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"Constantino Brumidi, Michelangelo of the United States Capitol" by Myrtle Cheney Murdock. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Annotation. Sixteen essays examine aspects of American art that owe a debt to Italy and Italian artists. A central theme is the tension between perceptions of Italy as a mythic presence, the visual incarnation of spirit, and a contrasting ambivalence felt by many Americans about the cultural ties binding them to Europe despite their political independence. With some 200 illustrations, 36 in color. Not indexed. Pre-publication price, $49.95, until 12-31-90. Annotation(c) 2003 Book News, Inc., Portland, OR (booknews.com).
Detailed history of renowned Italian-born artist Constantino Brumidi's masterful work "making beautiful" the walls and ceilings of the United States Capitol over a span of 25 years starting in 1854. Every page delights with gorgeous, full-color photographs and images of Brumidi's art, from photographs of the frescoes and decoration, to sketches, paintings and images of the artist, particularly the Brumidi Corridors and his "monumental fresco" in the Capitol Rotunda, called The Apotheosis of Washington. Fascinating anecdotes are included throughout of the artist and the inspirations he received for various elements, his relationship with engineer Montgomery C. Meigs, and the conservation efforts to preserve his work accurately for posterity.
Like the ancient Roman Pantheon, the U.S. Capitol was designed by its political and aesthetic arbiters to memorialize the virtues, events, and persons most representative of the nation's ideals--an attempt to raise a particular version of the nation's founding to the level of myth. American Pantheon examines the influences upon not only those virtues and persons selected for inclusion in the American pantheon, but also those excluded. Two chapters address the exclusion of slavery and African Americans from the art in the Capitol, a silence made all the more deafening by the major contributions of slaves and free black workers to the construction of the building. Two other authors consider the subject of women emerging as artists, subjects, patrons, and proponents of art in the Capitol, a development that began to emerge only in the second half of the nineteenth century. The Rotunda, the Capitol's principal ceremonial space, was designed in part as an art museum of American history--at least the authorized version of it. It is explored in several of the essays, including discussions of the influence of the early-nineteenth-century Italian sculptors who provided the first sculptural reliefs for the room and the contributions of the mid-nineteenth-century Italian American artist Constantino Brumidi, to the mix of allegory, mythology, and history that permeates the space and indeed the Capitol itself.
Reprint of the original, first published in 1874.
James Olympia has spent his life moving from one foster home to the next, viewing himself nothing more than an orphan making his way through high school. That is until a stranger appears on his doorstep offering him the chance of a lifetime. Suddenly, his world is turned upside down as he's whisked away to a new and exciting environment. He soon learns nothing is as it seems. Truths long buried are discovered, and a great destiny looms before him. With each choice made, his path becomes clearer. But, waiting for him, is unimaginable darkness.