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The author of Pinnacles of Power delivers a post-Cold War spy thriller featuring globe-hopping journalist Jackson Maxwell. The place: A European center of power in the emerging new world order. The event: An international conference plotting the strategy for evangelism in the post-Cold War era. Jackson Maxwell, Christian journalist, travels to Berlin intent upon capturing the spirit of this historic gathering. But behind the scenes, a much more crucial chain of events is about to take shape. As high-tech churchmen plan a big-money conversation of the East, Jackson is suddenly faced with the life-or-death struggle of one solitary Christian. He is Andrassy Galanov, a former KGB spy, whom aspiring leaders of the new order want dead as soon as possible. When Jackson and leading evangelist Jacob Michaels make the decision to help, they are plunged into a hidden world of political intrigue, phony coups d’état, plans for a one-world currency, and a sinister religious vision for the globe. In their race against time, Jackson and Jacob also run headlong into their most surprising find—the rethinking of the very nature of Christian conversion itself.
Philosophically explores the topic of emotional depth.
Every age has its teachers, who keep the eternal truths alive for all of us, writes Marianne Williamson, the best-selling author of The Age of Miracles. In the case of Andrew Harvey, the light he sheds is like a meteor burst across the inner sky. In The Hope, Andrew Harvey offers not only a guide to discovering your divine purpose but also...
'Out of the Depths: A Romance of Reclamation' by Robert Ames Bennet is a novel that begins with a city man hunting on a steep mountain who narrowly avoids death as his horse stumbles to the brink of a dangerous precipice. After recovering from his near-death experience, he decides to explore the area and discovers an abandoned mine. This thrilling story is filled with adventure, danger, and unexpected love that will keep readers on the edge of their seats.
This etymological dictionary gives the origins of some 20,000 items from the modern English vocabulary, discussing them in groups that make clear the connections between words derived by a variety of routes from originally common stock. As well as giving the answers to questions about the derivation of individual words, it is a fascinating book to browse through, and includes extensive lists of prefixes, suffixes, and elements used in the creation of new vocabulary.
This book demonstrates how a group of tragedies by Shakespeare and his contemporaries stage the fear and exhilaration generated by encounters with the unknown and the extraordinary. Arguing that the maritime art of fathoming--that is, dropping a lead and line into water to measure its depth--operates as a master-image for these plays, it illustrates how they create sublime horror through intuitions of mysterious more-than-human agencies and of worlds beyond the visible. Though tightly focused on a specific body of imagery, the book strikes up dialogue with a number of critical fields, including theories and histories of tragedy; ecocriticism and the environmental humanities; oceanic studies; and work on early modern ideas about the body, madness, and language. Countering a tendency within tragic theory to value the textual over the dramatic, it also demonstrates how the tragic effects to which it points are created through specific theatrical strategies, including the use of offstage space, intertheatricality, and the violation of dramatic conventions. Situating its arguments within recent criticism on these plays and on tragedy more generally, and pushing back against scholarship that regards the genre in Shakespeare's time as concerned more with pity than with fear, the book offers fresh and detailed readings of some of the most frequently studied plays in the English canon, including Hamlet, King Lear, Macbeth, The Duchess of Malfi, and The Changeling.
Fairacres Publications 162 This candid, personal account of depression, and recovery from ‘out of the depths’, has helped many to come to terms with their own experiences, or provide support to other sufferers. By continuing to say the Psalms and read the Bible, through force of habit, the author discovered voices which penetrated his darkness and confusion. Wendy Robinson, the writer of the Epilogue, pays a warm tribute to Gonville ffench-Beytagh, with whom she shares an understanding of the challenge presented by depression for the Church and for the Christian faith. As a Christian psychotherapist, she contributes her own insights into the nature and treatment of depression, and its liberating potential.
The New Synthesis consists of 1) a new understanding of heritability, 2) a new interpretation and understanding of the broad heritability coefficient, 3) a new understanding of the human instincts, 4) a new understanding of normal and abnormal behavior, 5) a new interpretation and understanding of intellect and free will, 6) a new understanding of the behavior of genuinely identical MZA twins in different genuine free-choice environments, and 7) a new list of the human instincts.