiquarianism, exploring the effects of problems of credit worthiness, and the nebulous epistemological claims of 'curiosity' (a leitmotif of the accounts studied here), on the contemporary status of travel writing. Attentive to the often divergent idioms of elite and popular exoticism, Curiosity and the Aesthetics of Travel Writing plots the transformation of the travelogue through the period, as the baroque particularism of curiosity was challenged by picturesque aesthetics, systematic 'geographical narrative', and the emergence of a 'transcendental self' axiomatic to Romantic culture. In so doing it offers an important reformulation of the relations between literature, aesthetics, and empire in the late Enlightenment and Romantic periods.