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This book deals with the rules of art. More specifically, it treats of the unwritten rules of Nepalese religious art as laid down in ‘model books’. These can be seen as manuals for the artists, in which they can find the correct way to represent, in visual art, any of some 2000 godly figures. The representation of these gods, all of them with their particular attributes, was (and is) subject to more or less strict rules. These books, the kind of which is also found in Europe in the early Middle Ages, have developed into a special tradition in Nepal, where a unique number of model books was found to be in existence, the oldest of them going back to the 15th century. The author of this study (the first in its kind) has traced the development in time of some 150 popular Hindu deities to determine the meaning of these model books for the artists using them, and also to see if the representation of these gods is in any way related to changes in society.
This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style.
Gods and goddesses—in human, animal, and other forms—were central to the ancient Egyptian way of life. Identified with the natural world, daily living, and the afterlife, they maintained order and prevented chaos from permeating the human world. The figures documented in ancient hieroglyphics are given dimension in this absorbing volume, which examines the characteristics and significance of many of the Egyptian gods and goddesses and also looks at related topics such as ancient symbols and the influence of Egyptian mythology on other cultures and belief systems.
Old Testament professor Timothy Laniak follows the figure of the shepherd through the pages of Scripture to help today's leaders find their place in the ancient pastoral tradition.
A Companion to Sparta umfasst zwei Bände und präsentiert erstmals umfassend Essays unterschiedlichster Autoren über sämtliche Aspekte der Geschichte und Gesellschaft Spartas, von den Anfängen in den Dunklen Jahrhunderten Griechenlands bis zum Römischen Kaiserreich. - Bietet eine klare und umfassende Einführung in sämtliche Aspekte von Sparta als eine Gemeinschaft, die von Städten aus dieser Zeit als eine der einflussreichsten Mächte im klassischen Griechenland angesehen wurde. - Präsentiert ausführlich die Geschichte und Kultur Spartas in Beiträgen internationaler Autoren, darunter nahezu alle Experten und Wissenschaftler des Fachgebiets. - Enthält über ein Dutzend Abbildungen zur Kunst Spartas, die die Entwicklung des alltäglichen Lebens in Sparta zeigen. - Beleuchtet die heutige Kontroverse über Veränderungen in der Gesellschaft Spartas, von der archaischen bis zur klassischen Periode, aus einem neuen Blickwinkel.
This book provides a comprehensive overview of Celtic mythology and religion, encompassing numerous aspects of ritual and belief. Topics include the presence of the Celtic Otherworld and its inhabitants, cosmology and sacred cycles, wisdom texts, mythological symbolism, folklore and legends, and an appreciation of the natural world. Evidence is drawn from the archaeology of sacred sites, ethnographic accounts of the ancient Celts and their beliefs, medieval manuscripts, poetic and visionary literature, and early modern accounts of folk healers and seers. New translations of poems, prayers, inscriptions and songs from the early period (Gaulish, Old Irish and Middle Welsh) as well as the folklore tradition (Modern Irish, Scottish Gaelic, Welsh, Cornish, Breton and Manx) complement the text. Information of this kind has never before been collected as a compendium of the indigenous wisdom of the Celtic-speaking peoples, whose traditions have endured in various forms for almost three thousand years.
Depictions of standards form a fundamental part of the visual repertoire of ancient Mesopotamia. These depictions can offer great insight into the thought world of the peoples with which they are associated, because different standards were associated with different deities, and could be found in multiple contexts. In this book, Renate Marian van Dijk-Coombes examines the standards which are represented in the visual culture of the third and fourth millennia BCE, covering the Uruk, Early Dynastic, Akkadian and Neo-Sumerian periods. She analyses each of the different standards, how they looked, what they symbolised and the context(s) in which they were found. In addition, developments and changes in the representation of these standards are traced across the periods under discussion.
Hinduism is a polytheistic religion. For the Hindus, Goddess Kali is the only austere, down-to-earth deity who believes in absolute simplicity and openness. She does not hide her body; she is naked with her private parts covered by a garland of severed hands of demons slain by her. Her mind is overt as she sticks out her tongue representing her thirst for the blood of evil people whom she is determined to overpower and also her feeling of shame. Her soul yearns for pure and authentic love. She is unlike other Hindu goddesses who are opulently dressed and majestically ornamented. Kali’s child, God incarnate Sri Sri Ramakrishna, like his mother goddess is casual not only about his dress but also about his worshipping habits. This book looks at Ramakrishna, his method of devotion, his yearning for the goddess, and his value system and entire philosophy. It analyses the Hindu Saint’s soul and its slices that he had shared and still continues to share, even today—long after he left this planet, with those who understand him thoroughly and are meant to propagate his message. The author’s method of analysis and treatment of the subject are unique as no other Kali or Ramakrishna scholar had used for their probes earlier.
New results and interpretations challenging the notion of a uniform, macroregional collapse throughout the Late Bronze Age Eastern Mediterranean Ancient Western Asia Beyond the Paradigm of Collapse and Regeneration (1200–900 BCE) presents select essays originating in a two-year research collaboration between New York University and Paris Sciences et Lettres. The contributions here offer new results and interpretations of the processes and outcomes of the transition from the Late Bronze Age to the Iron Age in three broad regions: Anatolia, northern Mesopotamia, and the Levant. Together, these challenge the notion of a uniform, macroregional collapse throughout the Eastern Mediterranean, followed by the regeneration of political powers. Current research on newly discovered or reinterpreted textual and material evidence from Western Asia instead suggests that this transition was characterized by a diversity of local responses emerging from diverse environmental settings and culture complexes, as evident in the case studies collected here in history, archaeology, and art history. The editors avoid particularism by adopting a regional organization, with the aim of identifying and tracing similar processes and outcomes emerging locally across the three regions. Ultimately, this volume reimagines the Late Bronze–Iron Age transition as the emergence of a set of recursive processes and outcomes nested firmly in the local cultural interactions of western Asia before the beginning of the new, unifying era of Assyrian imperialism.
The Eighth Annual Current Research in Egyptology Symposium (CRE 2007) was held at Swansea University on the 19th-21st April. The conference brought together graduate and postgraduate students of Egyptology from ten different countries, contributing to a total of 40 presentations. The range of topics included art and architecture, archaeology, literature and language, history and society as well as scientific analysis spanning the entire epoch of Egyptian history from the Predynastic to the Coptic era. The papers presented in the following volume represent a diverse range of topics and multidisciplinary approaches.