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Descartes's Fictions traces common movements in early modern philosophy and literary method. Emma Gilby reassesses the significance of Descartes's writing by bringing his philosophical output into contact with the literary treatises, exempla, and debates of his age. She argues that humanist theorizing about poetics represents a vital intellectual context for Descartes's work. She offers readings of the controversies to which this poetic theory gives rise, with particular reference to the genre of tragicomedy, questions of verisimilitude or plausibility, and the figures of Guez de Balzac and Pierre Corneille. Drawing on what Descartes says about, and to, his many contemporaries and correspondents embedded in the early modern republic of letters, this volume shows that poetics provides a repository of themes and images to which he returns repeatedly: fortune, method, error, providence, passion, and imagination, for instance. Like the poets and theorists of his age, Descartes is also drawn to the forms of attention that people may bring to his work. This interest finds expression in the mature Cartesian metaphysics of the Meditations, as well as, later, in the moral philosophy of his correspondence with Elisabeth of Bohemia or the Passions of the Soul. This volume thus bridges the gap between Cartesian criticism and late-humanist literary culture in France.
Emma Gilby reassesses Descartes's writing by bringing his philosophical output into contact with the literary treatises, exempla, and debates of his age. She argues that humanist theorizing about poetics represents a vital intellectual context for Descartes's work, and offers readings of the controversies to which this poetic theory gives rise.
Sixteen years after René Descartes' death in Stockholm in 1650, a pious French ambassador exhumed the remains of the controversial philosopher to transport them back to Paris. Thus began a 350-year saga that saw Descartes' bones traverse a continent, passing between kings, philosophers, poets, and painters. But as Russell Shorto shows in this deeply engaging book, Descartes' bones also played a role in some of the most momentous episodes in history, which are also part of the philosopher's metaphorical remains: the birth of science, the rise of democracy, and the earliest debates between reason and faith. Descartes' Bones is a flesh-and-blood story about the battle between religion and rationalism that rages to this day. A New York Times Notable Book
Of all the works of the man claimed by many as the father of modern philosophy, the MEDITATIONS, first published in 1641, must surely be Rene Descartes' masterpiece. This volume consists of not only a new translation of the original Latin text and the expanded objections and replies, but also includes selected correspondence and other metaphysical writings from the period 1641-49.
Scientist, mathematician, traveler, soldier-and spy-Rene Descartes was one of the founders of the modern world. His life coincided with an extraordinary time in history: the first half of the miraculous seventeenth century, replete with genius in the arts and sciences, and wracked by civil and international conflicts across Europe. But at his birth in 1596 the world was still dominated by medieval beliefs in phenomena such as miracles and spontaneous generation. It was Descartes who identified the intellectual tools his peers needed to free themselves from the grip of religious authority and in doing so he founded modern philosophy. In this new biography, A. C. Grayling tells the story of Descartes' life, and places it in his tumultuous times-with the unexpected result that an entirely new aspect of the story comes to light.
Descartes’s concern with the proper method of belief formation is evident in the titles of his works—e.g., The Search after Truth, The Rules for the Direction of the Mind and The Discourse on Method of rightly conducting one’s reason and seeking the truth in the sciences. It is most apparent, however, in his famous discussions, both in the Meditations and in the Principles, of one particularly noteworthy source of our doxastic errors—namely, the misuse of one’s will. What is not widely recognized, let alone appreciated and understood, is the relationship between his concern with belief formation and his concern with virtue. In fact, few seem to realize that Descartes regards doxastic errors as moral errors and as sins both because such errors are intrinsically vicious and because they entail notably deleterious social consequences. Reforming the Art of Living seeks to rectify this rather common oversight in two ways. First, it aims to elucidate the nature of Descartes’s account of virtuous belief formation. Second, it aims both (i) to illuminate the social significance of Descartes’s philosophical program as it relates to the understanding and practice not of science, but of religion and (ii) to develop a kind of Leibnizian critique of this aspect of his program. More specifically, it aims to show that Descartes’s project is “dangerous,” insofar as it is subversive not only of traditional Christianity but also of other traditional forms of religion, both in theory and in practice.
'I realized it was necessary to demolish everything and start again right from the foundations, if I wanted to establish anything in the sciences that was stable and likely to last.' Ren Descartes Revered as the 'father of modern philosophy', Descartes is one of the most influential philosophers of all time, but his ideas are also highly controversial and have been subjected to intense criticism by present-day philosophers. John Cottingham examines Descartes's remarkable attempt to construct a new basis for scientific understanding, his famous first principle, 'I am thinking, therefore I exist,' and his notorious and often misunderstood account of the relation between mind and body. He also tackles fascinating and lesser-known aspects of Descartes's philosophy, including his views on language, human and animal nature, the role of the emotions in the good life, and the place of God in science and ethics. Extracts are taken from the whole range of Descartes's writings, including the Discourse on the Method, Meditations on First Philosophy, Principles of Philosophy and his last book, the Passions of the Soul, as well as extracts from his philosophical letters.
A solid grasp of the main themes and arguments of the seventeenth-century philosopher René Descartes is essential for understanding modern thought, and a necessary entrée to the work of the Empiricists and Immanuel Kant. It is also crucial to the study of contemporary epistemology, metaphysics, and philosophy of mind. This new edition of Georges Dicker's commentary on Descartes's masterpiece, Meditations on First Philosophy, features a new chapter on the Fourth Meditation and improved treatments of the famous cogito ergo sum and the notorious problem of the Cartesian Circle, among numerous other improvements and updates. Clear and accessible, it serves as an introduction to Descartes's ideas for undergraduates and as a sophisticated companion to his Meditations for advanced readers. The volume provides a thorough discussion of several basic issues of epistemology and metaphysics elicited from the main themes and arguments of the Meditations. It also delves into the work's historical background and critical reception. Dicker offers his own assessments of the Cartesian Doubt, the cogito, the causal and ontological proofs of God's existence, Cartesian freedom and theodicy, Cartesian Dualism, and Descartes's views about the existence and nature of the material world. The commentary also incorporates a wealth of recent Descartes scholarship, and inculcates -- but does not presuppose -- knowledge of the methods of contemporary analytic philosophy.
The American debut novel by the winner of the National Book Award of the Philippines.
René Descartes (1596–1650) is one of the towering and central figures in Western philosophy and mathematics. His apothegm “Cogito, ergo sum” marked the birth of the mind-body problem, while his creation of so-called Cartesian coordinates have made our physical and intellectual conquest of physical space possible. But Descartes had a mysterious and mystical side, as well. Almost certainly a member of the occult brotherhood of the Rosicrucians, he kept a secret notebook, now lost, most of which was written in code. After Descartes’s death, Gottfried Leibniz, inventor of calculus and one of the greatest mathematicians in history, moved to Paris in search of this notebook—and eventually found it in the possession of Claude Clerselier, a friend of Descartes. Leibniz called on Clerselier and was allowed to copy only a couple of pages—which, though written in code, he amazingly deciphered there on the spot. Leibniz’s hastily scribbled notes are all we have today of Descartes’s notebook, which has disappeared. Why did Descartes keep a secret notebook, and what were its contents? The answers to these questions lead Amir Aczel and the reader on an exciting, swashbuckling journey, and offer a fascinating look at one of the great figures of Western culture.