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"Franz Henrich Hildebrand relinquished the family name Hildebrand in favor of the family name Brinkman ... [when he] was married on October 9, 1795 to Anna Maria Luise Brinkmanns." His son Otto Henrich Wilhelm (later William) Brinkmann (1979-1873) emigrated from Häver, near Kirchlengern, Westphalia, Germany to Lancaster, Pennsylvania between 1829 and 1837. Descendants and relatives lived in Pennsylvania and elsewhere.
In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.
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Professor Bruford shows how the ideal of self-cultivation entered into the thought of a number of highly individual German philosophers, theologians, poets and novelists.
This study of 364 Hill Country men is modeled after "Webster's New Biographical Dictionary." Some of the entries are short, such as Frank Murara who appears only on the 1890 Veterans Schedule as a Union veteran, possibly an itinerant railroad worker staying at a hotel in Comfort. Some entries are longer, such as Thomas Ingenhuett who served in both Confederate and Union units and whose pension application describes the 1864 Battle of Las Rucias and his subsequent escape through Mexico. Some entries contain unexpected information, such as J. W. Manning whose 1926 burial ceremony included a cross of red roses--a gift of the local chapter of the Ku Klux Klan.