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As a psychiatric term ‘depression’ dates back only as far as the mid-nineteenth century. Before then a wide range of terms were used: ‘melancholy’ carried enormous weight, and was one of the two confirmed forms of eighteenth-century insanity. This four-volume set is the first large-scale study of depression across an extensive period.
As a psychiatric term ‘depression’ dates back only as far as the mid-nineteenth century. Before then a wide range of terms were used: ‘melancholy’ carried enormous weight, and was one of the two confirmed forms of eighteenth-century insanity. This four-volume set is the first large-scale study of depression across an extensive period.
As a psychiatric term ‘depression’ dates back only as far as the mid-nineteenth century. Before then a wide range of terms were used: ‘melancholy’ carried enormous weight, and was one of the two confirmed forms of eighteenth-century insanity. This four-volume set is the first large-scale study of depression across an extensive period.
As a psychiatric term ‘depression’ dates back only as far as the mid-nineteenth century. Before then a wide range of terms were used: ‘melancholy’ carried enormous weight, and was one of the two confirmed forms of eighteenth-century insanity. This four-volume set is the first large-scale study of depression across an extensive period.
Silent Partners restores women to their place in the story of England's Financial Revolution. Women were active participants in London's first stock market beginning in the 1690s and continuing through the eighteenth century. Whether playing the state lottery, investing in government funds for retirement, or speculating in company stocks, women regularly comprised between a fifth and a third of public investors. These female investors ranged from London servants to middling tradeswomen, up to provincial gentlewomen and peeresses of the realm. Amy Froide finds that there was no single female investor type, rather some women ran risks and speculated in stocks while others sought out low-risk, low-return options for their retirement years. Not only did women invest for themselves, their financial knowledge and ability meant that family members often relied on wives, sisters, and aunts to act as their investing agents. Moreover, women's investing not only benefitted themselves and their families, it also aided the nation. Women's capital was a critical component of Britain's rise to economic, military, and colonial dominance in the eighteenth century. Focusing on the period between 1690 and 1750, and utilizing women's account books and financial correspondence, as well as the records of joint stock companies, the Bank of England, and the Exchequer, Silent Partners provides the first comprehensive overview of the significant role women played in the birth of financial capitalism in Britain.
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Patriarchalism is omnipresent in Western culture and it pervades the texts that have shaped this culture. From the creation story in the Bible to the ancient authors, from the Church fathers to the treatises of Enlightenment philosophers, right up to modern fiction, male authority over women, children and other dependents has shaped the nature of human relationships and the discourses about these relationships. This collection of short essays offers fresh and novel readings of key texts in the history of patriarchalism as a concept of power. The texts selected are from political, religious and literary works and together the readings add new insights to a tradition that has never gone uncontested, yet is unlikely to disappear soon.
This open access book maps a crucial but neglected chapter in the history of psychiatry: how was melancholia transformed in the nineteenth century from traditional melancholy madness into a modern biomedical mood disorder, paving the way for the emergence of clinical depression as a psychiatric illness in the twentieth century? At a time when the prevalence of mood disorders and antidepressant consumption are at an all-time high, the need for a comprehensive historical understanding of how modern depressive illness came into being has never been more urgent. This book addresses a significant gap in existing scholarly literature on melancholia, depression, and mood disorders by offering a contextualised and critical perspective on the history of melancholia in the first decades of psychiatry, from the 1830s until the turn of the twentieth century.
This collection examines different aspects of attitudes towards disease and death in writing of the long eighteenth century. Taking three conditions as examples – ennui, sexual diseases and infectious diseases – as well as death itself, contributors explore the ways in which writing of the period placed them within a borderland between fashionability and unfashionability, relating them to current social fashions and trends. These essays also look at ways in which diseases were fashioned into bearing cultural, moral, religious and even political meaning. Works of literature are used as evidence, but also medical writings, personal correspondence and diaries. Diseases or conditions subject to scrutiny include syphilis, male impotence, plague, smallpox and consumption. Death, finally, is looked at both in terms of writers constructing meanings within death and of the fashioning of posthumous reputation.
As a psychiatric term 'depression' dates back only as far as the mid-nineteenth century. Before then a wide range of terms were used: 'melancholy' carried enormous weight, and was one of the two confirmed forms of eighteenth-century insanity. This four-volume set is the first large-scale study of depression across an extensive period.
Boswell and the Press: Essays on the Ephemeral Writing of James Boswell is the first sustained examination of James Boswell’s ephemeral writing, his contributions to periodicals, his pamphlets, and his broadsides. The essays collected here enhance our comprehension of his interests, capabilities, and proclivities as an author and refine our understanding of how the print environment in which he worked influenced what he wrote and how he wrote it. This book will also be of interest to historians of journalism and the publishing industry of eighteenth-century Britain.