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Discusses Weiss's plays, fiction, autobiography, and non-fiction prose. Pp. 22-25 illuminate "Die Ermittlung", an oratorio based on Weiss's 1964 attendance at the Frankfurt war crimes trial. He used actual documents both aesthetically and politically. 18 of the defendants appear with their real names, either defending themselves with the jargon of doing their duty or totally denying their guilt. Among the charges against these Nazis were conducting medical experiments, torture, and murder. Ch. 7 (pp. 107-129) elucidates Weiss's three-volume novel "Die Ästhetik des Widerstands", about resistance to Nazism in thought and action. The characters in the novel are based on members of the Rote Kapelle resistance group. Politics and creative thinking (art) are shown as complementary, not contradictory.
Without question, the East German National People’s Army was a profoundly masculine institution that emphasized traditional ideals of stoicism, sacrifice, and physical courage. Nonetheless, as this innovative study demonstrates, depictions of the military in the film and literature of the GDR were far more nuanced and ambivalent. Departing from past studies that have found in such portrayals an unchanging, idealized masculinity, Comrades in Arms shows how cultural works both before and after reunification place violence, physical vulnerability, and military theatricality, as well as conscripts’ powerful emotions and desires, at the center of soldiers’ lives and the military institution itself.
Immortal Austria was the title of a theatrical pageant devised by Austrian refugees in wartime London, the name summarizing their collective memory of their homeland as a country of mountain scenery, historical grandeur and musical refinement. The reality of the country they had left, and the one to which some of them returned, was very different. This volume contains various studies of the representations of their homeland in the cultural production of Austrian exiles, including those projected by émigrés working in the British film industry, those portrayed in the historical novel and in the literary works of such notable authors as Stefan Zweig, Elias Canetti and Robert Neumann. It opens with a survey of the make-up of the Austrian exile community and concludes with a study of attitudes to returning exiles, as reflected in the post-war literary journals. The volume thus offers students and teachers a vital cultural link between the pre-1934 Austria of the First Republic and the post-1945 Austria of the Second.
All Theater Is Revolutionary Theater is the first book to consider why, in the Western tradition (and only in the Western tradition), theatrical drama is regarded as its own literary or poetic type, when the criteria needed to differentiate drama from other forms of writing do not resemble the criteria by which types of prose or verse are ordinarily distinguished. Through close readings of such playwrights as Beckett, Brecht, Büchner, Eliot, Shaw, Wedekind, and Robert Wilson, Benjamin Bennett looks at the relationship between literature and drama, identifying typical problems in the development of dramatic literature and exploring how the uncomfortable association with theatrical performance affects the operation of drama in literary history.Bennett's historical investigations into theoretical works ranging from Aristotle to Artaud, Brecht, and Diderot suggest that the attempt to include drama in the system of Western literature causes certain specific incongruities that, in his view, have the salutary effect of preserving the otherwise endangered possibility of a truly liberal, progressive, or revolutionary literature.
Reproduction of the original: Dr. F. Hantschel’s, Kammweg-Führer by Dr. F Hantschel
With a collection of 57 articles in English, French and German, presenting the most recent research on ancient fortifications, this book is the most substantial publication ever to have issued on the topic for many years. While fortifications of the ancient cultures of the middle east and ancient Greek and Roman worlds were noticed by travelers and scholars from the very beginning of research on antiquity from the late 18th century onwards, the architectural, economic, logistical, political, urban and other social aspects of fortifications have been somewhat overlooked and underestimated by scholarship in the 20th century. The book presents the research of a new generation of scholars who have been analyzing those aspects of fortifications, many of them with years of experience in fieldwork on city walls. Much new evidence and a fresh look at this important category of built structure is now made available, and the publication will be of interest not only to the field of ancient architecture, but also to other sub-disciplines of archaeology and ancient history. The papers were presented at a conference in Athens in December 2012, and they all present material and discuss topics under seven headings that represent the most central themes in the study of fortification in antiquity: the origins of fortification, physical surroundings and building technique, function and semantics, historical context, the fortification of regions and regionally confined phenomena, the fortifications of Athens and new field research. The book is Volume 2 in the new series Fokus Fortifikation Studies, created by the German based international research network Fokus Fortifikation. The topics included have been identified by the network over many previous conferences and workshops as being the most important and as needing research and discussion beyond the network members. Volume 1 in the series, Ancient Fortifications: a compendium of theory and practice (Oxbow Books) will also appear in 2015 and together the two volumes bring the field of fortification studies up-to-date and will be an essential resource for many years to come.
"The intellectual heritage of Ancient Egypt" – once wrote Jan Assmann – "can hardly be said to have become part of our cultural memory. It is a subject of fascination, not of understanding." This fascination began when ancient Greek travellers started visiting Egypt, and continues unto this day, more often than not as a scholarly search for the oldest roots of our cultural memory. Jan Assmann's superb academic achievement undoubtedly represents the single most significant contribution to the modern understanding of Ancient Egypt, reaching far beyond the boundaries of Egyptology proper. The essays in this volume, all written by his friends and disciples, reflect the tremendous impact of his oeuvre on the scholarly world, encompassing not only Egyptological and related themes, but also central aspects of Judaeo-Christian identity such as monotheism and the historical events surrounding the recently discovered Diaspora temple of Yahu on the island of Elephantine.