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Annotation. Sixteen essays examine aspects of American art that owe a debt to Italy and Italian artists. A central theme is the tension between perceptions of Italy as a mythic presence, the visual incarnation of spirit, and a contrasting ambivalence felt by many Americans about the cultural ties binding them to Europe despite their political independence. With some 200 illustrations, 36 in color. Not indexed. Pre-publication price, $49.95, until 12-31-90. Annotation(c) 2003 Book News, Inc., Portland, OR (booknews.com).
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
The Italian Presence in American Art, 1760-1860, based on papers presented at a joint Instituto della Enciclopedia Italiana/Fordham U. symposium held in 1987, was published in 1989. The present volume comprises 17 papers presented at the second joint symposium, dealing with American art from 1860 to 1920. It is also Volume II of what is now projected as a three-volume study of the Italian presence in American art, to be completed with a volume based on the third symposium (1991) covering the period 1920-1990. The production is lovely throughout, and the essays are illustrated with 16 color plates and 149 bandw figures. Co-published with the Instituto della Enciclopedia Italiana, Rome. Annotation copyright by Book News, Inc., Portland, OR
Washington, D.C., is a city of powerful symbols—from the dominance of the Capitol dome and Washington Monument to the authority of the Smithsonian. This book takes us on a fascinating and informative tour of the nation's capital as Jeffrey F. Meyer unravels the complex symbolism of the city and explores its meaning for our national consciousness. Meyer finds that mythic and religious themes pervade the capital—in its original planning, in its monumental architecture, and in the ritualized events that have taken place over the 200 years the city has been the repository for the symbolism of the nation. As Meyer tours the city's famous axial layout, he discusses many historical figures and events, compares Washington to other great cities of the world such as Beijing and Berlin, and discusses the meaning and history of its architecture and many works of art. Treating Washington, D.C., as a complex religious center, Meyer finds that the city functions as a unifying element in American consciousness. This book will change the way we look at Washington, D.C., and provide a provocative new look at the meaning of religion in America today. It will also be a valuable companion for those traveling to this city that was envisioned from its inception as the center of the world.
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Each year many of the millions of people who visit the United States Capitol are surprised and delighted to discover that the building is not only the home of the Congress but also a museum and gallery of fine art. Among the most remarkable works in the Capitol are the paintings of Constantino Brumidi, who devoted much of the last twenty-five years of his life to decorating the building. Indeed, his contributions to the Capitol are unsurpassed by those of any other artist. This is the first scholarly, in-depth publication on Brumidi. The book is an outgrowth of the mural conservation program. Much of the beauty of Brumidi's work was hidden under grime and overpaint, and some murals were threatened by cracking plaster.