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Wie sieht ein moderner Mann aus? Dass sich das Frauenbild in den letzten Jahren radikal gewandelt hat, steht außer Frage. Wie steht es jedoch mit dem Mann im und als Bild? Haben wir es zum Beispiel mit einem backlash zu tun, bei dem nach einer Zeit der Feminisierung des Mannes nun erneut ein traditionelles Männerbild zurückkehrt? War der 'neue Mann' nur eine kurze Chimäre? Das Ziel dieses Bandes ist es, für den Zeitraum von 1900 bis heute die visuellen Darstellungsweisen von Männlichkeit und die damit verbundenen künstlerischen sowie gesellschaftspolitischen Strategien zu untersuchen und kritisch zu bewerten.
Deutschland 1900 bis 1933 zwischen den Euphorien des machtpolitischen Aufstiegs und den militarischen, okonomischen und politischen Katastrophen waren diese Jahre durch vielgestaltige und intensive Krisenerfahrungen gepragt. Krieg, Niederlage, Revolution und Depression, aber auch der kulturelle Aufbruch in die Moderne schrieben sich in die Leben der Menschen ein. Es waren Durchbruchs- und Krisenjahre der Moderne, deren pragende Strukturen und Umwalzungen es fur eine politische Kulturgeschichte Deutschlands zu hinterfragen gilt."
Impending defeat: military losses, the Wehrmacht and ordinary Germans -- Confronting defeat: returning POWs and the politics of victimization -- Embodied defeat: medicine, psychiatry, and the trauma of the returned POW -- Survivors of totalitarianism: returning POWs and the making of West German citizens -- Antifascist conversions: returning POWs and the making of East German citizens -- Parallel exclusions: the West German POW trials and the East German purges -- Absent presence: missing POWs and MIAs -- Divided reunion: the return of the last POWs -- Histories of the aftermath.
"A pathbreaking book. Nothing else attempts the broad sweep or comprehensive vision that Heineman offers in this book."—Robert Moeller, author of Protecting Motherhood
Study of the critical reception of one of the most famous and widely read works of modern literature. Thomas Mann's 1912 novella Death in Venice is one of the most famous and widely read texts in all of modern literature, raising such issues as beauty and decadence, eros and irony, and aesthetics and morality. The amount and variety of criticism on the work is enormous, and ranges from psychoanalytic criticism and readings inspired by Mann's own homosexuality to inquiries into the place of the novella in Mann's oeuvre, its structure and style, and its symbolism and politics. Critics have also drawn connections between the novella and works of Plato, Euripides, Goethe, Schopenhauer, Platen, Wagner, Nietzsche, Gide, and Conrad. Ellis Shookman surveys the reception of Deathin Venice, analyzing several hundred books, articles, and other reactions to the novella, proceeding in a chronological manner that allows a historical perspective. Critics cited include Heinrich Mann, Hermann Broch, D. H. Lawrence, Karl Kraus, Kenneth Burke, Georg Lukàcs, Wolfgang Koeppen, Mario Vargas Llosa, and Thomas Mann himself. Particular attention is paid to Luchino Visconti's film, Benjamin Britten's opera, and to other more recent creative adaptations, both in Germany and throughout the world. Ellis Shookman is associate professor of German at Dartmouth College.
What is the relationship between sexual and other kinds of politics? Few societies have posed this puzzle as urgently, or as disturbingly, as Nazi Germany. What exactly were Nazism's sexual politics? Were they repressive for everyone, or were some individuals and groups given sexual license while others were persecuted, tormented, and killed? How do we make sense of the evolution of postwar interpretations of Nazism's sexual politics? What do we make of the fact that scholars from the 1960s to the present have routinely asserted that the Third Reich was "sex-hostile"? In response to these and other questions, Sex after Fascism fundamentally reconceives central topics in twentieth-century German history. Among other things, it changes the way we understand the immense popular appeal of the Nazi regime and the nature of antisemitism, the role of Christianity in the consolidation of postfascist conservatism in the West, the countercultural rebellions of the 1960s-1970s, as well as the negotiations between government and citizenry under East German communism. Beginning with a new interpretation of the Third Reich's sexual politics and ending with the revisions of Germany's past facilitated by communism's collapse, Sex after Fascism examines the intimately intertwined histories of capitalism and communism, pleasure and state policies, religious renewal and secularizing trends. A history of sexual attitudes and practices in twentieth-century Germany, investigating such issues as contraception, pornography, and theories of sexual orientation, Sex after Fascism also demonstrates how Germans made sexuality a key site for managing the memory and legacies of Nazism and the Holocaust.
The contributions gathered in this volume exhibit a great variety of interdisciplinary perspectives on and theoretical approaches to the notion of ‘spaces between’. They draw our attention to the nexus between the medium of comics and the categories of difference as well as identity such as gender, dis/ability, age, and ethnicity, in order to open and intensify an interdisciplinary conversation between comics studies and intersectional identity studies.
Discrimination based on sexual orientation and gender identity concerns everybody, but it is foremost lesbian and gay persons who have to deal with it, especially when confronting the discovery of their homosexuality as a child or adolescent. In this book, education practitioners working with youth and researchers - from social, political, and educational sciences, as well as theology and philosophy - raise awareness of the wide spectrum of homophobia and offer solutions to the suffering it engenders in youths. The book will be helpful for parents, teachers, and others who are responsible for youth and education. It reviews concrete knowledge, combines it with scientific approaches, and identifies the need for further research. (Series: Gender-Diskussion - Vol. 13)