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A study of the extent to which the Holocaust - as a major historical event - influenced Western art. Pt. I (pp. 3-127), "Depiction, " discusses many artists and their works. Pt. II (pp. 131-366), "Interpretation, " analyzes primary Holocaust symbols, biblical imagery, "the crucified Jew, " myths, abstraction, and Jewish identity. Pp. 367-509 contain notes to the above chapters, and pp. 511-546 give an extensive selected bibliography. The plates contain reproductions of 560 paintings and drawings.
AcknowledgmentsI: Collective Memories, Images, and the Atrocity of War II: Before the Liberation: Journalism, Photography, and the Early Coverage of Atrocity III: Covering Atrocity in Word IV: Covering Atrocity in Image V: Forgetting to Remember: Photography as Ground of Early Atrocity MemoriesVI: Remembering to Remember: Photography as Figure of Contemporary Atrocity Memories VII: Remembering to Forget: Contemporary Scrapbooks of Atrocity Notes Selected Bibliography Index Copyright © Libri GmbH. All rights reserved.
'What is the meaning of a word?' In this thought-provoking book, Hagberg demonstrates how this question—which initiated Wittgenstein's later work in the philosophy of language—is significant for our understanding not only of linguistic meaning but of the meaning of works of art and literature as well.
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. From dark corners of brilliant minds come the best mysteries and thrillers of our time. This book focuses on the detective fiction of Georges Simenon. Project Webster represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Project Webster continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge.
A richly illustrated collection of essays on visual biblical interpretation For centuries Christians have engaged their sacred texts as much through the visual as through the written word. Yet until recent decades, the academic disciplines of biblical studies and art history largely worked independently. This volume bridges that gap with the interdisciplinary work of biblical scholars and art historians. Focusing on the visualization of biblical characters from both the Old and New Testaments, essays illustrate the potential of such collaboration for a deeper understanding of the Bible and its visual reception. Contributions from Ian Boxall, James Clifton, David B. Gowler, Jonathan Homrighausen, Heidi J. Hornik, Jeff Jay, Christine E. Joynes, Yohana A. Junker, Meredith Munson, and Ela Nuțu foreground diverse cultural contexts and chronological periods for scholars and students of the Bible and art.
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Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics
This full color book is a comprehensive visual reference for the interpretation of synthetic aperture radar (SAR) images with examples of how technological specifications may affect interpretation solutions. It contains a summary review of image acquisition parameters of consequence on the visual representation of objects, introduces traditional interpretation keys under different light and applies them for considering regional landscape components and identifying large-scale geographical ensembles. Through elements of interpretation such as the construct of tone, texture, pattern, size, and shape, the book explains the rich unique context of many terrains. It provides also several SAR X- and C-band image examples of regional and large-scale land use and land cover (LULC) ensembles, includes important explanations for each illustration, and highlights selected SAR image applications. Ancillary information includes acquisition specifications, a geographic scale, and the image-center latitude and longitude. Features: Provides ready access to any type of information for an image interpretation problem related to current LULC classification schemes. Presents scalable geographic information interpreted at a regional scale and land cover ensembles that can also be interpreted locally. Provides comparative examples of images acquired from X- and C-band, opposed look directions, near- and far-range incidence angles, like- and cross-polarization modes. Includes practical explanations easily transferred to individual’s research projects. Designed as "visual dictionary," SAR Image Interpretation for Various Land Covers: A Practical Guide, is an excellent introduction to the visual interpretation of SAR images for numerous types of LULC. Both practitioners and students will familiarize themselves with and expand their knowledge of geographic information conveyed from radar images while government agencies and businesses that use LULC-related data for emergency response cases of for urban and regional planning, will find this book invaluable.
Traditional methods for image scene interpretation and understanding are based mainly on such single-threaded procedural paradigms as hypothesize-and-test or syntactic parsing. As a result, these systems are unable to carry out tasks that require concurrent hypothesis testing.This book explores a method for symbolically interpreting images based upon a parallel implementation of a network-of-frames suggested, for example, by Minsky (1975), to describe intelligent processing. The system has been implemented in an object-oriented environment in the logic programming language Parlog++ and includes the propagation of uncertainty through each frame using Baldwin's (1986) formulation. The system is tested with several scenarios of increasing complexity, culminating with legal interpretation of traffic intersection images.