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Elias Fort was born before 1646 and died in 1677/1678.
In the 1530s, five Bassano brothers, who were outstanding wind players and instrument makers, emigrated from Venice to England. Dr Lasocki‘s authoritative new book, the first to be devoted to the family, is a minutely researched account of these brothers, their sons (and a daughter) and their grandsons. The first half of the book discusses the everyday affairs of the family - their relationships, religion, property, law suits, finances, and standing in society. Two chapters, one written by Roger Prior, are devoted to Emilia Bassano, whose identification as thedark lady of Shakespeare‘s sonnets is supported by a wealth of evidence. The second half of the book discusses the family‘s musical activities. At the English Court the Bassanos made up a recorder consort that lasted 90 years; they also played in the flute/cornett and shawm/sackbutt consorts. As instrument makers their fame was spread throughout Europe. The book‘s appendixes present information on the Venetian branch of the family and the musical activities of the English branch since 1665.
"Our Family Tree, as far as is known, was first planted in America by the Reverend Mr. James Clack, who came from Marden, in Wiltshire, England, to Gloucester County, Virginia, as a minister of the Established Church in the year 1678. It was his grand daughter, Sarah Clack, daughter of James Clack II, who married William Maclin III, in Brunswick County, Virginia, in 1754"--Forward. Descendants and relatives lived in Tennessee, Virginia, Arkansas, Missouri, Iowa, Texas, Nebraska, Kentucky, Louisiana and elsewhere
A history of the community and people of Lawrence County, Arkansas.
A memoir by novelist Daphne Athas about coming of age in Chapel Hill during the Depression, life during WWII and the McCarthy era. Athas delves into the world of Southern writers and the shifting of a small college town into the New South's technocracy juggernaut. These tales snatch "the veil off racism, classism, politics and Vanity Fair-worthy scandals that haunt," says writer Randall Kenan.
American novelist tells of year spent with Greek relatives, mainly in the poor agricultural district of Hora in the Peloponnesus.
The original records on file in Isle of Wight County and abstracted in this work are: Wills and Administrations Book A (1641-1650); Will and Deed Books 1 and 2 (1658-1659, 1666-1719); Will Books 3-11 (1726-1800); Deed Book I (1691-1695); Administrations and Probates (1666-1701); and The Great Book (1719-1729). In addition to the names of the testators and legatees, the entries provide the names of executors, securities, and witnesses and frequently include assignments of property.
In 'Colonial Homes in North Carolina', John V. Allcott meticulously explores the architectural history and significance of colonial homes in the region. His prose is scholarly and detailed, providing a comprehensive look at the evolution of these homes from their early beginnings to their present state. Allcott's attention to detail and historical context make this book a valuable resource for anyone interested in the intersection of architecture and history in North Carolina. The book is filled with beautiful illustrations and photographs that bring to life the exquisite craftsmanship of these homes, enriching the reader's understanding of the subject. John V. Allcott, a renowned architectural historian, brings his expertise and passion for preserving historical buildings to 'Colonial Homes in North Carolina'. His research and background in the field make him uniquely qualified to delve into the intricate details of these homes and their importance in the region's history. Allcott's dedication to showcasing the beauty and significance of colonial homes shines through in his writing, captivating readers with his knowledge and insights. I highly recommend 'Colonial Homes in North Carolina' to anyone interested in the history and architecture of the region. John V. Allcott's thorough examination of these homes offers a fascinating and educational read for architecture enthusiasts, historians, and anyone curious about North Carolina's rich colonial heritage.