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2020 Canadian Association for Latin American and Caribbean Studies (CALACS) Book Prize In post-1968 Mexico a group of artists and feminist activists began to question how feminine bodies were visually constructed and politicized across media. Participation of women was increasing in the public sphere, and the exclusive emphasis on written culture was giving way to audio-visual communications. Motivated by a desire for self-representation both visually and in politics, female artists and activists transformed existing regimes of media and visuality. Women Made Visible by Gabriela Aceves Sepúlveda uses a transnational and interdisciplinary lens to analyze the fundamental and overlooked role played by artists and feminist activists in changing the ways female bodies were viewed and appropriated. Through their concern for self-representation (both visually and in formal politics), these women played a crucial role in transforming existing regimes of media and visuality—increasingly important intellectual spheres of action. Foregrounding the work of female artists and their performative and visual, rather than written, interventions in urban space in Mexico City, Aceves Sepúlveda demonstrates that these women feminized Mexico’s mediascapes and shaped the debates over the female body, gender difference, and sexual violence during the last decades of the twentieth century. Weaving together the practices of activists, filmmakers, visual artists, videographers, and photographers, Women Made Visible questions the disciplinary boundaries that have historically undermined the practices of female artists and activists and locates the development of Mexican second-wave feminism as a meaningful actor in the contested political spaces of the era, both in Mexico City and internationally.
How and to what degree are women worldwide gaining and using power? This book offers the first genuinely comparative assessment of this key question by exploring the conditions, actions, and accomplishments of women in Latin America and Asia. Encompassing 60 percent of the world's population and experiencing far-reaching transformations, these two regions offer a vital window into our understanding of the experiences of women globally. Revealing both basic similarities and fundamental differences, this volume offers thoughtful insights about the changing conditions of women, on the one hand, and, on the other, about patterns of social change throughout Asia and Latin America.
¿De qué hablaban Mozart y Da Ponte mientras componían? ¿Qué palabras amargas se dijeron Verdi y el duque de Rivas frente al Teatro Real de Madrid en la víspera de estrenar La forza del destino? ¿Por qué dejaron de compartir habitación Musorsgky y Rimsky-Korsakov? ¿Tenía envidia Haendel de Bach, o tenía miedo, o solo le dio pereza recibirle y por eso nunca llegaron ni a saludarse? ¿Cómo se tomaba Liszt las críticas de Berlioz? ¿Qué dijo Schubert, un poco borracho, el día del entierro de Beethoven? Las respuestas a estas preguntas... no las tenemos con certeza. Pero el autor de este libro las ha imaginado ayudado por las cartas, las biografías, los testimonios de la época y la obra de los compositores y artistas que protagonizan este libro. Con verdadera admiración y cariño hacia sus personajes, buen pulso narrativo, sentido del humor y atención al detalle, Santiago Miralles Huete firma 24 preludios (y una inesperada "fuga" final) que componen una historia de la música clásica. Alternativa, literaria, imaginada si se quiere, pero fiel y documentada. Un verdadero festín para melómanos de todos los géneros y todas las edades.
Discover one of Latin America's most diverse and compelling countries with the definitive travel guide to Costa Rica, researched by Rough Guides' expert authors. In-depth coverage of Costa Rica's awe-inspiring scenery guides you to the most rewarding destinations - both big-hitters and low-key, tourist-free spots - and the best ways to experience them. Whether you want to soak in a hot spring or go white water rafting, walk through the canopy of a cloud forest or just sit back and enjoy some of the finest coffee on earth, we've got you covered. The Rough Guide to Costa Rica brings to life Costa Rica's incomparable wildlife with stunning colour photography and, as over a quarter of the country is protected land, you'll have plenty of chances to see it. With turtle-nesting beaches, jewel-like butterflies and frogs, and more bird species than the US and Canada combined, the "Rich Coast" more than lives up to its name. The Rough Guide to Costa Rica also includes easy-to-use maps, reliable advice on how to get around, and up-to-date reviews of the best hotels, hostels, eco lodges, restaurants, bars, clubs and shops - for all budgets - to ensure that you don't miss a thing.
On March 13, 1697, Spanish troops from Yucatán attacked and occupied Nojpeten, the capital of the Maya people known as Itzas, the inhabitants of the last unconquered native New World kingdom. This political and ritual center--located on a small island in a lake in the tropical forests of northern Guatemala--was densely covered with temples, royal palaces, and thatched houses, and its capture represented a decisive moment in the final chapter of the Spanish conquest of the Mayas. The capture of Nojpeten climaxed more than two years of preparation by the Spaniards, after efforts by the military forces and Franciscan missionaries to negotiate a peaceful surrender with the Itzas had been rejected by the Itza ruling council and its ruler Ajaw Kan Ek’. The conquest, far from being final, initiated years of continued struggle between Yucatecan and Guatemalan Spaniards and native Maya groups for control over the surrounding forests. Despite protracted resistance from the native inhabitants, thousands of them were forced to move into mission towns, though in 1704 the Mayas staged an abortive and bloody rebellion that threatened to recapture Nojpeten from the Spaniards. The first complete account of the conquest of the Itzas to appear since 1701, this book details the layers of political intrigue and action that characterized every aspect of the conquest and its aftermath. The author critically reexamines the extensive documentation left by the Spaniards, presenting much new information on Maya political and social organization and Spanish military and diplomatic strategy. This is not only one of the most detailed studies of any Spanish conquest in the Americas but also one of the most comprehensive reconstructions of an independent Maya kingdom in the history of Maya studies. In presenting the story of the Itzas, the author also reveals much about neighboring lowland Maya groups with whom the Itzas interacted, often violently.
The biography of the first African-American prima ballerina Winner of the The Marfield Prize / National Award for Arts Writing (2011) Dancer Janet Collins, born in New Orleans in 1917 and raised in Los Angeles, soared high over the color line as the first African-American prima ballerina at the Metropolitan Opera. Night's Dancer chronicles the life of this extraordinary and elusive woman, who became a unique concert dance soloist as well as a black trailblazer in the white world of classical ballet. During her career, Collins endured an era in which racial bias prevailed, and subsequently prevented her from appearing in the South. Nonetheless, her brilliant performances transformed the way black dancers were viewed in ballet. The book begins with an unfinished memoir written by Collins in which she gives a captivating account of her childhood and young adult years, including her rejection by the Ballet Russe de Monte Carlo. Dance scholar Yaël Tamar Lewin then picks up the thread of Collins's story. Drawing on extensive research and interviews with Collins and her family, friends, and colleagues to explore Collins's development as a dancer, choreographer, and painter, Lewin gives us a profoundly moving portrait of an artist of indomitable spirit.